The collection consists of books, periodicals, and published ephemera related to alternative media between roughly the 1960s and 1998. The collections has a special focus on Quebec alternative, grassroots, and political publications as well as journalism trade publications and ephemera, and union and labour movement publications. Some publications are from Cuba and China, including Cuban calendars and some documents, books, and newspapers on China.

This fonds contains material related to the writing career, environmental activism, and personal life of Mona Elaine Adilman. The documents cover a period between approximately 1935 and 1991. Much of the material relates to Adilman's poetry, fiction, and essay writing. In addition to manuscripts of poetry, books, and essays, there are research materials, promotional materials, grant materials, and correspondence related to writing and publishing. There are also materials related to her music writing.

Fonds consists of working files, office files, galley proofs, and other materials related to the operations of the Porcupine's Quill Press.

The fonds consists of Scobie’s personal records relating to his career as a prominent author, poet and critic in Canada between 1966 and 1989. The bulk of the records consists of his written materials; manuscripts and drafts of published and unpublished poetry, novels, short stories, critical writings, including annotated drafts of his books on bpNichol and Leonard Cohen, as well as various notes, both typed and handwritten, unproduced film scripts and a libretto. The files also include some peripheral and administrative documents relating to his publications, such as book sales receipts, royalty agreements, and reviews, as well as promotional materials relating to lectures, poetry readings and other events. Other materials include correspondence between Scobie and friends, publishers, and other organizations and individuals, as well as selected editions of White Pelican, a literary journal that Scobie edited, from 1971-1973.

The fonds consists of manuscripts and drafts of literary compositions and other working documents, as well as professional and personal correspondence.

The collection consists of correspondence, research files, manuscripts, journals, and ephemera created and accumulated by writer and scholar Leon Edel, who was notably the editor and biographer of Henry James as well as Edmund Wilson.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Fonds consists of personal and professional papers of Canadian poet and novelist Penn Kemp. It contains personal and biographical files, including CVs and miscellaneous photos and drawings, as well as some family records. Within the professional materials are documentation of activities related to Kemp's career, such as grant materials, school press kits, workshop materials, professional correspondence, and records related to tours, as well as a comprehensive file of Kemp's creative output.

Collections consists of theater, music, and dramatic productions, between 1911 and 1915, collected by T. Wesley Mills.

Fonds contains manuscript of "Cours de réligion en vers," 1797.