Working scripts and audio visual material by Pyper for television; The Creeps, Inferno, The Van, About Towne, Devil’s Point, The Sleep Clinic, Nightfall. Including working scripts for film adaptions of Pyper’s novels.

File consists of typescripts related to Expo 67 and records related to McGill's own Canadian centennial celebrations of 1967. Many of the typescripts are preview or planning documents, including write-ups of Expo 67 event planning and pavilions. There is also a list of participants and exhibitors compiled by the Department of Exhibitions, Canadian Corporation for the 1967 World Exhibition, and two library lists for periodicals and accessions. There are also two volumes of "The Story of Man and His World", in English, volume 1: May 17-July 31, 1968, and an unnumbered volume for June 12-September 1969.

A record of Robertson’s activities as principal of McGill from 1962 1970 is found in diverse documents such as pamphlets, tickets, booklets, newspaper and magazine clippings, and photos, 1962, 1970, 1980 1944 -1992 (Container 1, File 4; Container 5, Files 122, 124, 128 , as well as in his diaries, 1962-1964; 1964-1969; 1969-1970 (Container 12, Files 201-203; Container 18, Files 247-256; Container 14, Files 214-217). Robertson’s appointment to McGill, his installation as principal (Container 1, File 5), his correspondence during his principalship, 1962 1994, 1965 (Container 1, File 9; Container 8, File 175), his resignation and retirement from McGill and an account of the turbulent times that accompanied his principalship are also contained in this series, 1969-1971 (Container 1, File 8; Container 5, Files 125 127; Container 6, File 130). More specifically, Robertson’s meditations on the continuing feasibility of Gerald Bull’s HARP project can be found in Container 18, File 252.

Of particular interest is Robertson’s correspondence and report for Quebec Premier Robert Bourassa 1970 (Container 1, File 6) which discusses Robertson’s unsuccessful attempts to solicit increased provincial government funding for McGill University, particularly through his analysis of the Quebec government’s unfair funding formula. Robertson even contemplated approaching Prime Minister Trudeau with the concept of McGill as a National University in an effort to secure federal funding, 1969 (Container 14, File 214).

Numerous newspaper clippings and case files relate to the Stanley Gray Dismissal Hearings (Container 1, File 7). This information is supplemented by the more personal reflections contained in Robertson’s correspondence with his brother, Bruce, a lawyer from British Columbia. Robertson’s uncertainty regarding his actions caused him to legally clarify his position with his brother and almost led to his decision to retire in 1967, 1939-1969 (Container 8, File 165). Further indications of the atmosphere at McGill include the “Save the Trees Riot” which took place near the construction site of McGill’s Burnside Hall, and the greenhouse bomb incident, both of which are discussed in some detail in Robertson’ Diaries, 1969-1979 (Container 14, Files 214 223).

Also included in the series are McGill University Convocation Brochures, 1963-1970 (Container 16, Files 1/241 3/241) and ephemera related to McGill Programs and Social events, 1956-1988, 1964-1966 (Container 3, Files 1/79 3/79; Container 15, File 230) reflecting the diverse nature of Robertson’s duties as a principal, as well as the administrative changes he made to McGill. These changes included increasing the number of vice-principals, students, and staff, as well as Robertson’s efforts to give students more of a voice by increasing student representation on both the senate and committees of the senate, 1970 (Container 19, File 264). A construction helmet, often worn by Robertson in photos, signifies the building boom that accompanied Robertson’s time as principal of McGill (Container 10, File 191).

This series contains subject files including some professional consultations on ethical issues such as AIDS, same-sex marriage, pain management, euthanasia, health care policy, and blood systems as well as research notes on drug abuse, immigration, the Cross Culture Project and Bill C-203.

This series consists of glass plate negatives and other photographic materials with their original boxes relating to the Feather Book, ornithology, falconry, McGill University Library, and Casey Wood. The majority of the glass plates were produced in Berlin, Germany by Agra, while a few were produced in London, England and Toronto, Canada; which is indicated on the boxes the plates were contained in. On many of these boxes, McGill University librarian Dr. G. R. Lomer’s name appears, indicating these plates and photographic materials were used for library-related activities. Most of the plates, photographs, and photographic negatives (1927, 1930, 1956) show pages from the Feather Book by Dionisio Minaggio. Other glass plate negatives and photographic material depict artwork or images relating to ornithology and falconry, a portrait of Casey Wood (1927), Gronvold’s painting of Wood’s parrot John III (1930?), an ornithological archeological exhibit in the Redpath Library (1924), and library stacks in the Redpath Library (1924).

The series consists of research files on Hebrew and Palestinian culture and civilization.