Joseph Crawhall II was the son of Joseph Crawhall (1793-1853), an amateur artist, lithographer, and ropery business owner in Newcastle-upon-Type. Joseph Crawhall the second was born in Newcastle in 1821 and a writer and artist, heavily influenced by early modern woodcuts and the work of Thomas Bewick.

Sir Raymond Henry Payne Crawfurd was born on November 9, 1865, in East Grinstead, Sussex, England.

He was a British physician, educator, and writer. In 1888, he graduated from Oxford University with a degree in classics. Then he studied medicine at the King's College Hospital Medical School in London, graduating in 1894. The same year he founded the Musical Society at Oxford. He worked at the King's College Hospital, the Victoria Hospital for Children, the Royal Free Hospital, National Provident Institution, and the Life Association of Scotland. At the turn of the 19th century, he became Registrar to the Royal College of Physicians (RCP), a position he retained for thirteen years. Crawfurd delivered the Fitzpatrick Lectures (1911–1912) and, in 1919, was Harveian Orator. He also lectured on pathology and on Materia medica at the London School of Medicine for Women. In 1913, he became a major contributor at an International Conference on postgraduate medical education. Crawfurd was also a member of the Board of Examiners at the RCP, the chairman of the Medical Graduates’ College, and the Epsom College. In 1933, he was awarded a knighthood. He is the author of the books “The Last Days of Charles II” (1909), “The King's Evil” (1911) and “Plague and Pestilence in Literature and Art” (1914).

In 1898, he married Ethelberta Ormrod Bailey (1866–1950). He died on March 9, 1938, in London, England.

Rev. Elijah Richardson Craven was born on March 28, 1824, in Washington, D.C.

He graduated from Princeton University in 1842. He started to study law, but in 1849 he entered the Princeton Theological Seminary. In 1854, he was called to the Newark, New Jersey pastorate, serving the Third Presbyterian Church of Newark for 33 years. He was an active leader in denominational affairs and was regarded as an authority on Presbyterian law. In 1888, he became secretary of the Presbyterian Board of Publications and Sabbath-school Work, with headquarters in Philadelphia, later becoming its secretary emeritus. He edited and contributed to the ecclesiastical press. For 45 years he was a trustee of Princeton University.

In 1852, he married Hannah Tingey Sanderson (1827–1863). In 1867, he married Elizabeth Gertrude Moore (1832–1908). He died on January 5, 1908, in Philadelphia, Pennsylvania.

James Crathern was born on February 22, 1831, in Montreal, Quebec. He was a successful businessman and a great philanthropist. In 1954, he and John and Thomas Caverhill started the business of Crathern and Caverhill on Custom House square in Montreal. The business soon became one of the greatest hardware houses in Canada.

After retiring from the business in 1894, he continued his active work in the community. He was president of the General Hospital, a governor and honorary treasurer of the Alexandra Hospital, and a member of the Montreal Board of Trade. He was also president of the Royal Victoria Insurance Company, president of the Merchants’ Cotton Company, governor of McGill University, director of St. Lawrence Sugar Refining company, the Dominion Coal company, and the National Trust Company. He was also a governor of the Diocesan Theological College and represented the Anglican community on the Board of Trustees of the Mount Royal Cemetery Trust.

As an art connoisseur, he not only gathered one of the best private collections of paintings but he also directed the work of the Montreal Art Association and served on the council of the Art Gallery.

In 1857, he married Annie Bowie. He died on June 1, 1910, in Montreal, Quebec.

James Crankshaw was born on July 20, 1844, in Manchester, England.

He was a lawyer who immigrated to Canada in 1876. He studied law at McGill University (B.C.L., 1882), and was called to the bar of Quebec in 1883 (K.C., 1906). He practised law in Montreal and was the author of "The Criminal Code of Canada" (1894) and "A Practical Guide to Police Magistrates and Justices of the Peace” (1895), both of which reached several editions.

In 1867, he married Sarah Anne Ashton (1846–). In 1878, he remarried Hannah Fineberg. He died on December 16, 1921, in Montreal, Quebec.

Walter Crane was born on August 15 1845 in Liverpool, Lancashire England. His parents Thomas Crane (1808–59) and Marie Crane (née Kearsley) fostered an interest in the visual and literary arts in their four children. His father was a miniaturist and portraitist artist whose evening sketchclub encouraged Crane to set pencil to paper. By the age of thirteen the Cranes had moved to London where Walter Crane was able to show his illustrated to the art critic John Ruskin and the master engraver W.J. Linton. Between 1858 and 1862 Crane apprenticed under Linton--gaining experience in designing illustration for the printing process

Initiating his claim to fame as an illustrator, in 1863 Crane met the printer and entrepreneur Edmund Evans (1826-1905). The collaboration between printer and artist began in 1864 with the coloured covers for cheap railway novels. Evans pioneering work in coloured printing led to the cover-to-cover picture books that made Walter Crane alongside Kate Greenaway, and Randolph Caldecott best known as a children’s book illustrators. Between 1865 and 1886 Crane illustrated at least 48 titles for the children’s book market, many of which were reissued within the period. Crane’s illustrations for fairy tales and nursery rhymes fused together a range of influences from Japanese printing techniques, Pre-raphaelite aesthetics, and the figures in political cartoons.

Crane became a politically-conscious artist and a committed socialist, much like his friend and colleague William Morris whom he had met for the first time in 1870. Crane joined Morris in the Socialist League in 1884, and contributed illustrations to the league’s newspaper, The Commonweal. “Workers of the World Unite” exemplifies one of Crane’s many mottos. His often didactic socialist messages appear in a range of periodicals which also included Justice and The Clarion. Many of these illustrations were reproduced with additional drawings in Cartoons for the Cause, 1886-1896.

The Arts and Crafts Movement provided Crane with an avenue to develop his ideas on the potential unity between design and artistic labour. He contributed wall-paper and textile designs for Morris and Co, and produced illustrations for the Kelmscott Press, as well as a full scale panel paintings and friezes. As a leading member of this movement, Crane was a founder and president of the Art Workers’ Guild, and in 1888 founded the Arts and Crafts Exhibition Society

Crane had long sought out the power of aesthetics to teach the masses. Dedicated to teaching, Crane became art director as well as a teacher at the Manchester School of Art (1893–1896) and then of Reading College (1896–1898). He was principal of the Royal College of Art, South Kensington, London (1898–1899). During this later period Crane began to publish his teachings on such topics as the history of books, techniques of composition and design, and the socialist art of William Morris.

By the end of his prolific career Crane had contributed to range of artistic practices, namely: drawing, painting, book design, textile design,wallpaper panels, ceramics, and illustration. He had illustrated over a hundred fiction and non-fiction titles–several of which he also authored. His autobiographical recollections in An Artist’s Reminiscence, 1907, is one of his last major publications. The autobiography illustrates a cosmopolitanism that had been part of Crane’s life as an artist, craftsman, teacher, and socialist. Survived by three children, he died one year after his wife Mary Frances (née Andrews) on March 14, 1915, Horsham, Sussex.