This file contains a coloured postcard of the McGill lower campus, including the Macdonald engineering building, the Macdonald Harrington building, and the Macdonald Stewart Library building.

This file contains a coloured postcard of the McGill lower campus, including the McGill Arts Building, the Macdonald Engineering Building, and the Macdonald Stewart Library Building.

This file contains a postcard with a photograph of a group of young men in a line, wearing athletic clothing, some holding footballs.

This file contains a black and white postcard of an aerial view of the McGill lower campus, including the Redpath Library and Redpath Museum.

This file contains a postcard with a black and white photo of the McGill lower campus, looking up the main drive towards the Arts Building, surrounded by a colour frame of holly and other decorative designs, and a ribbon that reads "Greetings."

This file contains a black and white postcard of an agricultural field with the buildings of Macdonald College (McGill's Macdonald Campus) in the background.

This file contains a black and white photo postcard of a soldier wearing a Canadian WWI uniform.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

Consists of 108 undated postcards in eight files of buildings in Europe; these include examples of building exteriors, interiors and details.