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The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

Fonds includes plans, perspectives and details of the Maison Ultramar Building on Avenue McGill College in Montreal are found in the archive. It also includes 7 photographs documenting the Maison Ultramar Building is also documented by photographs.

Le fonds comprend des plans, des perspectives et des détails de la Maison Ultramar sur l'avenue McGill College à Montréal, ainsi que 7 photographs de la Maison Ultramar.

This file contains photos of the McGill Bookstores, including ground-breaking ceremony, construction, and opening ceremony. People in photos include David Johnston (Principal of McGill), G.W. Franks (General Manager), Sam Kingdon, Horst Bitschofsky (Assistant Manager), Steven Joe (Construction), David Inhaber (G.M. Buyer), and Maril Azzopardi (Text Buyer). Includes two invitations to the opening of the bookstore, one addressed to David L. Johnston.

File consists of reproductions of photographs and negatives depicting staff and students of the Bishop's Medical and Dental Faculty, originally taken by Elizabeth Hearn Milner. These images were included in her book, "Bishop's Medical Faculty, Montreal, 1871-1905: including the affiliated dental college, 1896-1905," published in Sherbrooke, Quebec, in 1985 and available in McGill's library catalogue.

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.

The fonds consists of documents relating to Macdonald’s publications and professional activities outside the classroom both prior to and during his tenure at McGill and for various professional associations. The scope covers the period of 1976 to 2012 and includes: articles, essays, and speeches (both draft, final and off-print) and their assorted documentation (travel itinerary, correspondence, conference notes, and research).

The fonds is divided into four series which were imposed by the archivist. The first is Publications which relates to any of Macdonald’s published material. The second is Professional Activities which is composed mainly of speeches and conference notes and materials. The third is Publications and Professional Activities which encompasses any professional activity which was subsequently published or vice versa. The last is Course Materials.

The fonds documents the client files (approximately 1976-2000), administrative records (approximately 1976-2000) and computer backup tapes (approximately 1989-1998) of McGill Systems Incorporated (MSI).

File contains 14 slides that detail the life and work of Ramon Cajal. Each slide includes a detailed description and features images such as his portrait, birthplace, medical school, monument, commemorative stamp, a street named in his honour, and his grave in Madrid.

The fonds is composed of correspondence; course material; drafts of articles, books and other works; financial and judicial records, such as benefits statements or contracts; material written for public addresses, such as speeches or notes; photographs of Mr Watson; and a short section focusing its attention on the various appointments he had. This fonds is particularly interesting for the shear amount of course material that one can find here. Indeed, it composes a good third of the entire volume of this fonds and spans 20 courses over 40 years of teaching.

While attempting to give a complete look at William Watson’s life, the fonds is distributed into the following 5 series:
A. Biographical records
B. Professional records
C. Distinctions
D. Correspondence
E. Graphical material