These papers comprise a fair copy, for the press, of "Gale on Redeemable Annuities", 1816, as well as copies of letters to his son concerning the supplement to his "Treatise on the Nature and Principles of Redeemable Annuities", 1817. Apparently neither treatise was published.

The collection consists of four early Irish manuscripts assembled by the Montreal collector Edward Murphy as part of his private library. The manuscripts include a copy of The Midnight Court (Cúirt an mheán oíche) by Brian Merriman, the Life of St. Patrick by John Chambers, Tri Biorghaoithe an Bhais (Three shafts of death) by Geoffrey Keating, and a fragment of an Irish vocabulary (Nuadhfoclóir bogcruaideach).

The fonds documents Ken Norris’s academic, professional and personal activities and career as an English literature teacher, Canadian writer and poet. There are also materials related to his university student life in Montreal. The records contains a wide variety of personal and professional correspondence between 1972-1990 with correspondents such as Endre Farkas, Margaret Atwood, Leonard Cohen, David McFadden, Cynthia Lapp, George Bowering, and James Polk. Manuscripts and notebooks document his writing activities and include rough drafts, edited drafts, final drafts, completed manuscripts, as well as published books, articles and his academic dissertations.

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

The collection consists of correspondence, research files, manuscripts, journals, and ephemera created and accumulated by writer and scholar Leon Edel, who was notably the editor and biographer of Henry James as well as Edmund Wilson.

Fonds consists of contemporary manuscript copies of various legal records and instruments relating to the Capacci family. Includes one manuscript written on parchment in pale brown ink, ruled in pale brown ink, and bound in full contemporary blind tooled calf with laid paper endpapers and remnants of ties on covers, as well as a smaller booklet, written on parchment glued into a laid paper wrapper. Documents appear to be dated between 1556 and 1583 and are written in Latin and Italian (sometimes alternating within document). The legal instruments appear chiefly related to the dowry of Orietta Capacci (the dowry is also referenced in an Italian note in a later hand (1650?) inside front cover). Some names found throughout the documents include Orietta Capacci (or Orietta de Capacci) and Annibale (or Anibal) Camillo de Capacci.