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This volume is a circulating letter of the first graduating class in Agriculture; a class member would write his personal and career news addressed to the class in general and forward the book to the next person to do the same.

Half of these records consist of printed annual announcements (including Canadian Medical Register) from 1914 to 1961. The remainder consists of a number of files on "old controversies" stripped from the MCC files in 1955 and sent to Dr. D. Sclater Lewis. Some of the controversies concerned a move to amalgamate MCC examinations with final-year university medical examinations, 1941; the status of homeopathic practitioners, 1923-1940; registration in the U.K., 1914-1925; the petition of returning military medical officers to take the MCC licence without examination, 1919; and control of specialists by the MCC, 1934-1935.

The fonds present extremely rich source for the study of Montreal and Quebec social and legal history. The fonds (mainly 1820-1890) comprises of judicial diaries or judges' bench books, which contain unique information: the opinions and memoranda of judges and lawyers of the Lower Canada and the Quebec Superior Court written down in the course of trials. They reflect the judge's interpretation of the law, his reaction to arguments and they show the background to official verdicts. The fonds contain bench books of Judges Robert Mackay (1871-1882), Andrew Stuart (1859-1885), Frederick Torrance (1869-1880). There are also record books of several law firms including Rose and Holmes (1840-1850), and Torrance and Morris (1850-1875). Included is also administrative correspondence, factums on various Montreal judges and lawyers, dockets and other records of law firms, legal authority books, commonplace books and other notes of individual lawyers. Present is also small number of lecture notes by lecturers in the Faculty of Law, student notes, scrapbooks as well as legal notes of unknown provenance. The bench books are in bound volume arranged in chronological order, the correspondence and authorities books are arranged by name or subject. There are contemporary indexes to the bench books of F. Torrance and R. Mackay.

Mazgelis's, Rubenstein's and Dolan's prize-winning stories are included in this archive.

The collection consists of a selection of records reflecting Sir Arthur Currie's tenure as Principal of McGill University from 1920 to 1933. His administration was marked by the establishment of the Faculty of Music, the School for Graduate Nurses, and the Faculty of Graduate Studies and Research. Constructed during this period were Moyse Hall, the Roddick Gates, a Biology Building (now the F. Cyril James Administration Building), and additions to Royal Victoria College and Redpath Library. Currie died in office on 30 November 1933. His records form a part of the McGill University's executive and administrative records, RG2: Office of the Principal and Vice-Chancellor. The Principal is the academic head and chief administrative officer of the University. Under the original Charter of 1821, the Principal constituted with the Board of Governors and the Fellows (now the Senate) a body politic and corporate. Later amendments to the Charter and changes in the University statutes have not significantly altered the position of Principal. Ex officio, by virtue of his office, the Principal is also Vice-Chancellor of the University, a member of the Board of Governors and Chairman of the Senate. Frequently, it has been the Principal's vision and personality which have determined the course of McGill's development; therefore, the records not only document the administrative activities of the office, but also often reflect the character of the whole institution. Currie's records fall more or less into the three general series: external correspondence, internal administration and academic matters.

The Grierson Collection was assembled by the Communications Department, McGill University, by soliciting, from a variety of sources, documentation on Grierson himself, on the institutions for which he worked (particularly the National Film Board of Canada), and on the history of documentary film. The core of the collection is from the Film Board, and consists of audio-visual production materials for films on Grierson and related topics; supplementing this are collections of documentation, and some personal papers (correspondence, notebooks, speeches), mostly obtained from associates of Grierson.

The Charles Reiner Collection consists of correspondence, newspaper reviews and clippings, performance programmes, personal documents including legal material, photographs, writings, published and unpublished music by Reiner and other composers, audio and visual recordings of Reiner and other performers, books, and awards. Of particular interest is correspondence from Rudolf Serkin, Alfred Cortot, and Kurt Waldheim; legal documents from both before and after Reiner’s immigration to Canada; and the extensive collection of programmes and newspaper clippings that document Reiner’s extensive performance career.

The Donald Mackey Collection consists of the Donald Mackey and Renaissance Singers of Montreal complete portfolio of CBC broadcast programmes and scripts. In addition, the fond contains documentary artifacts including correspondence, concert programmes, photographs, audio recordings and special projects that chronicle Mackey’s career as conductor of the Renaissance Singers of Montreal and his life in Montreal. This includes information about his professorship at the faculty of music of McGill University, his active involvement in Montreal’s vibrant church music scene as organist and conductor, his appointment as University Organist Emeritus, etc.

The Kelsey Jones Collection consists largely of drafts, sketches and texts for nearly all of his major compositional works. It also contains selected correspondence, programs and some personal papers that outline his life and career in music, composition, and teaching. These documents were organized by Kelsey Jones himself, into subject groupings such as: “commissions,” “publishers,” “letters from my teachers,” “letters from interesting people,” etc.

The Paul Pedersen Collection consists of Paul Pedersen’s complete portfolio of published and unpublished compositions, sketches, lecture notes and writings. In addition, it contains documentary artifacts including correspondence, teaching and course materials, concert programmes and posters, project reports, etc, that chronicle his early education and life in Alberta and Toronto, through his professorship and deanship at McGill University and finally his appointment of Dean and professor of Music at the University of Toronto.