Collection consists of an illustrated manuscript containing a map and brief guidebook to Paris landmarks, created by Nicole Allardet probably during the 1940s or 1950s. The item is inscribed to Vivienne Horne. A folded booklet on heavy grey paper, the guidebook contains twelve panels, ten of which feature a gouache illustrated vignette of a Paris landmark and a short handwritten description in white. The landmarks include the Jardin du Luxembourg, Opera House, Eiffel Tower, the river Seine, the Bois de Vincennes, Notre-Dame de Paris, the Jardin des Tuileries, the Champs-Élysées, Montmartre, and the Luxor Obelisk in the Place de la Concorde. In the centermost two panels is a simple map of Paris showing the landmarks depicted.

The files of the Newman Association contain minutes of director's meetings from 1965 to 1974, and correspondence and memoranda concerning finances and fund-raising; Newman House and its operations; events such as speakers, retreats, parties, and liturgical celebrations; membership and statistics on Catholic students; liaison with the ecclesiastical administration and with the Canadian Federation of Newman Clubs; the "Pax Romana" movement; and issues of concern (ethical, political and religious). The papers of the Newman Club of McGill University include executive minutes, 1946-1983, some accounts, 1967-1969, a scrapbook of clippings, 1955-1956, and a series of historical files containing lists of past officers with some materials from the Columbian Club. The Roman Catholic chaplaincy is represented by the chaplain's reports from 1963 to 1972, and the Newman Alumni by executive committee minutes from 1958 to 1963. The Archives also holds a number of newsletters and magazines published by these groups.

"Architectural Drawings, 1889, 4 drawings." Included is a perspective of a commercial building for B. A. Boas on Ste. Catherine Street in Montreal and a plan and a perspective for a proposal for a general hospital in Sherbrooke, PQ.

Le matériel faisait partie de la collection de lÉcole d'architecture de l'Université McGill.

The Society's bank book,1913-1925 and receipt book, 1924-1925, are accompanied by a newspaper account of its annual outing in 1889, and a photocopy of the notice of a meeting, 1890.

The fonds reflects the scientific and literary outreach activities of the Montreal Natural History Society over the course of its existence and contains correspondence, minutes, financial records, council and committee reports, membership lists, donation lists, catalogues of holdings, newspaper clippings, lecture advertisements and weather maps. In addition, the fonds includes reference material to other societies and information regarding the publication and creation of the Canadian Naturalist and Quarterly Journal of Science, Canadian Naturalist and Geologist and the Canadian Record of Science.

The fonds is composed of the following series: 1) Accounting Records (1860-1917); 2) Administrative Records (1833-1887); 3) Catalogues (ca.1829-ca.1925); 4) Correspondence (1871-1896 with gaps); 5) Essays and Lectures (1829-1852); 6) Minutes (1827-1832,1844-1923); 7) Montreal Microscopical Society (1884-1906); 8) Reports (1828-1881 with gaps); 9) Weather Maps (1895-1897).

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.

Containing a significant amount of information concerning the latter years of Napoleon’s reign (ca. 1810-1815), this carton would be of particular interest to researchers interested in the Armistice at Pleswitz and the diplomatic negotiations surrounding the Treaty of Fontainebleau. Diplomatic dealings between Metternich and Caulaincourt are particularly heavily represented. The dense copies of diplomatic correspondence could be of considerable interest to researchers with a sharp focus on the day-to-day negotiations concerning Pleswitz and Fontainebleau.

In addition, Folder 17 contains an unpublished description of the post-Waterloo Hundred Days by Caulaincourt. Therein, Caulaincourt recounts a broad narrative from the defeat at Waterloo to the Bourbon Restoration, including important descriptions of the question of succession and of the final push made by the Allies to restore Louis XVIII to the throne.

The fonds chiefly consists chiefly of records related to the editing and publishing work of the Muses' Company press. The fonds consists of seven series: manuscripts; financial records; publications; correspondence; records related to the Association des éditeurs anglophone de Québec; records relating to the Association of Canadian Publishers; and records relating to the Literary Press Group. Most of the records were either created or accumulated by Endre Farkas in relation to the Muses’ Co. publications between 1980 and 1995. Records relating to publishing include manuscripts of works, page proofs with corrections, editors’ and authors’ notes, published books, and publicity materials. Other production records within the fonds include correspondence, pamphlets, photographs, layouts, and drawings for covers. These manuscripts also often have accompanying materials including photos and correspondence, in particular for the Dance Agenda project. There is also correspondence including exchanges with authors such as Ken Norris, Kenneth Radu, Katharine Beeman, Elias Letelier-Ruz, Ian Stephans, and Sharon H. Nelson as well as notes to Leonard Cohen. The company's financial records in the fonds consist income tax receipts, statement of earnings, reports of sales of books, buyers, quotes, invoices, funding applications, contracts and correspondence. Notable financial records include book sales from the McGill University Bookstore, as well as the universities of Toronto, Waterloo, Calgary, and Maine. Other records include materials from the Association des éditeurs anglophone du Québec (1991-1994), the Canada Grant Council, the Association of Canadian Publishers, the Literary Press Group. Also represented is the Quanglo Tour itinerary including posters, postcards, and advertisements (1994-1995).

The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.