The fonds consists of photographs, documents, graphic materials, and moving images relevant to the Lemon, Scott and Philips families. The scope predominantly covers the personal and professional lives of the Philips and Scott families from 1905 to 1950s, their time at McGill University and the Scott’s Presbyterian Mission to China. The textual documents consist of travel diaries, biographical publications, genealogical research and evidence, personal ephemera often accompanied by relevant newspaper articles, and correspondence, much of which was during the periods of the Boer War, WWI and WWII. There is graphical content significant to McGill University Medical School and the University of Dalhousie. Similarly, the collection contains graphical, published material and objects related to McGill University, it’s Medical School for men, the School of Occupational Therapy, and McGill’s relation to women students in the 1900-1950s. The photographs, which include some by Notman, comprise the bulk of the collection have significant informational, evidential, associational and artefactual value. The photos span from the 1840s-1990s (predominantly between 1905 and 1940s) capturing the daily life of these families, their association with McGill and their travels across Europe, Africa, Asia and the Middle East.

The Fond is comprised of three Sous Fonds: Lemon, Scott and Philips.

Philips (ca 1838-1960s)
This sous fonds predominantly covers the personal life of the Philips family after the marriage of Dorothy Anne Scott to JR Philips. Additionally it covers: the professional life of JR Philips at Philips Cables and OMEA, Nancy Philips’ school days and her time at McGill University, Jack Philips and his service in the Boer War and WWI, biographical texts both written and transcribed by Nancy Philips, and considerable genealogical research into the combined family histories of the Philips, Scott and Lemon families. This fonds consists primarily of photographic records.

Scott (ca 1850-1930)
This sous fond covers the personal and professional lives of the Scott family. A large portion covers the medical training of both Dr. William J. Scott’s and Alfreda Lee Jowsey, and their time as missionaries in China just after the Boxer Rebellion. Fred A. Scott is also heavily featured, mainly his time training with the R.C.A.F and while fighting in WWII. Records for Dorothy Anne Scott and her mother Alfreda are the predominant portion of the collection, displaying a vibrant picture of their lives in Montreal and of their travels.

Lemon (ca 1960-1990)
This sous fonds is primarily records of the family life of Nancy Philips and Robert Lemon. Also featured are numerous slides related to Robert’s work in ornithology. Most records related to Nancy Philips are in the Philips sous fonds.

The John Howard Toynbee Falk fonds was created during Falk's time in Montreal, including papers and addresses on the themes of social work including the role of the church in social services. They document the ideas of a leader and educator in the field of social work. In this vein there is, for example, a letter written by William Lyon Mackenzie King to Falk as the Director of the McGill School of Social Workers. These records also complement other holdings of t he McGill University Archives, including the official records of the School of Social Work and the private fonds of the Montreal Council of Social Agencies. The fonds also documents Falk's family life and his work with refugees during the 1905 Russian Revolution.

The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The fonds consists of documents, ephemera, memorabilia, photographs, cassette tapes, video reels, and electronic media relevant to the personal and professional history of Timothy Porteous. The scope predominately covers the period from 1957 to 1987, and includes the speeches that he wrote for Prime Minister Trudeau, diaries and ephemera from his travels (both personal and professional), campaign memorabilia, personal diaries and scrapbooks, letters, photographs, My Fur Lady ephemera (including first drafts and other versions), and his work with the CC, CCA, and OCA.

This fonds is divided into four series. The first series contains his personal papers, the second materials related to his career, the third contains materials created when he was a student, and the fourth contains anything related to My Fur Lady.

The fonds consists of course materials, 1969-1996; Correspondence, 1974-1988; drafts of papers and addresses, 1964-1993; and documents on the Canadian Research Consortium on Southern Africa, 1992-1996.

The collection includes correspondence with Brooks’ foster family, his birth parents family, and scientific colleagues; and reminiscences about interment campus “A” including a class portrait, the “Khaki University”, the experience of writing McGill University matriculation exams, and academic life at McGill. While Brooks spent the majority of his academic career at the University of Western Ontario, this collection concerns his childhood and introduction to academic life shaped by the internment camp in Farnham, Quebec.

The Claire M. Flint fonds contains medical class notes, 3 McGill handbooks (1939-1940, 1940-1941, 1941-1942) and one "Authentic Mappe of Olde McGill" by G. Everett Wilson.

Most of the collection consists of certificates and diplomas awarded to Eleanor McGarry from McGill as well as from other medical associations. There are exam results from all stages of her education, souvenirs from medical student days and a small amount of personal correspondence. As well there are two bound photo albums containing studio portraits from the late 1800s, not all of which are identified.

Included in the McGarry fonds are papers from Dr. Percy Wright (b. 1882). Dr. Wright graduated from McGill (M.D. 1908). He was a consultant Otolaryngologist at the Children's Memorial Hospital (later the Montreal Children's Hospital), the Verdun General Hospital and The Catherine Booth Hospital. His collection of correspondence, journals, and lectures falls mainly between 1930 and 1939.

The collection consists of Dr. Powles handwritten notes on some of his medical lectures between 1940 and 1943 as well as three files of course notes related to neurosurgery and neurology, 1943; psychiatry 1942-1950; and sociology, anthropology 1948-1949. There are laboratory note books with drawings, some printed copies of selected exams and printed laboratory handouts. One file contains material relating to his attendance at the Officers' Training School in Brockville, Ontario in 1944 and other papers relating to his service career. There are two maps of military exercises in the North.

In addition there are 2 files of correspondence regarding academic appointments at the University of Cincinnati (1958-1966) and Queen's University (1966- ), and one scrapbook page containing individual sketches of C.P. Martin, Hans Selye, Dr. Dworkin, and David Thompson with clippings on the reverse about a wedding.

There are twelve photographs, one of which is a group photograph of the officers at the Training School.

The fonds consists of documents and photographs relevant to the history of the NAJC, particularly as regards the 1988 redress by the Canadian government. The scope predominately covers the period from 1987 to 1989, and includes correspondence, census data, briefs, minutes, surveys, and internal newsletters.