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Archival description
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Edmund Evan Simpson Fonds
CA OSLER P058 · Fonds · 1942 - 1964

Fonds contains the correspondence between Dr. Edmund Evan Simpson and the Osler Library Librarians, W.W. Francis and Cecile Desbarats, from 1942 to 1964. The fonds contains 21 letters, original and copies.

Simpson, Edmund E.
Edmund James Peck Fonds
CA RBD MSG 259 · Fonds · 1916

An Inuit grammar was compiled by Peck during his stay at Wakeham Bay in 1916.

Peck, E. J. (Edmund James)
Edouard-Raymond Fabre Fonds
CA RBD MSG 287 · Fonds · 1843

Notes d'un voyage à Paris.

Fabre, Edouard-Raymond, 1799-1854
Edward and W.S. Maxwell
CA CAC 2.02 · Fonds

The emphasis of the Maxwell archive is the period from William Sutherland's entry into his brother's firm as a partner until Edward's death in 1923. This period is marked by the firm's most ambitious projects which combined Edward's Late Victorian Romanticism with William's Beaux-Arts inspired classicism, with distinctive results. The Montreal-based firm continued to generate buildings for its influential local clients among whom were Charles Hosmer, Henry Vincent Meredith, James T. Davis and the Ross family. The brothers' more substantial non-residential projects, and their most enduring, include the additions and alterations to the Château Frontenac in Quebec City, the Saskatchewan Legislative Building in Regina, and locally, the Montreal High School and the Church of the Messiah.

Le fonds Maxwell témoigne essentiellement de la période au cours de laquelle Edward et William Sutherland furent associés, soit jusqu'au décès d'Edward en 1923. C'est de cette période que datent les projets les plus ambitieux du cabinet, où se trouvent conjugués le romantisme de la fin de l'ère victorienne dont s'inspirait Edward et le classicisme dérivé des Beaux-Arts qui marquait le style de William. Le cabinet, établi à Montréal, réalisa de nombreux projets pour le compte de clients prestigieux, dont Charles Hosmer, Henry Vincent Meredith, James T. Davis et la famille Ross. Au nombre des projets non résidentiels les plus importants, signalons les annexes et rénovations au Château Frontenac (Québec), le Parlement de la Saskatchewan à Régina et, à Montréal, Montreal High School et Church of the Messiah.

Edward & W.S. Maxwell (Firm)
Edward Ballon Collection
CA MUA MG 4290 · Collection · approximately 1946-approximately 1947

The fonds consists of a scrapbook containing photos, ephemera, and clippings related to the McGill graduates athletic club, Winter Carnival, and copies of the McGill News, approximately 1947. In addition, there is a photograph of Convocation (May 22, 1946), a cardigan sweater and a MOC patch.

Ballon, Edward
Edward Colonna
CA CAC 15 · Fonds

"Architectural Drawings"
Canadian Pacific Railway Company Terminal Station and General Office Vancouver B.C., n.d., 17 drawings
Canadian Pacific Railway Company Vancouver Hotel Alterations and Additions., n.d., 9 drawings
Canadian Pacific Railway Company Regina Station, n.d., 5 drawings

"Dessins architecturaux, s. d., 7 dessins." S'y retrouvent les plans, les élévations, les coupes et les détails de la Gare centrale de Vancouver et des bureaux généraux du Canadien Pacifique de même que les dessins de la gare de Régina, également réalisés pour le compte du Canadien Pacifique.

Colonna, Edward, 1862-1948
Edward Isenberg Fonds
CA MUA MG 4196 · Fonds · 1948-1952

The fonds consists of negatives and photos of student life at Macdonald College between 1948 and 1952, taken during Edward Isenberg's four years at the college. In addition, the fonds includes a single Macdonald yearbook dated 1950.

Isenberg, Edward
Edward Jerningham Fonds
CA RBD MSG 159 · Fonds · approximately 1770

"Yarico to Inkle", with Marlay's" Prologue to the Begger's Opera" and Father Francis' "Prayer to Saint Agnes" comprise Jerningham's papers.

Jerningham, Mr. (Edward), 1737?-1812
Edward Lear collection
CA RBD MSG BW005 · Collection · 1830 - 1837

The collection consists of 50 original illustrations created by Edward Lear (1812-1888) executed primarily in watercolour and pencil. These works are part of Lear's Fifty Original Drawings of Birds and a Few Indistinct Pencil Sketches, published between 1835 and 1836. The illustrations and sketches feature depictions of a variety of bird species, including raptors, parrots, cranes, and waterfowl.

Among the species illustrated are the White-tailed Eagle, Grey Parrot, Whooper Swan, Andean Condor, Peregrine Falcon, and King Vulture. The illustrations are often annotated with descriptive details about the colours and features of the birds. Some also include pencil sketches and test patches of color.

Some of the illustrations include unidentified species, including a raptor with prey, an owl, and various parrots. Several of the illustrations are signed and dated by the artist, with the majority titled in pencil at the bottom of each sheet.

Lear, Edward, 1812-1888