Typescript of the Beatty Lecture entitled "By the river of Hochelaga - the land the French found".

MacFarlane's 1966 research project on the impact of industrial mechanization in Brazil is documented by notes, correspondence, reports, articles and financial records.

Fonds consists of private correspondence related to Clarke’s professional work, a few musical manuscripts and texts of addresses, and a large body of personal financial accounts. His correspondence falls into two series. The general correspondence discusses arrangements for concerts in England and Canada, compositions (his own and others), the problems of musical life in Montréal, and private matters such as travel arrangements and club memberships. Much of the correspondence concerns the social aspects of music and of Clarke's position: patronage of musical events, organization of celebrations for the Jubilee of 1935 and the Coronation in 1937, and complementary tickets to concerts. Amongst his correspondents are a number of musicians and composers, including Sir Ernest MacMillan and Healey Willan. A very small percentage of this material concerns university business. A second series consists of invitations to address or attend meetings, with related correspondence. Both series cover the years 1929-1952.

Over half of the papers consist of personal financial accounts (1929-1953) for Clarke's insurance, taxes, apartment rental, various domestic expenses (e.g. groceries), telegrams, travel, and transportation.

There are two undated addresses: one on Christmas and the second on musical education. There are also two music sketchbooks from around 1920. Pictorial material comprises two photographs (approximately 1923, 1954) and a pencil sketch (1933).

Fonds consists of a scrapbook largely devoted to McGill affairs. It contains correspondence addressed both to Fleet and to other members of the McGill community such as B.J. Harrington, C.H. McLeod and A.F. Gault, largely on administrative and ceremonial business of the university. There are a few communications from J.W. Dawson, including Dawson's draft for the Peter Redpath memorial tablet. Also included are newsclippings on McGill events including numerous invitations, announcements,
addresses, programs and memorabilia from convocations, university dinners, athletic meets and musical performances.

Duchow's papers document the social aspects of his deanship, his involvement in faculty committees, and his work as a teacher. Apart from some personal letters (1930-1953), Duchow's correspondence covers his years as acting Dean and Dean of the Faculty, and largely concerns the social side of his position: speaking engagements, invitations to attend conferences and social events, patronage of musical performances, and the entertainment of visitors. His committee files are mainly devoted to the graduate studies programmes (1966-1976); there are also files for the Committee on Theory and minutes of the Theory Department meetings (1968-1976), for the Music Library Sub-Committee, and the Sub-Committee on Musicology (1968-1975). Duchow's teaching materials comprise a markbook for history and analysis courses (1963-1965) (restricted); assignments and class materials for courses in Bibliography and Methodology, Analysis, and Mediaeval Music; xeroxed lecture notes on Dufay, Dunstable, and Flemish renaissance composers; files on graduate theses proposed to, and directed by Duchow; and copies of letters of appraisal sent to teaching institutions and granting bodies.

The Warren Papers consist mainly of manuscripts of addresses, articles and reports prepared by Warren on various aspects of economics and governmental economic policy.

Fonds consists of a scrapbook primarily devoted to Chipman’s diplomas and certificates, photographs and obituaries, collected between 1894 and 1947.

Fonds contains manuscript musical scores of Harriss' compositions: pieces for the keyboard, some orchestral works, organ music, part-songs and lieder, religious vocal music and patriotic songs. The rest of the fonds comprises a small amount of correspondence, much of it about the Imperial choir (1910), a photocopy of an autobiography covering the period 1862-1885, photographs of Harriss conducting Empire Day concerts (approximately 1920), and programs, 1890, 1924.

Millen's papers fall into three series: records from his legal career, records from his business career, and files concerning McGill. Documenting his career as a lawyer are 8 cm of correspondence regarding lawsuits and court cases, interspersed with some personal matters, e.g. the affairs of the Graduates' Society (1930-1934). Appointment diaries cover the years 1931-1933. The bulk of this archive is a group of business files (1949-1970), containing accounting reports and financial statements for John Millen and Co., some miscellaneous correspondence, and clippings concerning business and politics. Millen's work for the Graduates' Society and as a McGill governor is the subject of files of correspondence, memoranda, minutes and printed material, largely on fund raising and athletics (1930-1972). See also JOHN MILLEN & CO., SECTION V. BUSINESS AND ECONOMY

Tupper's papers are divided evenly between correspondence, 1928-1950, 1954 and financial papers, 1931-1948. The correspondence files were maintained by the Conservatory office, and thus contain Tupper's letters to the secretary, Miss Dawson, concerning the progress of his examination tours across Canada. Most of the letters are, however, of a social and personal nature, discussing Tupper's appointments, domestic finances, equipment (musical instruments, radios), musical arrangements for concerts and McGill events and the Montréal scene in general. Financial papers comprise invoices and receipts for domestic and private expenses.