The fonds consists of material related to Donald J. Beauprie's life as a student and alumnus of McGill's Faculty of Dentistry. The records include receipts, correspondence and newspaper clippings related to dentistry (1954-1957); McGill memorabilia and ephemera; correspondence; articles and publications (issues of McGill Daily, Dawson Weekly, McGill News, McGill Dental Review); photographs; and objects (Scarlett Key Crest and Sweater, McGill University Crest, Dawson College T-Shirt, McGill Student Society Award Mug (1955-56), and a McGill Freshie button)

The collection documents the involvement of McGill faculty, students, alumni, and staff during the Second World War. It contains information on 5568 men and women on active service, including 295 women. It also provides information on the 298 dead, 52 prisoners of war, and 629 recipients of medals.

The greater portion consists of folders, index cards, newspaper clippings, correspondence, and photographs of individual soldiers and civilians. Index cards, documents and photographs were created and accumulated by Fetherstonhaugh and placed in alphabetical order within specific categories. The collection contains four distinct series: index cards; textual documents, including newspaper clippings; correspondence and articles arranged by subject; and photographs. The first series contains subseries reflecting Fetherstonhaugh’s original subdivision categories.

The index cards are arranged in the following groupings:

-Subversive activities
-Killed
-Prisoners of war
-University staff
-Macdonald College
-Army course
-COTC
-US
-General list A-H
-General list I-Mc
-General list M-Z
-Returned from active service
-Photos in extension file
-Photos on loan
-Women
-Civil

Other files in the collection include correspondence and newspaper clippings arranged by particular subjects; correspondence and newspaper clippings concerning the McGill War Memorial Campaign, 1947-1949; Fetherstonhaugh's account book of income and expenditures, and some vouchers, 1942-1946; McGill News articles, 1942-1946; correspondence, memoranda, invoices, reviews, and newspaper clippings, 1947-1948, concerning the book McGill University at War, 1914-1918; 1939-1945.

The Dorothy Nichol fonds contains artifacts and textural material regarding MSPE 1949, a certificate from McGill University's Women's Athletics Board to Dorothy Nichol and an Old McGill and program.

This fonds consists of Ashley's student notes for McGiII courses in English, Chemistry, Physics, Mathematics, and Spanish, radio scripts, theatre programs, clippings and photographs all reflecting Ashley's active participation in campus life. Of particular interest are Ashley's notes annotated with drawings and draft articles commenting on life at McGill.

"Architectural Drawings, 1945-55, 80 drawings." The majority of the architectural drawings documenting the projects of this firm relate to the design of a house for P. A. Cumyn in Senneville, PQ (1953-5). The other four projects with drawings include the addition of a parish hall for St. George's Church on Windsor Street in Montreal (1946) and alterations to the house of D. H. Starkey on Piquet Road in Montreal (1946).
"Photograph, n.d., 1 photograph." The archive contains a photograph of a finished exterior of an unidentified house.

"Dessins architecturaux, 1945-1955, 80 dessins." La plupart des dessins architecturaux qui témoignent des projets de ce cabinet se rapportent aux plans d'une maison réalisée pour P. A. Cumyn à Senneville (Québec) (1953-1955). Les autres dessins ont trait à l'ajout d'une salle paroissiale à l'église St. George, rue Windsor à Montréal (1956), ainsi qu'à des modifications apportées à la maison de D. H. Starkey, chemin Piquet à Montréal (1946).
"Photographie, s.d., 1 photo." Le fonds contient une photo de la finition extérieure d'une maison non identifiée.

The fonds consists of a scrapbook containing photos, ephemera, and clippings related to the McGill graduates athletic club, Winter Carnival, and copies of the McGill News, approximately 1947. In addition, there is a photograph of Convocation (May 22, 1946), a cardigan sweater and a MOC patch.

The fonds consists chiefly of architectural drawings, photographs, reports, and other records relating to Erickson's architectural projects in the Middle East. The materials document Erickson's involvement with building projects in the Middle East. Erickson's concern for bold masses, indigenous forms and contextuality can be seen in designs for the Islamic University of Madinah in Saudi Arabia (1983) and the Abu Nuwas Conservation and Development Project in Baghdad, Iraq (1981). These designs are better understood as small-scale cities rather than buildings and reflect Erickson's humanist approach to the problems of Modern design. The majority of the architectural drawings in the fonds date from 1976 to 1986 and include 1,468 multimedia drawings. These include drawings for over a dozen Middle East competitions and projects such as designs for the Islamic University of Madinah, Saudi Arabia (1983), King Faisal Air Force Academy and Mosque in Al Kharj (1980) and the Etisalat Headquarters in Abu Dhabi, United Arab Emirates (1986). An additional seventeen drawings were created before 1950 and include nine drawings for an office building and eight drawings for an arts centre for Vancouver. These executed while a student at the McGill School of Architecture. The fonds also contains 102 photographs and 26 slides also dating between 1976 and 1986 as well as 4 three-dimensional scale models. These models are for the Islamic University of Madinah (1983), the Abu Nuwas Conservation and Development Project (1976), Sancst Science Halls (1981) and Etisalat Headquarters (1986). The fonds also contain competition submissions and project development documentation (1976-1987), bound in 43 volumes. Nine copies of three published books also included contain surveys of Erickson's work and career. The fonds also contains Erickson's correspondence and other papers.

Le fonds se compose principalement de dessins d'architecture, de photographies, de rapports et d'autres documents relatifs aux projets architecturaux d'Erickson au Moyen-Orient. Ces documents témoignent de l'implication d'Erickson dans des projets de construction au Moyen-Orient. L'intérêt d'Erickson pour les masses audacieuses, les formes indigènes et la contextualité se retrouve dans les projets de l'Université islamique de Médine en Arabie saoudite (1983) et du projet de conservation et de développement d'Abu Nuwas à Bagdad, en Irak (1981). Ces projets sont davantage considérés comme des villes à petite échelle que comme des bâtiments et reflètent l'approche humaniste d'Erickson face aux problèmes du design moderne. La majorité des dessins d'architecture du fonds datent de 1976 à 1986 et comprennent 1 468 dessins multimédias. Ils comprennent des dessins pour plus d'une douzaine de concours et de projets au Moyen-Orient, tels que le plan de l'Université islamique de Médine, en Arabie saoudite (1983), l'Académie de l'armée de l'air du roi Fayçal et la mosquée d'Al Kharj (1980) ainsi que les quartiers généraux d'Etisalat à Abou Dhabi, aux Émirats arabes unis (1986). Dix-sept autres dessins ont été réalisés avant 1950, dont neuf dessins pour un immeuble de bureaux et huit dessins pour un centre d'art à Vancouver. Ces dessins ont été exécutés alors qu'il était étudiant à l'école d'architecture de McGill. Le fonds contient également 102 photographies et 26 diapositives datant également de 1976 à 1986 ainsi que 4 maquettes en trois dimensions. Quatre projets sont documentés par des maquettes tridimensionnelles : l'Université islamique de Madinah (1983), le Projet de conservation et de développement d'Abu Nuwas (1976), les Sancst Science Halls (1981) et les quartiers généraux d'Etisalat (1986). Le fonds contient également des soumissions de concours et de la documentation sur le développement de projets (1976-1987), reliés en 43 volumes. Neuf exemplaires de trois livres publiés contiennent également des études sur le travail et la carrière d'Erickson. Le fonds contient également la correspondance et d'autres documents d'Erickson.

Collection consists of an album of travel photographs (chiefly black and white, with some colour). Captions date the photographs to between 1946-1956 and then to between 1989-1994. The captions also include information about the photographs themselves. The first portion of the album contains photographs taken in Niagara Falls, Manitoulin Island, northern Ontario, Bermuda, the Maritime provinces, and the United States, including Howe Caverns, Fort Williams, New York, Yellowstone National Park, Plymouth Rock, Washington, New Orleans, and Mackinac Island, dated between 1946 and 1956. The second portion contains photographs dated from 1898-1994 and documents travel to Israel, Albania, the former Yugoslavia, Russia, Estonia, England, Greece, Costa Rica, Laos, Vietnam, Cambodia, and Ukraine. The album is cloth bound in blue with the title "Snaps" in black with painted tulips.

The fonds primarily reflects Pappius’s activities as a researcher at the Montreal Neurological Institute-Hospital (MNI/H): both her experimental research as such and various support activities, including academic publication, coordination of research projects with colleagues, and acquiring funding. It also contains much information about her leadership of the Clinical Neurochemistry Laboratory. The fonds contains smaller amounts of documentation regarding her activities as a professor at McGill University, her administrative roles at the MNI/H, and her participation in professional organizations, which reflects the smaller place that those roles occupied in her professional life.

The period of time best documented in the fonds spans the early 1980s to Pappius’s retirement in 1995. Correspondence with colleagues, mostly though not exclusively work-related, contains relatively more material from Pappius’s early career; although, here too, most of the material dates from the 1980s and after.

The main document types in the fonds related to Pappius’s research activities are experiment worksheets and printed tabular research data. Many of the research-related files contain negatives of autoradiographies, with a smaller number of photographic prints. Correspondence can be found in many series besides series F (Correspondence), as much of Pappius’s work was collaborative in nature.

The fonds is divided into eight series: (A) Research, (B) Academic events, (C) Teaching, (D) Administrative activities, (E) Professional organizations, (F) Correspondence, (G) Personal collections, and (H) Visual documents.

The fonds consists of Correspondence, course materials, newspaper clippings, offprints, photographs, and external lecture notes for approximately 1948 to approximately 1987.