Collection consists of one bound manuscript notebook softbound in a piece of brown leather. The notebook dates chiefly from 1841 and was produced in St. Armand by Philip Luke. The notebook contains a title page that has been lettered, illustrated, and coloured by hand: A Latin Translation / by Philip Luke. St. Armand. 1841. Commenced April 4th. The text within this first portion of the notebook is Aesop's Fables in English and Latin on facing pages. The first part of the manuscript ends with "13. Horse and Ass" (Latin is incomplete) and "32. Widow and Servants" (Latin text missing). The following leaf contains two medical recipes: "A cure for a felon or whitlow," refering to an abscess or infection of the fingertip and consisting of a paste made from egg yolk, honey, turpentine spirits, camphor, and flour, and "A reciet for the inflammatory rheumatism," involving a wine-based tonic containing three types of bark, horseradish, brandy, and tar water. Following another blank leaf, a partial letter is found dated 1839. Philip Luke's text begins again in the latter part of the manuscript with a second coloured title page: "Dialogues and Declamations." There is also one loose note laid in dated 1809, a receipt for 100$.
Fonds consists of a manuscript of Mémoires de mathématique et de physique contenant un traité des épicycloïdes (published in Paris in 1674) and illustrated with mathematical diagrams.
The collection comprises more than 6,000 Canadian and non-Canadian bookplates. The Masson collection reflects the range and scope of the art of bookplate design, mirroring period styles and incorporating the owners’ personal tastes and pursuits. References to heraldry, literature, nature and art are common. The collection was created by Montrealer Philippe Masson (1911-1944) and includes both personal and institutional plates. The nearly 3,000 Canadian bookplates are arranged alphabetically. The rest of the bookplate collection is divided between armorial and non-armorial plates. This unique collection represents a wide range of book ownership reflecting institutions, book sellers, and individuals as well as over one hundred examples of bookplates from Canadian libraries. The chronological coverage dates to more than a century from the early nineteenth century and continuing to the beginning of the Second World War. Bookplate design is a minor yet notable form of graphic design. Bookplates reveal a great deal about our book-centered culture. For many institutions, bookplates possess an iconographic or emblematic value reflecting the values of the institution. As well, within an institutional setting, bookplates are often used to acknowledge individual collections, gifts and bequests. Finally, for the individual the bookplate is a powerful symbol of possession and a love of books. Among the Canadian bookplates, many well-known Canadian artists are represented in the Masson collection including J. E. H. MacDonald, his son Thoreau MacDonald, Jean-Paul Lemieux, and W. F. G. Godfrey.
Most of the collection consists of Carpenter's notes and drawings of shells. There are printed catalogues of shell collections from the Pacific Ocean and the Caribbean dating from 1857 to 1876. His incoming correspondence is mainly from collectors in the United States and deals with shells. It covers the period 1858-1876. The main letter writers are J.G. Cooper, a collector from San Francisco, William Dall of the Smithsonian, James Lewis of Albany, N.Y. and William Bairn of the British Museum. Some of the material deals with Carpenter's establishment of the shell collection at McGill in 1866. There are files of clippings dealing with the death of his aunt, Mary Carpenter (1787-1877) and that of his sister, also named Mary (1807-1877) who was involved in the establishment of reform schools for girls. Included are some of Carpenter's certificates and diplomas (1834-1843). As well there is a copy of a biography of Carpenter written by his brother, Russell, in 1880. The book quotes extensively from Carpenter's letters, covering not only his years in the ministry but also his travels in the United states prior to the Civil War. As well there are interesting details of life in Montreal from 1865-1877 .
The collections including here were orginally donated to the Phonothèque québécoise by Michel Décarie, Maryvonne Kendergian (Kendergi), Réal La Rochelle, Robert Daudelin, Raymond Gervais, Nicole Guilleret and Philippe Trolliet.
Fonds contains mainly J.E. Buchanan's correspondence, notably his correspondence with Phyllis Buchanan prior to their marriage, newspaper clippings, agendas and administrative paperwork concerning Phyllis Buchanan and her family, with material related for the First World War and children education in the first half of the 20th century.
Amos' papers consist of three student notebooks, including drawings for history of architecture courses taught by Professor Ramsey Traquair, and a chart interpreting cyclones.
Ce fonds comprend divers ordres militaires et d'autres documents et lettres dont les ordres de transfert du commandement au poste de Camouestigia à M. de St-Vincent (1754) et des ordres de faire une reconnaissance au Lac St-Sacrement et "au petit seaut" (1755).
The fonds is divided into five main categories covering Pierre Gloor's activities as a researcher and administrator, 1950-1993. 1) Research, 1952-1993, including original studies, research materials in the form of slides, etc., and letters to scholarly journals; 2) Meetings, Symposia and Conferences, containing documents recording Gloor's presentations; 3) Lectures; 4) Correspondences with academics and institutions; and 5) Administrative, documenting Gloor's activities within the McGill University Faculty of Medicine, Montreal Neurological Institute, and Montreal Neurological Hospital.
