The fonds consists of manuscripts and drafts of literary compositions and other working documents, as well as professional and personal correspondence.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

The fonds documents Ken Norris’s academic, professional and personal activities and career as an English literature teacher, Canadian writer and poet. There are also materials related to his university student life in Montreal. The records contains a wide variety of personal and professional correspondence between 1972-1990 with correspondents such as Endre Farkas, Margaret Atwood, Leonard Cohen, David McFadden, Cynthia Lapp, George Bowering, and James Polk. Manuscripts and notebooks document his writing activities and include rough drafts, edited drafts, final drafts, completed manuscripts, as well as published books, articles and his academic dissertations.

The fonds contains chiefly the writings of Jeremy Walker on a variety of issues in moral philosophy and related literary topics. These writings, including anthologies, drafts of books and lecture notes, demonstrate the range of his eclectic interests from his formal studies of Kierkegaard and moral philosophy to his more personal intellectual pursuits concerning the literature of Kipling, Jane Austen, and Dostoyevsky, as well as the poetry of Woodsworth and reflections on Englishness. There are also examples of his published and unpublished poetry.

His more personal writings are in diaries that cover more than 20 years of his adult life and in contrast to his erudite writings on grand philosophical topics reflect his feelings and at times his dreams, on the state of his health, relationships with women, and recount the day-to-day events of urban travel and socializing.

His personal and family relationships are reflected by correspondence with family, friends and students, photo albums of travels to England and Greece, travel diaries document his summer activities from 1947 -1950, including lists of books read, drawings and photographs. As well, in a file titled Personalia (3) Apologiai Walker provides some personal chronologies, and reflects upon his writings and his life.

Fonds consists of one manuscript album of poetry, belonging to the Marchioness Townshend. Contains various genres of poetry in English, written between 1769 and 1771, including "comic poems on various occasions." Quarto manuscript written on laid paper in a neat scribal hand in brown ink throughout.