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Archival description
Marvin Duchow Music Library Charles Reiner Collection
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Biography

The Biography Series consists of divergent materials, all relating to either Reiner’s personal or professional life after his arrival in Canada. The series includes: personal legal documents, autobiographical writings, medical documents, writings for lectures, documents pertaining to professional engagements, grant applications, and autographs/copies of his own compositions. The series is arranged by subject as indicated.

Suite, Op. 1 [for solo piano].

Includes incomplete autograph as well as various printed drafts (some with Reiner’s editorial markings) and final printed copies. Also includes copies of transcription of "Menuet Antique and Arietta" for violin and piano by Robert Gerle.

Trip to Shanghai.

Includes materials related to Reiner’s 1985 trip to teach and perform in Shanghai, at the Shanghai Conservatory of Music. Includes correspondence, clippings from publications, programmes, autobiographical writings, newspapers, visa application, and travel documents.

Programmes, 1980–83.

Includes programmes for recitals by Henryk Szeryng and Charles Reiner at Avery Fisher Hall (Lincoln Center) and Tanglewood; programmes from tour of Germany and the Netherlands by Henryk Szeryng and Charles Reiner; programmes and invitations for the Gala Concert in honour of Charles Reiner’s 30th anniversary of his arrival in Montreal; programmes for performance as soloist with the Chamber Music Players (Saidye Bronfman Centre, Montréal); programmes for solo performances; listings of radio broadcasts; and programmes for collaborative performances with: Denis Brott, Pierre Bournaki, Charles Castleman, Mikael Eliasen, Pierre Fournier, Einar Holm, Margaret Kalil, Vladimir Landsman, Lois Marsh, Joan Patenaude-Yarnell, Henryk Szeryng, George Terebesi, Robert Verebes, Richard Verreau, and the Danovitch Saxaphone [sic] Quartet.

30th Anniversary Concert Gala

Includes proofs of invitations, final copies of invitations, receipts for expenses, correspondence on behalf of Charles Reiner, drafts of concert programmes, final versions of concert programmes, newspaper clippings, and Reiner’s notebook with autobiographical writings.

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