Programmes 1965–69 directly in the container. See Folder 1 for other years and undated material.
Includes leaflets for recitals by Talmon Herz and Charles Reiner, Arthur Garami and Charles Reiner, and Henryk Szeryng and Charles Reiner at Carnegie Hall; programmes for recitals by Hyman Bress and Charles Reiner at Philharmonic Hall (Lincoln Center); programmes for performances as soloist with the South African Broadcasting Corporation (SABC) Symphony Orchestra and the CBC Ottawa Area Radio Studio Orchestra; programme for performance as part of the Amati Trio (with Arthur Garami and Denis Brott) as soloists with the Lakehead Symphony; programmes for solo performances; listings of radio broadcasts; and programmes for collaborative performances with: David Astor, Helen Boatwright, Colette Boky, Réjane Cardinal, Christian Ferras, Arthur Garami,
Karine Georgian, Talmon Herz, Louis Quilico, Joseph Rouleau, Henryk Szeryng, Richard Verreau, and the Canadian Piano Quartet.

The reviews and clippings are arranged by time period as indicated.

Includes letters from Helmut Blume (1968) and Henryk Szeryng (1968).

Includes signed programme to Charles Reiner by McHenry Boatwright; programme for performance with Rosabelle Jones and the Montreal Bach Choir (Le Chorale Bach de Montréal); and programmes for collaborative performances with: Salvatore Accardo, McHenry Boatwright, Arthur Garami, Johanna Martzy, Mary McMurray, Richard Verreau, and Zvi Zeitlin.

The reviews and clippings are arranged by time period as indicated.

Includes a letter from U. N. Secretary-General Kurt Waldheim (1973).

Includes programmes for solo performances and programmes for collaborative performances with: Igor Oistrakh and Henryk Szeryng.

Programmes 1975–79 directly in the container. See Folder 1 for other years and undated material.
Includes leaflets and programmes for recitals by Henryk Szeryng and Charles Reiner at the Teator de la Ciudad (Donceles 36), Mexico City, and Carnegie Hall; programmes for solo performances; and programmes for collaborative performances with: Gisela Depkat, Michael Edwards, Mikael Eliasen, Susanne Lautenbacher, Joan Patenaude, Tom Plaunt, Ruggiero Ricci, Claire Segal, Katherine Skorzewska [also mispelled as ―Katerine Shorzeska‖], Henryk Szeryng, Gyorgy Terebesi, Robert Verebes, and Eric Wilner.

The reviews and clippings are arranged by time period as indicated.

Includes handwritten lecture ―Politics and Music‖ [title from envelope originally holding lecture] and other writings about music/musical experiences.