Subseries A consists of records that pertain to family events, home life and genealogy. It Includes many photographs of events such as birthday parties and weddings (possibly Harold Spence-Sales' and Mary Filer's wedding). Also includes photographs of the couple's early years together and their home art and sculpture collection.

Subseries C consists of maps that Harold Spence-Sales used to work on urban development projects but the ventures have not been identified. The cartographic materials in subseries C are comprised of printed and hand drawn maps.

The file contains two maps. The topic of the maps are the Pacific Ocean and Canada.

The file represents a box. The box contains the following magazines and periodicals:

12 booklets titled, “The Language and Median of Architecture” by Moshe Safdie November 1989.

The magazines in the box have been placed in alphabetical order.

2 booklets from the Montreal Museum of Fine Arts about an Exhibit the Jean Noel Desmarais Pavillion designed by Moshe Safdie.

7 Copies of Process Architecture No. 56 1970 (Japanese Magazine) [Moshe Safdie featured].

4 copies Architecture of Israel 8 (reprinted in Quarterly of Architecture and Interior Design) “Moshe Safdie Architect".

10 copies Architectural Record Business Design A McGraw-Hill Publication, October 1998 [Safdie featured].

6 copies Architectural Record Business Design A McGraw-Hill Publication, November 1983.

7 copies Architectural Record Business Design A McGraw-Hill Publication, April 1978.

4 copies Architecture Incorporating architectural Technology August 1996.

2 Copies Harvard Magazine, “Grade Inflation: Does it Matter?” May-June 1993.

4 copies The Canadian Architect: A Southham Business Publication, March 1999.

1 copy The Canadian Architect: A Southham Business Publication, July 1992.

4 copies Maclean’s: Canadas Weekly Magazine 1998. “Triumph of an Outcast: Canadian Architect Moshe Safdie Inside his New National Gallery, 1 copy Architectural Digest May 1999.

The magazines in the box have been placed in alphabetical order.

The file contains two copies of a proposal sent to Harold-Spence-Sales and Mary Filer from UD+D LTD regarding the designs for their rooftop gallery at the 1107 West 7th Avenue Property.

Subseries E consists primarily of records that Harold Spence-Sales used to work on personal or profession projects that have not been identified. There is one project in subseries E that has been well documented; the 1107 W. 7th Avenue Vancouver project.

1107 W. 7th Avenue Vancouver was Harold Spence-Sales and Mary Filers home and personal art studios.

Subseries E consists of other records that document Harold Spence-Sales professional relationships outside of work that are miscellaneous in nature and primarily relate to friends and colleagues in the field of architecture and urban planning.

Subseries E also contains six of Moshe Safdies binders. The binders are indexes of materials and supplies that Safdie used while working on projects. The binders also provide lists of where the records that Safdie created while working on projects is located. (Files 006-011).

The file contains a copy of Humphrey Carvers Memorial booklet. The booklet was compiled after Carvers death. The booklet contains the funeral-memorials schedule hymns and prayers that were said as well as transcripts of speeches, obituaries and a letter written about funerals by Carver himself and he he envisioned his own. The file also includes some news paper obituary cutouts about Carver and a letter from carvers son Peter telling him about the booklet and how and others thought that Harold Spence-Sales might like a copy. The file also contains an envelope which appears to be have a hand written letter of correspondence from members of Carvers family to Harold Spence-Sales about Humphreys passing.

File consists of various kinds of indexed records for projects that Moshe Safdie worked on. For example, materials that Safdie used to design a project, box locations that state where the materials can be found and where the records for the project ended up. The binder is full of plastic tabs. Each tab contains a handwritten label that correlates with the title of a project that Safdie worked on.

File consists of various kinds of indexe records for projects that Moshe Safdie worked on. For example, materials that Safdie used to design a project, box locations that state where the materials can be found and where the records for the project ended up. The binder is full of plastic tabs. Each tab contains a handwritten label that correlates with the title of a project that Safdie worked on.