Notes and speeches given by Pyper at talks, lectures and workshops promoting creative writing, as well as images from participating in the Quebec City Crime and Mystery Writer Festival (2011).

Series consists primarily of manuscripts in various stages of editing and publication, published by the Muses' Company. Also included are editors’ and authors’ notes, publicity materials, author correspondence, pamphlets, and photographs.

Series contains mostly business correspondence with Muses' Company authors, contributors, editors, and funding agencies. Correspondents include Endre Farkas, Ken Norris, and Janine Beaulieu.

This series has a membership directory, secretary notes, the Diet Dispensary Rules, licenses, and an address book; these date from 1905-1946.

Series consists of materials related to Dewdney’s undergraduate studies at the University of Toronto, including essays, notebooks and lab books. Also includes one copy of University of Toronto’s May 1932 Cap and Gown magazine, scripts from plays, sonnets and doodles, as well as the minutes of a student group called “The Three Musketeers”. Essays are in no discernable order, notebooks ordered by subject/course.

Series primarily contains professional and personal correspondence to and from Selwyn Dewdney. The files include business correspondence related to Dewdney’s position as a teacher, artist and illustrator, as well as an author. Other types of correspondence consist of holiday cards, invitations to events, and a postcard. Also included are mailing lists containing business cards. Additionally, the series includes invoices, mortgage information, notes, a pencil drawing and 2 b&w photographs. The majority of the files are located in Box 3, and are organized in no discernable order. See Series 1 for correspondence related to Dewdney’s written works.

Series contains textual files related to Dewdney’s teaching career in the Department of Liberal Arts Studies at the Ontario College of Art in Toronto. Files include outlines for courses taught by Dewdney, department timetables, notes on assignments issued, session outlines for material covered during his courses, and an outline for a course taught by Jane Castel titled “Canadian Art History” for which he was a guest lecturer. Content covered includes “the wide range of Aboriginal cultures and languages in Canada”, the prehistoric art of five continents, pictography as communication, Norval Morriesseau and the Woodlands school, shield rock paintings, rock art and petroglyphs throughout Canada.