The World War I Clippings Collection consists of approximately 635 newspaper clippings and articles related to the First World War. Most of the clippings in this collection consist of daily reporting on troop movements and events that occurred during World War I, with some editorial and commentary pieces. Also included are clippings of maps, most from unidentified newspapers, and clipped recruitment ads. Specific topics include the sinking of the Lusitania, McGill participation in the war, the siege of Przemysl, Canadian troop deployments and casualties, and the Pope. The majority of the clippings come from the Montreal Gazette (approximately 140 clippings) and the Philadelphia Public Ledger (approximately 120 clippings). Around 50 clippings are from the The Evening Bulletin (Philadelphia) and a handful are from The Times (London). Also included are some articles from the D. A. W. War Tracts (numbers 5-7), Berlin, and the Journal of Commerce and Commercial Bulletin (New York). The fonds also contains a copy of the War Gazetteer, compiled by Charles McD. Puckette and Carrington Weems, issued by the New York Evening Post in 1914. The earliest article appears to be reporting on England's declaration of war on Germany, dated 5 August 1914.

Madame Fischer's papers are evenly divided between records of her own career as a performer and material on the Sarah Fischer Concerts. Her performing career is documented by newsclippings, tributes and programmes, reports from the Royal College of Music, and publicity photographs in opera costume. Most of the approximately 50 items of correspondence date from the last five years of her life and concern the disposal of her papers. Taped interviews, in which she discusses her career, include recordings from 1918 and 1925. Material connected with the Sarah Fischer Concerts comprises 143 programmes (1941-1975), press notices, announcements, and a report for 1973-1974. Photographs from this period show Fischer with government and musical celebrities.

This series consists of 23 volumes and 6 files focusing on travel, research, and expedition activities conducted during Casey Wood's ornithological research trips from 1920-1937, including periodical and newspaper publications written by Wood during this time. This series consists of manuscripts and articles relating to letters to friends and family providing accounts of his travels, clippings, photographs, printed ephemera, photostats, artwork, and feathers from John III. Some of the volumes contain manuscripts, notes, and/or photostats, while others are scrapbooks containing multiple record types seemingly curated, arranged and mounted by Wood or as directed by him.
Within this series are 209 incoming and outgoing correspondence including letters, notes and cards. Individuals in correspondence with Wood include Cora Raymond, G. R. Lomer, E. V. Sanderson, Sir George Perley, Sir Charles Major, H. Kirke Swann, Edith Hayes, Emma Shearer Wood, W. E. Wait, Sun Engraving Co., Taylor and Francis, Bitty and Seaborne Ltd., Stuart Baker, G. M. Henry, and Allan Brooks. Other individuals present in this series include Mabel Satterlee, L. F. Struthers, W. J. Belcher, J. Sutton, G. M. Henry, F. Marjorie Fyfe, J. C. Harrison, Alexander Wetmore, and Dr. Andreas Nell.
Places referenced within this series' files include South America (1920), British Guiana (1922), Fiji (1923), Oceania, New Zealand, Australia (1923-1924), England and Scotland, Ceylon (1925-1934), Colombo, Kandy, and Italy (1934-1936). Some topics and research areas of note include ornithology, zoology, bird protection, travelling, nightingales (1920-1934), John III (1924, 1937), “Coloured Plates of the Birds of Ceylon” (1925-1927), Emma Shearer Wood and Blacker Library collections, Sinhalese weights, Wood’s heath, Ali ibn Isa, and political printed material on Italy during the late 1930s.
There are also a number of photostats of publications or manuscripts copied approximately in 1937 related to Emperor Frederick II’s “de Arte Venandi cum Avibus.” These photostats were used for reference during these research trips for Casey A. Wood and F. Marjorie Fyfe’s published translation “The Art of Falconry.”

This series consists of 30 bound volumes either published by Casey A. Wood, used for reference during his research and writing projects, or published on his professional career and publications. The volumes are dated from 1907-1981, with predominant dates from 1923-1936. Wood's publications focus on his international work in ornithology between 1915-1936 and were published in prominent ornithological journals such as the Smithsonian Report, Auk, Ibis, Bird-Lore, Condor Magazine, McGill Publications, etc.

Two volumes contain a number of Wood’s published books and one also includes newspaper clippings related to Fiji, Ceylon, Sinhalese coins, and McGill Library collection materials. One volume of "A Collection of Birds from the Fiji Islands" includes presentations notes from W. J. Belcher on birds from Fiji dated December 14, 1936.

The files used for Wood’s research dated from 1907-1937 include publications on Emperor Frederick II and falconry, English-Italian dictionaries, and ornithology library catalogues. This series also contains the 1981 Casey Wood Bio-bibliography compiled by E. C. Astbury. Not all of Wood’s publications are present within this series, however various iterations of the manuscripts or parts of manuscripts not represented within this series may be present in other series.

Individual cataloguing records of volumes can be found in the McGill library catalogue.

This series consists of day diaries (one for each year from 1953 to 1957), one composition notebook with clippings and hand-copied poems from other authors (1931-1934), typed notes and story drafts (1933), hand-written character lists (1933), a journal with notes for novels (1950), a notebook with a loose leaf list of Duncan’s paintings (1944-1956), and one unpaginated ledger of accounts (1945-1957).

The F.R. Scott Collection contains documents pertaining to many differents aspects of F.R. Scott's life and career. His early political involvement in CCF (Co-operative Commonwealth Federation, the political party at the origin of the creation of the federal New Democratic Party [NDP]) constitutes one series; his interest in poetry another one. Also some important legal actions are documented here about language and education rights in Quebec schools. The last series contains more personal items probably gathered for an official commemorative service: tributes, press clippings. Includes F.R. Scott's passport for Montreal's Expo 1967.

The series consists of records pertaining to Duncan’s published works and art work. The series contains four scrapbooks of clippings related to each of her published books: “You Can Live in An Apartment” (1939), “Here’s to Canada!” (1941), “Bluenose: A Portrait of Nova Scotia” (1942), and “Partner in Three Worlds” (1944). Duncan’s work as a writer is also represented by publishing contracts from houses in New York and London (1940-1946), a series of photographs and captions that were used in “Here’s to Canada,” and files of newspaper and magazine clippings of articles written by and about Duncan, including a feature that she wrote about Gabrielle Roy. Duncan’s work as an artist is documented by files of clippings and contracts with art galleries. There is also a list of Duncan’s paintings included in one of the notebooks in Series 5 Notebooks and Diaries (1931-1957).

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

Series contains newspaper clippings and magazines containing articles, reviews, or special issues on Expo 67.