The World War I Clippings Collection consists of approximately 635 newspaper clippings and articles related to the First World War. Most of the clippings in this collection consist of daily reporting on troop movements and events that occurred during World War I, with some editorial and commentary pieces. Also included are clippings of maps, most from unidentified newspapers, and clipped recruitment ads. Specific topics include the sinking of the Lusitania, McGill participation in the war, the siege of Przemysl, Canadian troop deployments and casualties, and the Pope. The majority of the clippings come from the Montreal Gazette (approximately 140 clippings) and the Philadelphia Public Ledger (approximately 120 clippings). Around 50 clippings are from the The Evening Bulletin (Philadelphia) and a handful are from The Times (London). Also included are some articles from the D. A. W. War Tracts (numbers 5-7), Berlin, and the Journal of Commerce and Commercial Bulletin (New York). The fonds also contains a copy of the War Gazetteer, compiled by Charles McD. Puckette and Carrington Weems, issued by the New York Evening Post in 1914. The earliest article appears to be reporting on England's declaration of war on Germany, dated 5 August 1914.

This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

Noad's papers document his research, and to a lesser extent, his teaching of English and comparative literature. They comprise 1.5 m of binders containing notes, clippings, extracts, and bibliographies on literary topics, e.g. imaginary voyages, memoires, the gentleman in satire, "Ossian", the young Byron, Spanish literature. A few binders contain lecture notes for his courses. Unbound materials include research notes on Ugo Foscolo and 19th century Italian poetry, lecture notes for courses in 19th century English poetry, files of clippings on 19th and 20th century writers, and bibliography cards for Elizabethan through 18th century literature.

Most of this archive documents the High School for Girls. The administrative records comprise prospecti for both High Schools, registers of attendance, 1875-1896, examinations, 1855-1858, 1884-1888, fees, 1863-1869, and corporal punishment, 1892-1896, 1949-1960, and memoranda from the Rector applying to either the boys' division or to both High Schools, 1897-1904. There are also working notes for teachers, 1902-1903, 1921-1931, and scrapbooks of programmes, clippings and notes concerning activities in both schools, covering the years 1913 to 1960. Examination papers, 1872-1882, a guest book, 1919-1943, an annotated address book of High School for Girls staff prepared by Principal L.M. Hendrie, 1911-1945, and photographic portraits of the Principals of the High School for Girls round out this series. Student activities are reflected not only in the official scrapbooks, but also in minute books, photograph albums and scrapbooks of the High School for Girls' Athletic Association, 1912-1913, Literary and Debating Society, 1906-1908, and English Club, 1935-1940. There are a large number of photographs of girls' sports teams, 1915-1941, as well as a scrapbook of clippings on the activity of High School for Girls Alumnae, 1953-1956.

These papers contain Forbes' personal files of correspondence and clippings, some design materials and films of McGill football games. The personal files contain biographical materials such as his birth certificate, military commission and service records, and letters concerning his employment at McGill. Other files concern Forbes' designs for decorations for the 1951 Royal Visit, the McGill C.O.T.C., the Forbes Trophy for athletics, Forbes' involvement with McGill athletics and museums, and the career of his brother Kenneth Forbes, a painter. A number of diplomas and certificates awarded Forbes, as well as a photograph album, complete this series. Materials for designs include files on heraldry, a collection of illustrations from 19th century periodicals, designs for the Royal Visit decorations (a few, by Percy Nobbs, were used for the 1939 visit), maps, linocuts, bookplates, and programmes designed by Forbes for McGill events, ca 1925-1950. Thirty-four reels of motion picture film record McGill extramural football games (1947-1951). Films with sound track show the construction of the Currie gymnasium (1939-1940), and demonstrate the swimming techniques of Matt Mann. Additional biographical material is provided by obituary notices and letters of condolence to Mrs. Forbes, and by clippings of articles about Forbes.

Madame Fischer's papers are evenly divided between records of her own career as a performer and material on the Sarah Fischer Concerts. Her performing career is documented by newsclippings, tributes and programmes, reports from the Royal College of Music, and publicity photographs in opera costume. Most of the approximately 50 items of correspondence date from the last five years of her life and concern the disposal of her papers. Taped interviews, in which she discusses her career, include recordings from 1918 and 1925. Material connected with the Sarah Fischer Concerts comprises 143 programmes (1941-1975), press notices, announcements, and a report for 1973-1974. Photographs from this period show Fischer with government and musical celebrities.