The papers of "Jackrabbit" Johannsen reflect his personal, professional and recreational activities, mainly between 1934 and 1985. The largest part of the papers consists of correspondence with friends and organizations, particularly relating to skiing and outdoor life. Family relations are also covered. A series of brief journals provides a record of some of his daily activities, from 1948 to 1984. The remainder of the fonds include publications about Johannsen, photographs, maps and personal documents such as passports.

The Alice Johannsen fonds reflects her lifelong involvement in nature, museums, community and her fealty towards her father, Herman-Smith (Jackrabbit) Johannsen. It consists of three series; personal and family series, 1994 to 1991, the Redpath series, 1919-1971 and a professional activities series, 1919-1971.

The fonds consists mainly of documents relating to Gales' private life, including correspondence with family and friends during the war years (1931-1946) and correspondence documenting his social networking amongst graduates (1978-1985). The fonds also includes agendas (1967-1982), covering his years working at McGill University and into retirement.

The fonds contains chiefly the writings of Jeremy Walker on a variety of issues in moral philosophy and related literary topics. These writings, including anthologies, drafts of books and lecture notes, demonstrate the range of his eclectic interests from his formal studies of Kierkegaard and moral philosophy to his more personal intellectual pursuits concerning the literature of Kipling, Jane Austen, and Dostoyevsky, as well as the poetry of Woodsworth and reflections on Englishness. There are also examples of his published and unpublished poetry.

His more personal writings are in diaries that cover more than 20 years of his adult life and in contrast to his erudite writings on grand philosophical topics reflect his feelings and at times his dreams, on the state of his health, relationships with women, and recount the day-to-day events of urban travel and socializing.

His personal and family relationships are reflected by correspondence with family, friends and students, photo albums of travels to England and Greece, travel diaries document his summer activities from 1947 -1950, including lists of books read, drawings and photographs. As well, in a file titled Personalia (3) Apologiai Walker provides some personal chronologies, and reflects upon his writings and his life.

Three letters from Seaton relating to the Rebellion of 1837, including a letter to General Fitzroy Sommerset about the capture of St-Eustache.

This collection consists of 15 autograph letters between a sender who is only identified by the initials "J.T." and a Miss Fanny Caulfield. Also included is a love letter by Irish poet J. Finnerty, dated 1852.

Collection consists of 38 letters written primarily by John Wood Senior to family members in England. Many of these were written to a sister or sister-in-law and a few are addressed to his brother, Will Wood, a watchmaker and jeweller in London, including two in which Wood includes a list of trade supplies to order. Four letters are from John Wood's son, Peter Wentworth Wood. One letter is by John's wife, Anna. Contents include topics such as the country's economy, Canadian-British politics, the Woods' watchmaking and jewellery business, crops, slavery, and the American Civil War, as well as local Montreal news on subjects such as fires, the Victoria Bridge, a cholera outbreak, the 1856 Railroad Celebration, and a visit by the Prince of Wales. Letters also include family news, particularly of John Wood's children Peter, John, and Charles, seafaring disasters, gold mines, improvements in shipping in the St. Lawrence seaway and the Atlantic Ocean, the expansion of railroads, and the Atlantic Telegraph. Letters date between 25 November 1839 and 13 December 1867. One is a crossed letter.

Fonds consists of six autograph signed letters written at Montreal by Ann Adams, dated between 24 March 1834 to 26 December 1937, to her son Edward H. in Providence, Rhode Island, and Philadelphia. Letters contain local news (churches and organs built, the railroad to St. Johns, fires, printing and publishing, cholera, etc.), observations on the worsening tensions between Papineau and the "Canadiens" and the "Loyalists," and accounts of preaching by an Indigenous convert to Christianity.

Collection consists of 36 autograph letters written to James Cameron and his son Archie. The correspondence includes letters by friends, associates, and members of the Cameron family in Toronto, Lake Beauport, Scotland, England, Hull, and Montreal. Subjects include family news, freemasonry, business (regarding deed of sales), factory work in Toronto, curling, and an April Fools' Day letter. With three extant envelopes.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.