This is the pay ledger for Wolfe's Regiment of Marines.

The collection consists of typescripts and proofs of stories, essays and reviews.

Rexford's papers comprise manuscript and typescript drafts of his High School of Montreal: the development of Secondary Education 1800-1932, ca 1932. For Rexford's collection of background material, see the Special Collection: Protestant Education in Québec.

The fonds contains professional and private correspondence from Emma Albani, the first Canadian-born singer of international fame, to Parisian publisher Henri Heugel.

The fonds consists of literary works composed by Farkas, including scripts, manuscripts, poems, and plays. The records reflect Farkas’ involvement within the arts community, as well as many works relating to Canadian culture, specifically in Quebec. Farkas’ records span from 1952 until 2016. Locations that are reflected in Farkas’ works are Canada and Hungary.

No discernable order has been detected except for boxes 7 and 8 where poems are sorted alphabetically. The records have been filed into series which are detailed below. There are photographs, personal correspondence, translations of other poems and audiovisual materials (cassettes, CDs and DVDs). There are large amounts of correspondence with other artists and performers in both Canada and Europe, another reflection of his involvement within the community. The series listing is as follows: 1) Correspondence, 2) Manuscripts, 3) Poems & Poetry, 4) Reviews, 5) Scripts & Performance Pieces, 6) Translations, 7) Vehicule, 8) Works by other authors, 9) Mixed media, 10) An Evening in the Muses’ Company and 11) Photographs and visual materials.

The collection consists of ephemera, artifacts, and publications related chiefly to the Expo 67 World Fair in Montreal and some documents relating to its continuation, Man and His World (Terre des Hommes), an exhibition that was the successor to Expo 67. Many of the records and artifacts were produced by participant countries and sponsors or by the Canadian Corporation for the 1967 World Exhibition. Ephemera includes postcards, visitor passports, and ticket stubs, while other textual documents include guidebooks, magazines, catalogues, books, clippings, information manuals, and some unpublished planning documents. Artifacts include license plates, vinyl records, letter opener, bottle caps, shopping bags, and pins. The collection features pamphlets and brochures for numerous pavilions, events, services, and countries featured, as well as many maps for the Expo 67 grounds and documents related to subsequent seasons of Man and His World.

The collection consists of an illustrated and annotated edition of a monograph titled "The English Cathedral of Quebec, read before the Literary and Historical Society, Quebec, 10th March, 1891," an ordinary copy of the monograph, various documents, black and white photographs of both the cathedral's exterior and interior, as well as portraits of its bishops and canons. The collection also features newspaper clippings related to the history of the cathedral and church discussions, published by the Literary and Historical Society of Quebec and various local newspapers, along with handwritten memos concerning church disputes. It includes an original watercolour drawing of the diocese's coat of arms, ordered by the first Lord Bishop, Dr. Jacob Mountain.

The F.R. Scott Collection contains documents pertaining to many differents aspects of F.R. Scott's life and career. His early political involvement in CCF (Co-operative Commonwealth Federation, the political party at the origin of the creation of the federal New Democratic Party [NDP]) constitutes one series; his interest in poetry another one. Also some important legal actions are documented here about language and education rights in Quebec schools. The last series contains more personal items probably gathered for an official commemorative service: tributes, press clippings. Includes F.R. Scott's passport for Montreal's Expo 1967.

This collection consists of 15 autograph letters between a sender who is only identified by the initials "J.T." and a Miss Fanny Caulfield. Also included is a love letter by Irish poet J. Finnerty, dated 1852.

A volume of miscellaneous pieces in verse which Ramsbottom submitted to Charles Dickens in 1866. Dickens advised against publication.