Architectural drawings, photographs and professional correspondence documenting the architectural practice of the Montreal architect Robert Findlay (1859-1951) are found in the CAC archives.

Le fonds de -la CAC réunit des dessins architecturaux, des photographies et de la correspondance professionnelle témoignant des activités de l'architecte montréalais Robert Findlay (1859-1951).

File list:
"Architectural Drawings, 1891-1927, 204 drawings." Twenty-five projects, primarily for domestic architecture in Montreal as well as summer residences in the country surrounding Montreal, are found in the archive. Also included are designs for Calvary Church in Westmount.
"Photographs, 1900-17, 86 photographs." The archive contains photographs documenting finished exteriors and interiors of eighteen projects, mainly domestic architecture. In addition, there are photographs of Calvary Church, Westmount Public Library and the Sun Life Assurance Co. building.
"Professional Correspondence, 1900, 6 cm." Correspondence and specifications regarding the design and execution of the R. W. Reford house and the stables for the F. W. Molson house, both located in Montreal, are included in the archive.

"Dessins architecturaux, 1891-1927, 204 dessins." Vingt-cinq projets, surtout d'architecture domestique à Montréal, de même que des résidences d'été construites dans les environs de Montréal. Le fonds comprend également les plans de l'église Calvary à Westmount.
"Photographies, 1900-1917, 86 photos." Le fonds contient des photos représentant la finition extérieure et intérieure de 18 projets, surtout d'architecture domestique. On y trouve également des photos de l'église Calvary, de la Bibliothèque municipale de Westmount et du siège social de la Sun Life.
"Correspondance professionnelle, 1900, 6 cm." La correspondance et le cahier des charges de la maison R.W. Reford et des écuries de la maison F.W. Molson, toutes les deux situées à Montréal.

This series consists of 14 scrapbook volumes and files of material collected by Wood that were of interest to him either professionally or personally, dated between 1887-1955, but predominately 1926-1941. The scrapbooks and files contain newspaper and periodical clippings, correspondence, printed ephemera, photographs, postcards, palm leaf manuscripts, prints, paintings and other artwork, manuscripts, bookplates, place cards, and textile badges. There are also a few items within the volumes relating to Wood’s research trips and minor writings.
Overall topics within the series include ornithology, Wood’s parrot John III, zoology, naturalists, current events (1927-1941), poems, politics and war, British culture and people, health, obituaries, education, tourism, science and medical research, McGill Library and other institution collections, bird sanctuaries, and bird, ancient, and medieval artwork.
Printed ephemera from Wood’s travels include invitations, programs, brochures, tickets, visitation membership cards, business cards, etc.. There are two volumes (1925-1932) with Saturday Evening Post articles written by Hal G. Evarts, Stewart E. White, David Newell, Bozeman Bulger, Lord William Percy, Donald R. Dickey, and others.
There are 63 incoming and outgoing correspondence, including letters, notes, cards and telegrams. Individuals addressed include Dr. Axel Munthe, Irving Thalberg, Major Allan Brooks, Edith Swan, William Beebe, Chester W. Davis, F. L. Struthers, Elizabeth E. Abbott, W. H. Poole, Thos. Cook and Son Ltd., Margaret E. Hibbard, National Audubon Society, Senator William E. Borah, Stuart Baker, T. S. Palmer, Samuel Casey Wood III, Alan Wood, E. E. Chambers, McGill University, C. F. Martin, George Perley, Emma Shearer Wood, and Wheldon and Wesley. Some topics discussed within correspondence include bird protection, ornithology, travel, holidays, politics, and a speaking event during World War One.
Other individuals represented in this series include Archibald Thorburn, Robert Ridgway, Joseph Addison, M. K. Wisehart, Charles D. Stewart, Dr. George Harlet, Charles Livingston Bull, Dr. Harding, W. J. Belcher, Doris Rosenthal, Marquess of Tavistock, Francis Moore, Karel Fabritius, John Burroughs, T. C. Harrison, R. L. Gallienne, W. H. Bartlett, Harvey Cushing, John H. Sage, Alexander Wetmore, Dr. Andreas Nell, and John G. Howard.
Some locations either visited by Wood or represented in the series include England, Scotland, New Zealand, Australia, Switzerland, India, Sri Lanka, Italy, British Guiana, British Museum of Natural History, Notre Dame Cathedral, Victoria Albert Museum, and Bodleian Library.

This subseries consists of other research, writing, and correspondence files related to Wood's research and writing activities (1852-1925), writings of others assisting in Wood’s research projects or written about Wood (1936-1943), and volumes containing multiple publications by Casey Wood from 1852-1943, but predominantly 1920-1938. Some of these volumes include writings of other authors as well. The subseries is composed mostly of publications, manuscripts, and correspondence, along with photographs, clippings, book dust covers, feathers from John III, and printed materials pertaining largely to ornithology, falconry, and Wood's research.
Included in this subseries are 661 incoming and outgoing correspondence (1914, 1927, 1933-1940) including letters, postcards, and telegrams. Some of the individuals represented within the subseries include G. R. Lomer, Elizabeth E. Abbott, Margaret E. Hibbard, Dr. Maude Abbott, Dr. Cresswell Shearer, Marjorie Fyfe, Alan H. Wood, Samuel Casey Wood III, Arthur William Head, H. Gronvold, H. Kirke Swann, Alexander Wetmore, Dr. Andreas Nell, Elliott Coues, George Arliss, Duke of Wellington, Professor Arthur Willey, Dr. Witmer Stone, John Still, E. C. T. Holsinger, Dr. Burton Chance, Wladimir Ivanow, John M. McWilliam, Dr. Max Meyerhof, W. L. Sclater, Harry Harris, Dr. Arnold C. Klebs, Professor Alonzo Taylor, Dr. Harold Gifford, David Nutt, William Wrigley Jr., Professor W. P. C. Zeeman, Eileen Thompson, William Thornwall Davis, H. S. Swarth, E. Edward Newton, Joseph Pearson, R. T. Gunther, Dr. Jon Pearson, Sir George Perley, J. Wilkes, Edward Von S. Dingle, George Edwards, W. E. Powell, L. J. Griffin, Robert Moore, and Major Chester Davis. Book publishers and dealers represented include Wheldon and Wesley, G. E. Stechert and Co., Bernard Quaritch Ltd., R. Friedlander and Sohn, K. F. Koehler’s Antiqarium, Foliophiles, Sotheby and Co., Francis Edwards, Vitty and Seaborne Ltd., Sun Engraving Co., Dulau & Co., Ltd., Samuel N. Rhoads, and Franklin Bookshop.
Topics and research projects within the subseries include ornithology, aviculture, bird protection, fossil eggs, zoology and sea life, collection and financial records for McGill Libraries and other institutions, McGill Library exhibits, the Feather book, travel and research, professional and personal lives, Wood’s ancestry, events Wood attended, politics and crime, Dr. Joseph Grinnell, Sir Henry and Elizabeth Gwillim, James Graham Cooper, John III’s painting and life, Emma Shearer Wood library boo plate, bird and zoology prints and other artwork, the dodo bird and related art, Sinhalese Olas, coins, and Persian manuscripts, ayurvedic medicine, Dominion Parliament building, “Fundus Oculi of Birds,” “An Introduction to Literature of the Vertebrate Zoology,” “Coloured Plates of the Birds of Ceylon,” Benevenutus Grassus’ de Oculis, Tadhkirat of Ali ibn Isa translation, Frederick II’s de Arte Venandi cum Avibus and falconry, “Catalogue du Fonds de Paul Lechevalier,” “James Craw Portrait of Alexander Wilson,” “Monograph of the Birds of Prey,” and other manuscripts.
Places referenced in this subseries include the British Museum, McGill University, Emma Shearer Wood Library, San Francisco, England, Barbados, New Zealand, Fiji, Oceania, Switzerland, India, Sri Lanka, and others.

Subfonds contains twelve projects documented by 213 architectural drawings (1943-1950) including: additions and alterations to the McGill University Pathology Building, a Henry Birks and Sons store in Victoria, BC, a War Memorial Monument in Westmount, alterations to Christ Church Cathedral in Montreal and alterations to the Royal Montreal Curling Club. Non-architectural projects documented in drawings include the Carlisle Memorial Sedilia, a processional cross and war names inscription panels for Christ Church Cathedral (1946-1948).
"Photographs, 1947, 2 photographs." The Birks store in Victoria is documented by photographs of the finished exterior and interior (1947).. Three projects include correspondence files: War Memorial Monument in Westmount, alterations to St. George's Church in Drummondville, PQ and decorations for the University Club in Montreal (1947-1951).

Dessins architecturaux, 1943-1950, 213 dessins: Les douze projets illustrés par des dessins architecturaux comprennent, notamment : des annexes et rénovations apportées au pavillon de l'Institut de pathologie de l'Université McGill, un magasin de la compagnie Henry Birks and Sons à Victoria (Colombie-Britannique), un monument aux morts à Westmount, des réfections apportées à la cathédrale Christ Church de Montréal et au Royal Montreal Curling Club.
Autres dessins, 1946-1948, 12 dessins: Au nombre des projets non architecturaux illustrés par des dessins, signalons la Sedilia Carlisle Memorial, un crucifix de procession, et les panneaux d'inscription du nom des soldats morts au champ d'honneur réalisés pour la cathédrale Christ Church.
Photographies, 1947, 2 photographies: Le magasin Birks de Victoria est représenté par deux photographies qui en montrent la finition extérieure et intérieure.
Correspondance, 1947-1951, 12 cm: Trois projets sont assortis d'une correspondance.: le monument aux morts de Westmount, les rénovations apportées à l'église St. Georges de Drummondville (Québec) et des ornements pour le University Club de Montréal.

This series consists of 399 incoming and outgoing letters and postcards, administrative and financial papers, catalogue lists, bookplates, and manuscripts pertaining to collection development and other library-related activities for the Emma Shearer Wood and Blacker Libraries from 1918-1941. The correspondence relates directly to collection development of these libraries from 1921-1941; however, the years 1931 and 1933 are not present.
Correspondence is primarily between Casey Wood and other individuals, such as Gerhard R. Lomer, Lilian Bates, Elizabeth Abbott, J. H. Fleming, McGill’s Order Department, Henry Mousley, V. C. Wynne Edwards, Margaret Hibbard, Otto Kals, and A. P. S. Glassco, as well as, book dealers, such as Messrs. Wheldon and Wesley and Messrs Bernard Quaritch, Ltd.. Other correspondence is also present between other individuals relating to McGill University Library collections including those donating materials to the libraries and others affiliated with Wood.
Subjects within the collection often concern financial and administrative information, purchases or material requests relating to ornithology, falconry, zoology, and Wood’s research and writing. Within the catalogue lists and manuscripts for the libraries, some relate specifically to medieval, medieval Persian, and fifteenth-century manuscripts. Additionally, this series also includes clippings and photographs exchanged between Wood and Library staff.
Notably, one volume within this series is dedicated to the evolution of the Emma Shearer Wood Library bookplate with the original drawing designed by United States government engraver G. F. C. Smillie and 7 other versions of the bookplates between 1918-1922. The later bookplate was by Bumpus of London designed by M. P. Barrett.

Consists primarily of architectural drawings (1951-1954, 33 drawings) as well as records related to architectural operations, correspondence, and other papers. Included are drawings of alterations to Christ Church Cathedral in Montreal and proposals for naval memorials in Halifax at Point Pleasant and Citadel Hill Park. Also contains 1 photograph, 1951, of Christ Church Cathedral. Two projects have accompanying correspondence: alterations to Christ Church Cathedral and the Point Pleasant Naval Memorial (1951-1954).

"Dessins architecturaux, 1951-1954, 33 dessins." Notamment les plans des rénovations apportées à la cathédrale Christ Church de Montréal et des propositions de monuments navals pour Point Pleasant et Citadel Hill Park (Halifax).
"Photographies, 1951, 1 photo." Une photo de la cathédrale Christ Church.
"Correspondance, 1951-1954, 9 cm." Deux projets s'assortiment d'une correspondance : les rénovations apportées à la cathédrale Christ Church et le monument naval de Point Pleasant.

The fonds consists chiefly of architectural drawings, photographs, reports, and other records relating to Erickson's architectural projects in the Middle East. The materials document Erickson's involvement with building projects in the Middle East. Erickson's concern for bold masses, indigenous forms and contextuality can be seen in designs for the Islamic University of Madinah in Saudi Arabia (1983) and the Abu Nuwas Conservation and Development Project in Baghdad, Iraq (1981). These designs are better understood as small-scale cities rather than buildings and reflect Erickson's humanist approach to the problems of Modern design. The majority of the architectural drawings in the fonds date from 1976 to 1986 and include 1,468 multimedia drawings. These include drawings for over a dozen Middle East competitions and projects such as designs for the Islamic University of Madinah, Saudi Arabia (1983), King Faisal Air Force Academy and Mosque in Al Kharj (1980) and the Etisalat Headquarters in Abu Dhabi, United Arab Emirates (1986). An additional seventeen drawings were created before 1950 and include nine drawings for an office building and eight drawings for an arts centre for Vancouver. These executed while a student at the McGill School of Architecture. The fonds also contains 102 photographs and 26 slides also dating between 1976 and 1986 as well as 4 three-dimensional scale models. These models are for the Islamic University of Madinah (1983), the Abu Nuwas Conservation and Development Project (1976), Sancst Science Halls (1981) and Etisalat Headquarters (1986). The fonds also contain competition submissions and project development documentation (1976-1987), bound in 43 volumes. Nine copies of three published books also included contain surveys of Erickson's work and career. The fonds also contains Erickson's correspondence and other papers.

Le fonds se compose principalement de dessins d'architecture, de photographies, de rapports et d'autres documents relatifs aux projets architecturaux d'Erickson au Moyen-Orient. Ces documents témoignent de l'implication d'Erickson dans des projets de construction au Moyen-Orient. L'intérêt d'Erickson pour les masses audacieuses, les formes indigènes et la contextualité se retrouve dans les projets de l'Université islamique de Médine en Arabie saoudite (1983) et du projet de conservation et de développement d'Abu Nuwas à Bagdad, en Irak (1981). Ces projets sont davantage considérés comme des villes à petite échelle que comme des bâtiments et reflètent l'approche humaniste d'Erickson face aux problèmes du design moderne. La majorité des dessins d'architecture du fonds datent de 1976 à 1986 et comprennent 1 468 dessins multimédias. Ils comprennent des dessins pour plus d'une douzaine de concours et de projets au Moyen-Orient, tels que le plan de l'Université islamique de Médine, en Arabie saoudite (1983), l'Académie de l'armée de l'air du roi Fayçal et la mosquée d'Al Kharj (1980) ainsi que les quartiers généraux d'Etisalat à Abou Dhabi, aux Émirats arabes unis (1986). Dix-sept autres dessins ont été réalisés avant 1950, dont neuf dessins pour un immeuble de bureaux et huit dessins pour un centre d'art à Vancouver. Ces dessins ont été exécutés alors qu'il était étudiant à l'école d'architecture de McGill. Le fonds contient également 102 photographies et 26 diapositives datant également de 1976 à 1986 ainsi que 4 maquettes en trois dimensions. Quatre projets sont documentés par des maquettes tridimensionnelles : l'Université islamique de Madinah (1983), le Projet de conservation et de développement d'Abu Nuwas (1976), les Sancst Science Halls (1981) et les quartiers généraux d'Etisalat (1986). Le fonds contient également des soumissions de concours et de la documentation sur le développement de projets (1976-1987), reliés en 43 volumes. Neuf exemplaires de trois livres publiés contiennent également des études sur le travail et la carrière d'Erickson. Le fonds contient également la correspondance et d'autres documents d'Erickson.

"Architectural Drawings, professional correspondence, specifications, etc., ca. 1960s, 13 cm, 17 file folders." Unaccessioned materials relating to three projects: St. Helen's School in Dunham, PQ, Camp Amy Molson, and Knox Crescent and Kensington Presbyterian Church on Godfrey Avenue in Montreal.

"Dessins architecturaux, correspondance professionnelle, cahiers des charges, etc., circa 1960, 13 cm, 17 chemises." Le matériel non encore dépouillé se rapporte à trois projets : l'école St. Helen de Dunham (Québec), la colonie de vacances Amy Molson et l'église presbytérienne Knox Crescent and Kensington, avenue Godfrey à Montréal.

Includes correspondence, journals, books, manuscripts, photographic material, audio tapes, course material, research material, postcards, book reviews, conference proceedings, thesis, and articles for publication.