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Archival description
Rare Books and Special Collections
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William Weintraub fonds

  • CA RBD MSG 1177
  • Fonds
  • between approximately 1932 and 2010

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Weintraub, William, 1926-2017

Leon Edel Collection

  • CA RBD MSG 993
  • Collection
  • 1929-1995

The collection consists of correspondence, research files, manuscripts, journals, and ephemera created and accumulated by writer and scholar Leon Edel, who was notably the editor and biographer of Henry James as well as Edmund Wilson.

Edel, Leon, 1907-1997

Judith Fitzgerald Fonds

  • CA RBD MSG 940
  • Fonds
  • 1952 - 1995

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

Fitzgerald, Judith

Ken Norris Fonds

  • CA RBD MSG 937
  • Fonds
  • 1960-1994

The fonds documents Ken Norris’s academic, professional and personal activities and career as an English literature teacher, Canadian writer and poet. There are also materials related to his university student life in Montreal. The records contains a wide variety of personal and professional correspondence between 1972-1990 with correspondents such as Endre Farkas, Margaret Atwood, Leonard Cohen, David McFadden, Cynthia Lapp, George Bowering, and James Polk. Manuscripts and notebooks document his writing activities and include rough drafts, edited drafts, final drafts, completed manuscripts, as well as published books, articles and his academic dissertations.

Norris, Ken, 1951-

Casey Albert Wood Collection

  • CA RBD MSG 1203
  • Collection
  • approximately 1850-1981, predominant 1913-1940

This collection consists of materials dated from approximately 1850-1981, but predominantly from 1913-1940, relating to Dr. Casey Albert Wood’s research, writing, correspondence, and personal interest concerning ornithology, vertebrate zoology, memoir and family history, Emma Shearer Wood and Blacker Library collection development, ophthalmology, politics, and current events. Materials relate chiefly to Wood’s “Introduction to the Literature of Vertebrate Zoology” (1921-1956), falconry (1930s), his unpublished memoir (1930s), the development of McGill University’s Emma Shearer Wood and Blacker Libraries (1918-1941), the history of ophthalmology (1925-1936), “Fundus Oculi” (1911-1934), his travels and research expeditions studying birds in their natural habitat (1920-1940), political interests, and correspondence relating to these activities and subjects.

There are approximately 2902 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Series 1) Research and writing, contains the largest volume of correspondence relating to “the Introduction to the Literature of Vertebrate Zoology.” While Series 2) Research trips, contains the largest portion of photographs. Other materials in this collection include research notes, manuscripts, page and galley proofs, book and article reprint publications, postcards, artwork, glass plate negatives, book plates, palm leaf manuscripts, artefacts, printed ephemera, clippings, journals, and administration and financial records relating to Wood’s publications or the Emma Shearer Wood and Blacker Libraries.

There are gaps within this collection relating to geographic locations, as not all locations Wood is known to have visited are represented or are only minimally represented. Asian countries, such as China or Japan, are not represented in this collection. While geographic locations that are prominent within the collection are Fiji, Sri Lanka and India.

The series consists of 1) research and writing (ca. 1850-1956); 2) research trips (1920-1937); 3) scrapbooks (1887-1946); 4) collection development (1918-1941); 5) published books (1907-1981); 6) artefacts (191-?, 1920-1937); and 7) glass negative plates (1924, 1927, 1930, 1956).

Wood, Casey A. (Casey Albert), 1856-1942

Dorothy Duncan fonds

  • CA RBD MSG 698
  • Fonds
  • 1907-1972, predominant 1930-1957

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.

Duncan, Dorothy

Research and writing

This series consists of research, writing, and correspondence files relating to Casey Wood's major and minor publications and unpublished works, as well as, others assisting in Wood's publications, research, or writing about Wood. The majority of the research and writing materials for Wood's published and unpublished works were created between 1920-1940, while other materials collected during Wood's life, those associated with his memoir and obituary, date from approximately 1850-1943.
Some prominent writings by Wood include “Introduction to the Literature of Vertebrate Zoology” (1921-1956), his unpublished memoir (ca. 1850-1939), “Fundus Oculi” (1911-1934), Wood family history (1920-1940), “Birds of Fiji” (1920-1928), “Through Forest and Jungle in Kashmir and North India” (1921-1934); Persian, Arabic and Hindustani manuscripts (1927-1934); and “The Art of Falconry” (1942).
The series consists of many volumes and files containing a number of record types including manuscripts, typescripts, proofs, publications, photographs, correspondence, clippings, printed material, postcards, journals, administrative and financial records, and artwork. Some of the volumes are scrapbooks containing many of these materials mounted within, while others include similar materials bound within. These volumes do not necessarily have a clear organization but are sometimes arranged chronologically or by correspondent.

There are 2230 incoming and outgoing pieces of correspondence including letters, postcards, notes, telegrams, and cards. Subseries 1) Introduction to the Literature of Vertebrate Zoology includes 1313 pieces of correspondence, the largest number of correspondence within the collection.

Introduction to the literature of vertebrate zoology

This subseries consists of 11 volumes, correspondence files, and a box of notecards dated from 1921-1956 relating to Wood's publication “An Introduction to the Literature of Vertebrate Zoology” published in 1931 and collection development within the Emma Shearer Wood and Blacker Libraries at McGill University. The volumes and files contain correspondence, handwritten and typed annotated manuscripts, proof sheets, the publication, notecards listing recipients of the publication, prints, printed ephemera, clippings, financial and administrative records, book reviews, and McGill Library catalogue listings related to the works within “An Introduction to the Literature of Vertebrate Zoology.” Additional professional projects are also represented in the subseries including “Coloured Plates of the Birds of Ceylon,” the Passing of John III, and Wood’s translation of Benevenutus Grassus’ de Oculis.
There are 1313 incoming and outgoing correspondence letters, telegrams, and cards; the largest volume in the collection. The correspondents are located internationally and include public, academic, government, and army libraries; museums, clubs and societies, literary journals, publishers, etc.. Some individuals and companies addressed include Lillian Bates, William Henry Mousley, Gerhard R. Lomer, W. W. Francis, Robert de Resillac Roese, S. R. Burrell, Robert Blacker, Miss Hanington, Elizabeth E. Abbott, John and Edward Bumpus Ltd., Oxford University Press, Sun Engraving Co., Parker & Sons Ltd., Herbert Putnam, George Iles, Colonel F. H. Garrison, Dr. Melville Black, W. J. Belcher, Smithsonian Institute, Dr. Maude Abbott, Dr. A. D. Blackader, R. R. James, Pierpont Morgan Library, Humphrey Milford, Basil H. Soulsby, William F. Petersen, University of Illinois College of Medicine, Natural History Museum, Dr. Robert A. Millikan, Douglas H. Campbell, A. J. Swann, Sir Arthur W. Currie, Alexander Wetmore, E. Cowles Andrus, and John Johnson.

Scrapbooks

This series consists of 14 scrapbook volumes and files of material collected by Wood that were of interest to him either professionally or personally, dated between 1887-1955, but predominately 1926-1941. The scrapbooks and files contain newspaper and periodical clippings, correspondence, printed ephemera, photographs, postcards, palm leaf manuscripts, prints, paintings and other artwork, manuscripts, bookplates, place cards, and textile badges. There are also a few items within the volumes relating to Wood’s research trips and minor writings.
Overall topics within the series include ornithology, Wood’s parrot John III, zoology, naturalists, current events (1927-1941), poems, politics and war, British culture and people, health, obituaries, education, tourism, science and medical research, McGill Library and other institution collections, bird sanctuaries, and bird, ancient, and medieval artwork.
Printed ephemera from Wood’s travels include invitations, programs, brochures, tickets, visitation membership cards, business cards, etc.. There are two volumes (1925-1932) with Saturday Evening Post articles written by Hal G. Evarts, Stewart E. White, David Newell, Bozeman Bulger, Lord William Percy, Donald R. Dickey, and others.
There are 63 incoming and outgoing correspondence, including letters, notes, cards and telegrams. Individuals addressed include Dr. Axel Munthe, Irving Thalberg, Major Allan Brooks, Edith Swan, William Beebe, Chester W. Davis, F. L. Struthers, Elizabeth E. Abbott, W. H. Poole, Thos. Cook and Son Ltd., Margaret E. Hibbard, National Audubon Society, Senator William E. Borah, Stuart Baker, T. S. Palmer, Samuel Casey Wood III, Alan Wood, E. E. Chambers, McGill University, C. F. Martin, George Perley, Emma Shearer Wood, and Wheldon and Wesley. Some topics discussed within correspondence include bird protection, ornithology, travel, holidays, politics, and a speaking event during World War One.
Other individuals represented in this series include Archibald Thorburn, Robert Ridgway, Joseph Addison, M. K. Wisehart, Charles D. Stewart, Dr. George Harlet, Charles Livingston Bull, Dr. Harding, W. J. Belcher, Doris Rosenthal, Marquess of Tavistock, Francis Moore, Karel Fabritius, John Burroughs, T. C. Harrison, R. L. Gallienne, W. H. Bartlett, Harvey Cushing, John H. Sage, Alexander Wetmore, Dr. Andreas Nell, and John G. Howard.
Some locations either visited by Wood or represented in the series include England, Scotland, New Zealand, Australia, Switzerland, India, Sri Lanka, Italy, British Guiana, British Museum of Natural History, Notre Dame Cathedral, Victoria Albert Museum, and Bodleian Library.

Miscellaneous research, writing, and correspondence files.

This subseries consists of other research, writing, and correspondence files related to Wood's research and writing activities (1852-1925), writings of others assisting in Wood’s research projects or written about Wood (1936-1943), and volumes containing multiple publications by Casey Wood from 1852-1943, but predominantly 1920-1938. Some of these volumes include writings of other authors as well. The subseries is composed mostly of publications, manuscripts, and correspondence, along with photographs, clippings, book dust covers, feathers from John III, and printed materials pertaining largely to ornithology, falconry, and Wood's research.
Included in this subseries are 661 incoming and outgoing correspondence (1914, 1927, 1933-1940) including letters, postcards, and telegrams. Some of the individuals represented within the subseries include G. R. Lomer, Elizabeth E. Abbott, Margaret E. Hibbard, Dr. Maude Abbott, Dr. Cresswell Shearer, Marjorie Fyfe, Alan H. Wood, Samuel Casey Wood III, Arthur William Head, H. Gronvold, H. Kirke Swann, Alexander Wetmore, Dr. Andreas Nell, Elliott Coues, George Arliss, Duke of Wellington, Professor Arthur Willey, Dr. Witmer Stone, John Still, E. C. T. Holsinger, Dr. Burton Chance, Wladimir Ivanow, John M. McWilliam, Dr. Max Meyerhof, W. L. Sclater, Harry Harris, Dr. Arnold C. Klebs, Professor Alonzo Taylor, Dr. Harold Gifford, David Nutt, William Wrigley Jr., Professor W. P. C. Zeeman, Eileen Thompson, William Thornwall Davis, H. S. Swarth, E. Edward Newton, Joseph Pearson, R. T. Gunther, Dr. Jon Pearson, Sir George Perley, J. Wilkes, Edward Von S. Dingle, George Edwards, W. E. Powell, L. J. Griffin, Robert Moore, and Major Chester Davis. Book publishers and dealers represented include Wheldon and Wesley, G. E. Stechert and Co., Bernard Quaritch Ltd., R. Friedlander and Sohn, K. F. Koehler’s Antiqarium, Foliophiles, Sotheby and Co., Francis Edwards, Vitty and Seaborne Ltd., Sun Engraving Co., Dulau & Co., Ltd., Samuel N. Rhoads, and Franklin Bookshop.
Topics and research projects within the subseries include ornithology, aviculture, bird protection, fossil eggs, zoology and sea life, collection and financial records for McGill Libraries and other institutions, McGill Library exhibits, the Feather book, travel and research, professional and personal lives, Wood’s ancestry, events Wood attended, politics and crime, Dr. Joseph Grinnell, Sir Henry and Elizabeth Gwillim, James Graham Cooper, John III’s painting and life, Emma Shearer Wood library boo plate, bird and zoology prints and other artwork, the dodo bird and related art, Sinhalese Olas, coins, and Persian manuscripts, ayurvedic medicine, Dominion Parliament building, “Fundus Oculi of Birds,” “An Introduction to Literature of the Vertebrate Zoology,” “Coloured Plates of the Birds of Ceylon,” Benevenutus Grassus’ de Oculis, Tadhkirat of Ali ibn Isa translation, Frederick II’s de Arte Venandi cum Avibus and falconry, “Catalogue du Fonds de Paul Lechevalier,” “James Craw Portrait of Alexander Wilson,” “Monograph of the Birds of Prey,” and other manuscripts.
Places referenced in this subseries include the British Museum, McGill University, Emma Shearer Wood Library, San Francisco, England, Barbados, New Zealand, Fiji, Oceania, Switzerland, India, Sri Lanka, and others.

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