Affidavit concerning Bown’s controversy with the Hudson’s Bay Company over the printing by the Nor’-Wester of a petition on memorial dealing with imprisonment of Dr. John Schultz. It is dated 10 July 1868 at St. Cloud Minn. Note: Part of Exhibit A, and all of Exhibits B, C, & D are missing.

The collection consists of four early Irish manuscripts assembled by the Montreal collector Edward Murphy as part of his private library. The manuscripts include a copy of The Midnight Court (Cúirt an mheán oíche) by Brian Merriman, the Life of St. Patrick by John Chambers, Tri Biorghaoithe an Bhais (Three shafts of death) by Geoffrey Keating, and a fragment of an Irish vocabulary (Nuadhfoclóir bogcruaideach).

The F.R. Scott Collection contains documents pertaining to many differents aspects of F.R. Scott's life and career. His early political involvement in CCF (Co-operative Commonwealth Federation, the political party at the origin of the creation of the federal New Democratic Party [NDP]) constitutes one series; his interest in poetry another one. Also some important legal actions are documented here about language and education rights in Quebec schools. The last series contains more personal items probably gathered for an official commemorative service: tributes, press clippings. Includes F.R. Scott's passport for Montreal's Expo 1967.

Contains copies of fur trade documents bearing on the Mandan-Hidatsa trade with North West Company posts in central Canada, 1793-1805. Includes the journals of John Macdonell (McGill), David Thompson (Archives of Ontario), François-Antoine Larocque (LAC & Université de Montréal, Baby Collection. Draft before publication of: Early fur trade on the Northern Plains: Canadian traders among the Mandan and Hidatsa Indians, 1738-1818 : the narratives of John Macdonell, David Thompson, Franc̦ois-Antoine Larocque, and Charles McKenzie / edited and with an introduction by W. Raymond Wood and Thomas D. Thiessen. Norman: University of Oklahoma Press, c1985.

The Tundra Books fonds contains a collection of archival records documenting Tundra's publishing history. It includes correspondence with Tundra authors and artists, most notably with William Kurelek. Parts of the archival material document the development and production of each title and May Cutler's dealings with government and funding agencies. The archival materials document a significant chapter in Canadian post-war publishing history.

The fonds consists of records documenting Selwyn Dewdney’s professional activities as a writer, artist, teacher, and student. In addition, there are also records documenting Dewdney’s personal activities. Records related to Dewdney’s professional careers and scholarly pursuits include: printed editions of published articles and books, manuscript drafts, research materials, reviews, essays and speeches, newspaper and magazine clippings, notes, exhibition catalogues, financial records, correspondence, sketches and drawings, notebooks, photographs and plays. The fonds also contains letters, photographs, notes, holiday cards, and invoices related to Dewdney’s personal activities.

Fonds documents Michel Brisebois's work as a rare books curator and librarian, and antiquarian bookseller. The records include extensive correspondence from approximately 1966 to 1994 (textual and on diskette), as well as evaluations of libraries and archives including the Archives nationales du Québec, the McCord Musum, the McGill University Libraries, the Université de Montréal, Université du Québec à Montréal, and others. The fonds also contains Brisebois's agenda books, catalogues, and financial records, as well as documents relating to the Antiquarian Booksellers Association of Canada.

The fonds consists of Scobie’s personal records relating to his career as a prominent author, poet and critic in Canada between 1966 and 1989. The bulk of the records consists of his written materials; manuscripts and drafts of published and unpublished poetry, novels, short stories, critical writings, including annotated drafts of his books on bpNichol and Leonard Cohen, as well as various notes, both typed and handwritten, unproduced film scripts and a libretto. The files also include some peripheral and administrative documents relating to his publications, such as book sales receipts, royalty agreements, and reviews, as well as promotional materials relating to lectures, poetry readings and other events. Other materials include correspondence between Scobie and friends, publishers, and other organizations and individuals, as well as selected editions of White Pelican, a literary journal that Scobie edited, from 1971-1973.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

The fonds consists of 7 boxes of primarily typewritten documents created between 1976 and 2004 which reflect Julian Samuel’s creative work and related endeavours. They contain drafts of screenplays and novels, correspondence, book reviews, CVs, and ideas or doodles. They also contain newspaper clippings and collected research dealing with Samuel’s areas of interest, including unrest in the Middle East, immigration, and discrimination on the basis of race or language. These records were created and consulted in Montreal, Quebec. Although the work is often Samuel’s alone, correspondence and edited drafts appear regularly.