The fonds consists of textual records and artifacts related to surgeon and researcher Dr. Charles R. Drew. It contains letters, artifacts, and a yearbook from Drew's time as a student at McGill University, including his notable achievements as a student athlete. These items include medals, a track meet program, an athletic shirt, and a yearbook. The fonds also contains invitations, pamphlets, and other ephemera related to tributes and honors awarded to Drew, including printed testimonials and materials associated with schools, lectures, and institutions named after him, such as the Charles R. Drew Postgraduate Medical School. These tributes and honors primarily recognize his contributions to medical science, but also encompass the program from his induction into the McGill Athletics Hall of Fame. Two letters in the fonds addressed to Drew's sister and his wife reflect on his accomplishments and include reminiscences from friends. Additionally, the fonds comprises five reprints of articles authored by Drew and two items concerning his career at Howard University and the Freedman's Hospital, including an outline for gathering a patient's medical history.
Leacock's papers comprise manuscripts of books, articles, and speeches written ca 1913-1937: included are Leacock's history of Montréal, and comic pieces such as "Too Much College", "The Stamp Album World", "Simple Stories of Success" and "Bed-Time, Stories for Grown-Up People". Correspondence covers the period ca 1915-1944. There are also newspaper articles by and about Leacock; book orders and related correspondence; manuscripts of articles and speeches about Leacock; and correspondence concerning donations to the Leacock Collection (Approximately 1948-1960).
These consist of manuscripts of various Goldbloom's writings on paediatrics as well as various articles and speeches, 1929-1963, the manuscript of an unpublished short story titled "On a Monday Afternoon" and correspondence with Samuel Behrman, 1957-1965.
The fonds consist of copies of deeds, some of which concern the British-American Land Co., that were executed by Torrance for the period 1856 to 1861, and a notebook of opinions on Québec legal questions, including copies of letters from the firm Torrance & Morris (1857-1859).
Fonds consists of contemporary manuscript copies of various legal records and instruments relating to the Capacci family. Includes one manuscript written on parchment in pale brown ink, ruled in pale brown ink, and bound in full contemporary blind tooled calf with laid paper endpapers and remnants of ties on covers, as well as a smaller booklet, written on parchment glued into a laid paper wrapper. Documents appear to be dated between 1556 and 1583 and are written in Latin and Italian (sometimes alternating within document). The legal instruments appear chiefly related to the dowry of Orietta Capacci (the dowry is also referenced in an Italian note in a later hand (1650?) inside front cover). Some names found throughout the documents include Orietta Capacci (or Orietta de Capacci) and Annibale (or Anibal) Camillo de Capacci.
The fonds reflects the scientific and literary outreach activities of the Montreal Natural History Society over the course of its existence and contains correspondence, minutes, financial records, council and committee reports, membership lists, donation lists, catalogues of holdings, newspaper clippings, lecture advertisements and weather maps. In addition, the fonds includes reference material to other societies and information regarding the publication and creation of the Canadian Naturalist and Quarterly Journal of Science, Canadian Naturalist and Geologist and the Canadian Record of Science.
The fonds is composed of the following series: 1) Accounting Records (1860-1917); 2) Administrative Records (1833-1887); 3) Catalogues (ca.1829-ca.1925); 4) Correspondence (1871-1896 with gaps); 5) Essays and Lectures (1829-1852); 6) Minutes (1827-1832,1844-1923); 7) Montreal Microscopical Society (1884-1906); 8) Reports (1828-1881 with gaps); 9) Weather Maps (1895-1897).
The fonds contains professional and private correspondence from Emma Albani, the first Canadian-born singer of international fame, to Parisian publisher Henri Heugel.