"Architectural Drawings, 1921-38, 322 drawings." Designs, proposals, additions and alterations to thirty-eight projects for domestic architecture, including the Hallward house (now McGill University's Martlet House) and summer country houses; public commissions such as Murray Park Shelter in Westmount and Westmount City Hall comprise the holdings of the CAC of the work of Robert and Francis R. Findlay.
"Photographs, 1922-38, 51 photographs." Seven of the Findlays' projects are documented by photographs. Included are photographs of finished interiors and exteriors of houses in Westmount as well as the Westmount City Hall.
"Professional Papers, 1928-40, 19 cm."Correspondence, specifications, clippings, pamphlets, invoices, etc., for seven projects; among them the Murray Park Shelter, the Union Twist Drill Company's building in Rock Island, PQ, and houses in Westmount, are found in the Findlay archive.

"Dessins architecturaux, 1921-1938, 322 dessins." Esquisses, propositions, annexes et modifications se rapportant à 38 projets d'architecture domestique dont la maison Hallward (aujourd'hui la maison Martlet de l'Université McGill) et de résidences d'été; la CAC conserve également certains projets publics réalisés par Robert et Francis Findlay, notamment l'abri du parc Murray à Westmount et l'hôtel de ville de Westmount.
"Photographies, 1922-1938, 51 photos." Sept des projets des Findlay sont documentés par des photographies. On trouve entre autres des photos de la finition intérieure et extérieure de certaines maisons à Westmount de même que de l'hôtel de ville de Westmount.
"Documents professionnels, 1928-1940, 19 cm" Correspondance, cahier des charges, coupures, dépliants, factures, etc. relatifs à sept projets dont l'abri du parc Murray, l'immeuble de la société Union Twist Drill à Rock Island (Québec) et des résidences de Westmount.

The fonds consists of Duncan Wood's graduation diploma, board examination certificate and license, a letter from students where he taught school, printed diet lists, medication envelopes, medical bag, and an album of photographs.

"Architectural Drawings, 1920-30, 4 drawings." The archive contains student drawings by Chambers, primarily of Italian architecture, as well as a design for a small museum submitted by Chambers in 1925 for the Tite Prize of the Royal Institute of British Architects.
"Photographs, n.d., ca. 70 photographs." Sculptures created by Chambers while he was was student at the Royal Academy and his submission for the The Prize are recorded on photographs.
"Personal Papers, n.d., 45 cm." Papers from Chambers' student years include notebooks on various subjects including German grammar, lectures on architectural aesthetics and a typescript of a murder mystery set in an artists' colony. The information about the photographs and the papers was taken from the McGill Universtity Archives guide, Vol. 2, page 15. The accession does not mention these items, nor does the file in the small collections drawer.

"Dessins architecturaux, 1920-1930, 4 dessins." Le fonds contient des dessins d'étudiant réalisés par Chambers, surtout d'architecture italienne, de même que le plan d'un petit musée proposé par Chambers en 1925 pour le Prix Tite du Royal Institute of British Architects.
"Photographies, s.d., environ 70 photos." Les photos rendent compte de sculptures réalisées par Chambers à l'époque où il était étudiant à la Royal Academy et du projet qu'il a soumis au Prix Tite.
"Documents personnels, s. d., 45 cm." Au nombre des documents qui datent des années d'études de Chambers, signalons des cahiers de notes sur divers sujets dont la grammaire allemande, des cours sur l'esthétique architecturale et le tapuscrit d'un roman policier dont l'action se situe dans une colonie artistique.

Fonds documents Dr. Antonio Cantero's professional activities, especially his cancer research. The fonds contains correspondence, notes, reports, printed matter, slides, photographs and films.

Scott's papers comprise notes, photographs, reprints and some correspondence on Biblical archeology, particularly weights, seals and coins (ca 1920-1966).

The fonds consists of correspondence regarding John Peters Humphrey and the Humphrey memorial stamp (1995-2004), Tamar Oppenheimer's Columbia M.A. thesis entitled, International Conventions on the Political Rights of Women, 1920-1948, correspondence pertaining to Air and Space Law (1999), as well as correspondence and pamphlets relating to the Third United Nations Conference on the Exploration and Peaceful Uses of Outer Space (1999), between 1993 and 2004.

Eric Aloys Sprenger's papers comprise course materials, and items reflecting sports and social activities at McGill in the 1930s. Apart from an annotated high-school geometry text, Sprenger's course materials are from his years at McGill. They comprise class and tutorial notes from each of the four years of the Engineering course. Also included in this series are exercises in freehand and mechanical drawing, 1930, and the outlines, drafts, and typed copies of summer essays for 1934, 1937, and 1939, on paper-making machines. Other reflections of student life are provided by copies of the McGill Daily for 21 November 1938 and November 29 1940 (the latter reporting the death of William Sprenger) and a song-sheet for an Engineering 'Smoker', 1935. A large scrapbook of newspaper clippings and programmes for swimming meets at McGill and the Montreal Amateur Athletic Association gives particular attention to William Sprenger's participation, 1926-1935.

A series has been dedicated to William Paterson Sprenger, Eric’s brother and the textual and photographic records concern his school and college record, and his death and subsequent memorials.

Madame Fischer's papers are evenly divided between records of her own career as a performer and material on the Sarah Fischer Concerts. Her performing career is documented by newsclippings, tributes and programmes, reports from the Royal College of Music, and publicity photographs in opera costume. Most of the approximately 50 items of correspondence date from the last five years of her life and concern the disposal of her papers. Taped interviews, in which she discusses her career, include recordings from 1918 and 1925. Material connected with the Sarah Fischer Concerts comprises 143 programmes (1941-1975), press notices, announcements, and a report for 1973-1974. Photographs from this period show Fischer with government and musical celebrities.

Percy Corbett’s fonds reflects his expertise in Roman and international law. The fonds mostly consists of lecture notes written by him for his courses on Roman and international law. Also part of the collection are two bound notebooks on constitutional history, political theory and international law from his student days in Oxford (1919-1924), a few manuscript and typescript essays on Roman law, notes on Canadian-American relations (1942), and notes on international law (1949). Included is a diary (1916), correspondence (including correspondence to the Wilder Penfield and his wife Helen Katherine Kermott Penfield (1944-1959 ), reference letters (1922-1983), articles and newspaper clippings (1920-1989). Cuurriculum vitae and hand-written record about Corbett’s life, wills, addresses, draft of biography of Percy Corbett written by his son David, reviews of P. E. Corbett’s work, and book reviews of Percy Corbett are part of the fonds. Included is also material for 1946 Conference - Moscow Report, common place book (1930’s-1940’s), tributes to Percy Corbett, typed and hand-written Statement and Memorandum on the American-Canadian relations (1958), typescript Impressions-Mostly Oxonian by Percy Corbett and article Oxford-Impressions. Non textual records include photographs.

The William Feindel fonds documents the research, writing, teaching, and various professional activities of William Feindel. Materials related to Feindel’s research make up the bulk of the fonds and cover his many research interests in the field of neurology as well as his interest in the history of medicine and the legacies of Wilder Penfield, William Osler, and 17th-century physician and neuroanatomist Thomas Willis. An entire series is dedicated to records related to Feindel’s role as the curator for the Wilder Penfield archives. The William Feindel fonds also documents his work for the Montreal Neurological Institute, his role as Acadia University’s Chancellor, and several professional appointments. A series of notebooks consists of Feindel’s notes on various research topics but also contains notes regarding personal matters. Along with the notebooks, a series that documents Feindel’s personal life includes materials related to his family, his years as a student, and a variety of souvenirs and books that he kept as part of his personal library.