Fonds consists of papers pertaining to Gillett’s publications (with the exception of We Walked Very Warily), her addresses, the editing of the McGill Journal of Education and the functions of the Faculty of Education. Materials related to her publications include notes, drafts, galley and page proofs for A History of Education, Foundation Studies in Education, Educational Technology, The Laurel and the Poppy, and A Fair Shake: Autobiographical Essays by McGill Women (edited by Dr. Gillett and Kay Sibbold). There are also some photocopies, correspondence, and copies of photographs collected for We Walked Very Warily. Her editorship of the McGill Journal of Education is documented by copies of minutes of the Editorial Board (1966-1976), correspondence on funding (1970- 1971) and with contributors (1967-1971), and files of correspondence, manuscripts and proofs for issues from 1971, 1973 and 1974. A file of addresses together with some reviews, largely on the women's movement (1975-1976), her convocation address in 1971, and her Report on Women in the Montréal Area delivered at the National Conference on Women in the University, 1973 are also included. Finally, papers relating to her work at the Faculty of Education include correspondence, public relations and summer school materials (1963-1967), agendas, submissions and reports to the Senate of the faculty's Planning Commission (1972-1973) and files of the McGill Committee for Teaching and Research on Women, 1976.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.

Fonds comprises research notes, bibliographies, manuscripts, edited typescripts and proofs for In Caps and Gowns.

This fonds comprises of the research work of C.A. Brodie-Brockwell. It consists of unpublished manuscripts and notes on early Mediterranean cultures and civilisation, pre-Christian Hebrew, Semitic and Arabian culture, as well as investigations into early calendars and methods of counting (boxes 1- 6, and box 7, files 1-8, 10). Other files include: hand-drawn maps of peoples of Europe in different times (box 7, file 9); lecture named “A New Interpretation of the Parable of the So-Called Unjust Steward” (box 7, file 11); correspondence (box7, file 12); dictionary notebook (box 7, File 13).

The binders with manuscripts are arranged by subjects, discerned from their titles and content.

Fonds consists of correspondence and literary manuscripts, documenting all aspects of MacMillan’s career. Biographical background is provided by his own notes on his life and family history. From his student years come certificates and testimonials in support of his application for a Rhodes Scholarship (1904-1909). His war experience is recorded in letters from the front preserved by his family, and by a personal diary for 1917. There are also approximately twenty photographs of Macmillan and his family taken between about 1905 and 1940.

Macmillan's correspondence includes files of letters to his wife (1917-1936) on his war service and political affairs; personal and social letters (1923-1929); political correspondence, including several letters from McKenzie King (1926-1946); letters concerning McGill, including a number from Sir Arthur Currie and from Stephen Leacock (1920-1947); post-retirement correspondence on McGill and public affairs; and correspondence concerning his publications (1920-1960). There are also files of invitations to events at McGill and elsewhere.

The manuscripts fall into two categories: political speeches and literary manuscripts. Besides notes and texts for his own speeches, there are also texts of, and newspaper clippings about speeches written by Macmillan for Sir Arthur Currie and others (1920-1950). Drafts and typescripts of his literary works are supplemented by notes, clippings and correspondence.

Fonds consists of manuscripts and typescripts of articles and lectures on literary topics. A few items reflect Walter’s interest in drama and his private life.

The literary addresses and articles fall into three subject-areas: German, French, and Indian. A series of lectures to the Montréal Goethe Society (1932, 1933, 1935, 1936) discusses Goethe's biography, his attitudes to music, and his dramatic works. Goethe is also the subject of a McGill lecture (1906) and an article for the University of Toronto Quarterly. In other lecture series, Walter treated Ibsen and the 20th century German novel (1936); as well, shorter studies of Adolf Schafheitlin, Superman in German literature, German bibliography, and an address to Shaar Hashamayim regarding the political conditions in Germany in 1933 can be found here. Addresses delivered to the McGill Cercle Français and to the University of Toronto discuss French phonetics, neologisms, symbolist literature, German universities, and Paul Lemaître. Walter's interest in Oriental civilization is reflected in a series of four lectures on Indian philosophy, religion and literature (1949) and an address on Yogis. His work as a book reviewer and drama critic is revealed by a file of clippings and typescripts.

Walter's 1936 production at McGill of von Kotzebue's “Die deutschen Kleinstadten” is documented by his annotated copy of the script and a scene design. This and other dramatic productions are the subject of photographs and newsclippings in a biographical scrapbook. The scrapbook also contains testimonials to Walter and clippings of articles by and about his literary activities, and about a case of alleged attempted poisoning at which he was the plaintiff.

The fonds documents mainly Babkin's professional interests in physiology, especially glandular secretions and the nervous system. The fonds contains correspondence; lecture notes; citations; research notes and papers, including manuscripts sent to him by his colleagues; reprints of scientific articles mainly in Russian; and material used in the preparation of the biography of Ivan Pavlov. The latter contains correspondence with Ivan Petrovich Pavlov and members of his family, 1923-1948; photographs and portraits; and an unabridged typescript copy of Parts 1-3 of Pavlov: a Biography, with manuscript corrections, 1943-1946.

Fonds shows Herbert Frederick Moseley's relations with his editor for his book "Shoulder Lesions". It contains an original manuscript with the publisher's annotations for the 1945 edition and another complete copy.

Adams' papers are largely concerned with his experiments on the mechanical deformation of rocks. Glass lantern slides, both for lectures and private record, are also included, as well as some materials on his interest in religion and in the history of geology. His scientific research is documented by working papers and experimental materials on rock deformation, 1896-1912. These consist of ten notebooks and one scrapbook recording his experiments, as well as notes, photographs, and carbons of typescript chapters on background literature, equipment used, and specific minerals. There are also graphs recording results, and over 1,000 photographs, glass negatives, and petrographic microscope slides. Adams' index-card bibliography lists articles and reports on Canadian geology and mining (ca 1900-1920). Adams' collection of glass slides and negatives were used for teaching geology and as a private record of his travels and family life. These slides number approximately 1,000, and show mines (particularly in Canada) volcanoes and glaciers, a large collection of views of Mexico, the Laurentians, China, the Rockies, England and Palestine, as well as family and vacation scenes. Also included are two essays, and an outline for a third on the Christian life (1937), short reflexions on his activities from 1937 to 1942, a photocopy of his will (1943), clippings of articles where he is mentioned (1919-1942), and notices of his history of Christ Church Cathedral (1941). Adams' interest in the history of geology is reflected in a manuscript biography of A.R.C. Selwyn, for the centenary of the Geological Society of Edinburgh, and a handful of letters and notes on the early use of the word "geology" (1932). His post-retirement travels resulted in a manuscript essay on mining in Malaya.

Traquair's papers largely concern his work as a lecturer. School of Architecture lectures in architectural history cover the classical, mediaeval and modern periods (ca 1935-1936), while those on architectural ornament are largely devoted to lettering. Miscellaneous lectures, about 30 in number, were delivered between about 1924 and 1937 to various audiences, such as school children, extension students and members of art and architectural associations. They deal with architectural history, architectural principles both aesthetic and social, and other art forms (painting, carpets, heraldry etc.)

Material relating to Traquair's publications includes drafts of about 15 articles on many of the same topics as the lectures described above, and stemming from the same period. A special series of notes and manuscripts, together with some correspondence, illustrates Traquair's research on Québec arts.