"Architectural Drawings, 1929-30, 17 drawings." Drawings of elevations, sections and details document the design of Divinity Hall, now known as the William and Henry Birks Building of McGill University.
"Oil Painting, n.d. " An untitled, undated framed oil painting of an unidentified tropical harbour scene is found in the collection.

"Dessins architecturaux, 1929-1930, 17 dessins." Des dessins d'élévations, de coupes et de détails se rapportant aux plans du pavillon William and Henry Birks réalisé pour l'Université McGill.
"Tableau à l'huile, s.d., 1 tableau." Un tableau à l'huile, sans titre, sans date, encadré, représentant un port des tropiques non identifié s'ajoute à la collection.

The fonds largely document Dr. Segall's professional activities as a cardiologist. It contains correspondence, notes, experimental notebooks, lecture notes, articles, speeches, patients' records, electrocardiograms, reprints and material pertaining to the Louis Gross Memorial Lectures, 1922-1979. Also included are several electrocardiograph machines, dictation devices, and audio recordings (reel-to-reel tapes, dictation disks, and cassette tapes). In addition, the fonds contain records of Dr. Segall's personal and family correspondence, financial transactions, and various other official and unofficial documents.

"Architectural Drawing, 1919, 1 drawing." Included is a watercolour drawing of a stone figure from Mont St. Michel in France.

"Dessin architectural, 1919, 1 dessin." Aquarelle d'une sculpture de pierre située au Mont-Saint-Michel (France).

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

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The Harold Spence-Sales fonds at McGill’s Canadian Architecture Collection primarily contains project records related to Harold Spence-Sales' career as an architect and urban planner. The bulk of the records pertain to projects that Harold Spence-Sales worked on as well as corresponding financial, administrative and office records.

The fond heavily documents projects that Harold Spence-Sales worked on during the 1970s-1980s in British Columbia and in Quebec during the 1940s-1960s. Other projects that Harold Spence-Sales worked on across Canada and internationally appear intermittently throughout the fonds. The Oromocto community planning project that Harold Spence-Sales worked on from 1955-1958 in New Brunswick is particularly well documented. Harold Spence-Sales designed Oromocto to be a military town. Before He transformed Oromocto into a military town it was a defunct 19th century shipbuilding town. The Oromocto project is considered one of Harold Spence-Sales most important urban-town planning projects.

Apart from administrative, office and project records, the fonds also contains records that relate to Harold Spence-Sales professional activities outside of his work as an architect and urban planner. For example, awards and honors that he received and records related to his involvement in architectural and urban planning associations. Additional professional activities include: his involvement in creating exhibitions, curating architectural-themed magazines and periodicals as well as copies of publications that he worked on solo and in collaboration with John Bland.

The fonds also contains fourteen boxes of Harold Spence-Sales personal records. The personal records primarily cover Harold Spence-Sales interest in art, creative pursuits, family activities, family genealogy, personal finances, last will and testaments as well as his decline in health and his death. Within the fourteen boxes that have been cataloged as personal records, there are also materials related to Harold Spence-Sales professional activities. For example, awards that Harold Spence-Sales received and records related to exhibitions and artistic projects that he worked on.

The fonds consists primarily of letters written during World War I to Drake's sister Daisy Molson and sister's husband, John Dunham Molson. Letters are accompanied by transcriptions and biographical material prepared by Martha E. McKenna. Also included are newspaper clippings dated 1915-1918 on Drake and the Canadian Army Medical Corps hospital run by McGill, one pocket notebook documenting Drake's time with the CAMC in France from 1915-1916, and a membership card to the Royal Club for Ladies from Beyond the Seas, dated 1919.

The Harry Barker fonds contains poems written by Harry Barker, including three which were clipped from a newspaper.

Fonds contains two admission cards of Harry C. Cunningham for the year 1883, one for the course of Microscope in Medicine signed by Sir William Osler and one for a six month ticket to the Montreal General Hospital.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

Fonds consists mainly of Perrin's typescript lectures (1922-approximately 1929). Some of the lectures are in series, and were probably used in teaching university courses. Some consist of introductory or graduation addresses to music students. Predominant topics include music education, music in Canada, national musical styles, formal and genre developments, aesthetics, and the work of individual composers. Perrin's correspondence comprises a general file (1912-1949) concerning faculty matters, concerts, publications, and personal affairs, a file regarding concert and speaking engagements (1911-1929), and a few letters about the publication of Perrin's Canadian Song Book (1918). Some essays and answers to examination questions stem from Perrin's student years.