The city of Giza was a theoretical study for a high-density city, amidst the existing ancient pyramids, which could accommodate the resettlement of 250,000 Palestinian refugees. Giza illustrated a number of concepts which Moshe Safdie had been exploring prior to Habitat '67 such as workable high-density environments, three-dimensional reorganization of urban land uses, the organization of individual dwellings as spatial groupings, the hierarchical organization of transportation networks, and the utilization of mass-production construction techniques.

Moshe Safdie developed a three-dimensional master plan for the newly proposed residential community of Coldspring. The master plan included a town center with retail and office space, two neighbourhood centers, three schools, over 3,000 dwelling units, three lakes, and an ecology center. Due to the topography of the site, three types of housing were designed: high rises, hillside clusters, and deck houses. The underlying concept of the deck house was to stack the community and residential spaces above the parking, enabling a higher building density to be achieved and therefore devoting more land to private or communal outdoor uses.

The Colegio Hebreo School Complex is a coeducational school providing facilities for 2,100 students, from kindergarten through preparatory levels. The program called for classrooms for each level of schooling, offices, administrative and service areas, a cafeteria, a library, and an indoor facility. It was requested that each classroom have an outdoor area which allowed for both indoor and outdoor teaching. A network of covered arcades led from the main courtyard to secondary courtyards for each of the three academic levels. Classrooms were terraced to form roof gardens for the rooms below, also affording many rooms with views of the surrounding landscape.

The proposed design for the headquarters of Converse Network Systems at Ra'anana, on the outskirts of Tel Aviv, included offices and manufacturing facilities for 6,000 employees along with 4,000 underground parking spaces. The complex was to consist of eight office pavilions flanking a glazed community "street". The office buildings -- four and five stories high -- were to be set atop a floor devoted to manufacturing and services, with four underground parking levels below it. The linear office structures were to be set 32 meters apart, containing a series of thematic gardens with gardens, water features and recreational spaces. The largest of the gardens was to contain dining terraces and a health club opening to an outdoor swimming pool.

Surrounded by relatively tall commercial buildings, the Connecticut Center must assert itself. Its image evokes the sciences; its geometries are reminiscent of great astronomical instruments, challenging our curiosity. Two nacelles, shaped as segments of two great toroids, are perched side by side atop a podium. The structure of the nacelles is made of laminated wood lattice - a diagrid - that rotates about their surface in an ordered and repetitive geometry. Uniting the nacelles is a great roof platform in the shape of the surface of a partial sphere - an inverted dome. The geometries of each part intersect to create a cohesive and ordered whole. The Connecticut Center is organized into six levels, the first of which is the entry at the street. The second level is a podium, which features three floors of parking as well as offices and the museum's back-of-the-house areas. The deck of the podium extends Hartford's series of piazza, which also connect to the river abutting the site - these are the city's upper platform. The third and fourth levels of the Center, within the nacelles, are an exhibition and theatre spaces; the fifth level, also within the nacelles, is the upper mezzanine; the top level is the sky garden.

Corrour Estate evokes the tradition of great Scottish houses and weaves together remnants of the original Victorian-era great house on the site, destroyed by fire in 1940. A glass-vaulted Great Hall forms the center of the house and is flanked by two masonry volumes, one rectangular, the other cylindrical. These volumes are penetrated by glass structures that are, respectively, conical and pyramidal. Surviving original granite outbuildings accommodate kitchens and other back-of-house functions. The split-face granite surfaces of the new structure match those of the original. The hunting lodge is sited so that each of the eight guest suites have views of Loch Ossian, while walkways and terraces afford views of the surrounding Highlands. In approving the design, The Royal Fine Arts Commission of Scotland noted that the complex is 'destined to become one of the few examples of world-class 20th-century architecture in Scotland.'