These records consist of photocopies of a few records, namely the constitution, 1973, committee minutes, 1980, and a reseach project application, 1980.
The fonds is composed of correspondence; course material; drafts of articles, books and other works; financial and judicial records, such as benefits statements or contracts; material written for public addresses, such as speeches or notes; photographs of Mr Watson; and a short section focusing its attention on the various appointments he had. This fonds is particularly interesting for the shear amount of course material that one can find here. Indeed, it composes a good third of the entire volume of this fonds and spans 20 courses over 40 years of teaching.
While attempting to give a complete look at William Watson’s life, the fonds is distributed into the following 5 series: A. Biographical records B. Professional records C. Distinctions D. Correspondence E. Graphical material
The fonds contains the professional papers of Canadian-American architect Witold Rybczynski. They comprise textual records including book manuscripts and proofs, research materials, reviews, correspondence, and teaching material, as well as slides and digital files representing his career as an author and educator.
Fonds contains copies of two essays, “My Life as a Student and Teacher at McGill: 1934-1974 (1974)”, and “Innovation and Personal Strategies: A Study of Work in a New Outpatient Clinic”, co-authored with Anita Heller (1976).
The McGill Poster Collection documents posters and ephemera announcing campus activities, primarily in the 1970s with some 1980s and 1990s material present.
The fonds consists of records related to the McGill Center for Research and Teaching on Women (1988-2008), the National Action Committee on the Status of Women (1986-2006), Hospital Files (1975-2001) and SAWCC (SACC) (1981-2006).
The Bernard Gagnon Fonds consists of audio recordings, including interviews, manuscripts, correspondence, and event documentation of Bernard Gagnon, a Montreal-based electroacoustic composer who recorded his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) in the 1980s. The Bernard Gagnon Fonds contains the work of Bernard Gagnon a Montreal-based electoacoustic composer and performer who was active in the avant garde scene in the city during the 1970s and 1980s. He composed his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) and the collection includes a 2012 Tenzier recording of these works. The Bernard Gagnon Fonds is divided into 5 series and contains approximately 100 items. The majority of the collection consists of audio recordings, including interviews, manuscripts, correspondence, concert posters and programs.
This collection, assembled by the Faculty of Dentistry, consists of curricula vitae, photocopied notices of papers Francis presented at conferences, and photocopies of his thesis and some of his published articles.