Collection consists of pamphlets and reprints of scholarly works on Latin poetry and literary criticism, compiled by Otto Ribbeck. Materials in the collection are divided into XX sections:
I. Vergil
II. Pamphlets
III.

The fonds includes two McGill University hand-books, 1913-1914 and 1914-1915 with brief notes referring to his activities as a student; three booklets of notes taken in Embryology, [191?], Histology, 1914 and one [unspecified] booklet of notes, [191?]. A newspaper clipping from the Chronicle: “The Kaiser and the Lusitania: Torpedoed against his wishes,” August 13, 1917; inventory from the Imperial War Museum of “The Papers of Mrs. G. S. Prichard” (mother to Prichard) relating to the correspondence between Mrs. Prichard and survivors of the Lusitania in search for news of her son during the sinking; Royal Bank of Canada Pass Book from Ewing, Alberta with records of Prichard’s cheque book activities from 1912-1914; a letter detailing investments (on McGill letterhead) dated January 22, 1914, is included inside the Royal Bank Pass Book.

"Architectural Drawings, 1896, 11 drawings." Plans, elevations and sections document the design for a house for William Robb on Mountain Street in Montreal.
"Dessins architecturaux, 1896, 11 dessins." Des plans, des élévations et des coupes témoignent du projet de construction d'une maison pour William Robb, rue de la Montagne à Montréal.

"Architectural Drawings, 1945-55, 80 drawings." The majority of the architectural drawings documenting the projects of this firm relate to the design of a house for P. A. Cumyn in Senneville, PQ (1953-5). The other four projects with drawings include the addition of a parish hall for St. George's Church on Windsor Street in Montreal (1946) and alterations to the house of D. H. Starkey on Piquet Road in Montreal (1946).
"Photograph, n.d., 1 photograph." The archive contains a photograph of a finished exterior of an unidentified house.

"Dessins architecturaux, 1945-1955, 80 dessins." La plupart des dessins architecturaux qui témoignent des projets de ce cabinet se rapportent aux plans d'une maison réalisée pour P. A. Cumyn à Senneville (Québec) (1953-1955). Les autres dessins ont trait à l'ajout d'une salle paroissiale à l'église St. George, rue Windsor à Montréal (1956), ainsi qu'à des modifications apportées à la maison de D. H. Starkey, chemin Piquet à Montréal (1946).
"Photographie, s.d., 1 photo." Le fonds contient une photo de la finition extérieure d'une maison non identifiée.

"Architectural Drawings, 1929-30, 17 drawings." Drawings of elevations, sections and details document the design of Divinity Hall, now known as the William and Henry Birks Building of McGill University.
"Oil Painting, n.d. " An untitled, undated framed oil painting of an unidentified tropical harbour scene is found in the collection.

"Dessins architecturaux, 1929-1930, 17 dessins." Des dessins d'élévations, de coupes et de détails se rapportant aux plans du pavillon William and Henry Birks réalisé pour l'Université McGill.
"Tableau à l'huile, s.d., 1 tableau." Un tableau à l'huile, sans titre, sans date, encadré, représentant un port des tropiques non identifié s'ajoute à la collection.

The emphasis of the Maxwell archive is the period from William Sutherland's entry into his brother's firm as a partner until Edward's death in 1923. This period is marked by the firm's most ambitious projects which combined Edward's Late Victorian Romanticism with William's Beaux-Arts inspired classicism, with distinctive results. The Montreal-based firm continued to generate buildings for its influential local clients among whom were Charles Hosmer, Henry Vincent Meredith, James T. Davis and the Ross family. The brothers' more substantial non-residential projects, and their most enduring, include the additions and alterations to the Château Frontenac in Quebec City, the Saskatchewan Legislative Building in Regina, and locally, the Montreal High School and the Church of the Messiah.

Le fonds Maxwell témoigne essentiellement de la période au cours de laquelle Edward et William Sutherland furent associés, soit jusqu'au décès d'Edward en 1923. C'est de cette période que datent les projets les plus ambitieux du cabinet, où se trouvent conjugués le romantisme de la fin de l'ère victorienne dont s'inspirait Edward et le classicisme dérivé des Beaux-Arts qui marquait le style de William. Le cabinet, établi à Montréal, réalisa de nombreux projets pour le compte de clients prestigieux, dont Charles Hosmer, Henry Vincent Meredith, James T. Davis et la famille Ross. Au nombre des projets non résidentiels les plus importants, signalons les annexes et rénovations au Château Frontenac (Québec), le Parlement de la Saskatchewan à Régina et, à Montréal, Montreal High School et Church of the Messiah.

"Architectural Drawings, n.d., 3 drawings." An elevation of an entrance gate for the Mount Royal Cemetery, a perspective of the Church of St. James the Apostle and a proposal for an exhibition building, all in Montreal, comprise the CAC's holdings of the work of Lawford and Nelson.
"Photographs, n.d., 1 photograph." The archive contains a photograph of an entrance gate for the Mount Royal Cemetery.

"Dessins architecturaux, s.d., 3 dessins." Là CAC possède le dessin d'une élévation de la grille d'entrée du cimetière du Mont-Royal, une perspective de l'église St. James the Apostle et un projet de Palais des expositions, tous à Montréal.
"Photographie, s.d., 1 photo." Le fonds contient une photo de la grille d'entrée du cimetière du Mont-Royal.

The fonds contains one drawing documenting the elevation of an amusement hall for the Ontario Hospital in Hamilton, ON.

The archive consists of drawings for planning and architectural projects, preparatory notes and visual documentation for Schoenauer's books and articles, as well as course notes, photographs, small sketches and research files on the typology of Canadian housing. The archive reflects the breadth and depth of Schoenauer's involvement with architecture, housing and planning in Canada; his profound commitment to teaching; and his labours as an author of a fundamental, and far-ranging text on housing as a sine qua non of civilized existence.