Letters and diaries, including typescript transcriptions with photographs, newspaper clippings and ephemera.

Fonds consists of many examples of Szyk's illustrations in the form of prints, commercially-reproduced illustrations, and drawing studies, as well as printed ephemera. Examples of Szyk's illustrations reproduced on commercial products or other items include postage stamps, posters, book jackets, and calendars. The fonds contains ephemera related to or containing Szyk illustrations, including newspaper clippings and issues of magazines featuring articles on Szyk or reproducing one of his designs. Box 10 contains original drawing studies, mostly for the Book of Esther. The fonds also contains materials related to an exhibition on Szyk at McGill University Library held in 1954.

The collection consists of documents amassed by Roderick Mackenzie. Among the Masson manuscripts there are other series of letters; as well as journals kept by North-Westers and various business documents. Some of this material exists as originals; others are contemporary copies - the George Keith letters for example are contemporary copies on paper watermarked 1827. The collection also includes some duplicate texts - contemporary copies or later nineteenth-century copies that in some cases represent edited versions of the texts. Samuel Wilcocke's account of the death of Benjamin Frobisher exists in a draft original (or contemporary copy) and in a late nineteenth-century clean copy. Of course Benjamin Frobisher did not die in the dramatic circumstances as recorded by Wilcocke, but peacefully in Quebec City in 1821.

Collection contains primarily of 9 photograph albums containing 457 silver print photographs, and 4 printed items. It also includes records relating to Canadian railways and an export catalogue from the Canadian Car and Foundry Company.

The collection consists primarily of manuscripts and typescripts of papers written on natural history topics, such as insects, birds, marine life, plants, and reptiles. Most of the documents concern the collection and cataloguing of specimens, and the identification of new species. Also included are research notes, notebooks, field notes, lecture notes, correspondence, off-prints, proofs, and galley proofs, as well as drawings and mock-ups of illustrations for printing.

The Philippines are the most heavily-represented country in the subject material of the collection, followed by other areas of South-East Asia and the South Pacific, including Malaysia, Indonesia, India, Singapore, Taiwan, the Soloman Islands, and Hawaii. There is also material representing North and Central America, including Mexico, the United States of America (especially California and Alaska), El Salvador, the Galapagos, and Canada (especially Quebec and Newfoundland). Some works also relate to China, the British Isles, Russia, Japan, New Zealand, and Socotra (Yemen).

Significant figures represented in the collection include: Richard Crittenden McGregor, A.E. Wileman, Edward Charles Stuart Baker, Frank Spaeth, Casey Albert Wood, Averil Lysaght, Harry S. Swarth, Henry Seebohm, Henry George Vennor, Roy E. Dickerson, J. Muir, and Charles Fuller Baker.

Highlights from the collection include: a manuscript copy of Joseph Banks’ journal from his 1768-1771 voyage on the Endeavour, likely made by Maria Dawson Turner; a manuscript, and several annotated typescript versions of Volume 5 of E.C. Stuart Baker’s “Fauna of British India birds”; an assortment of Casey A. Wood’s research notes; annotated proofs, galley proofs, and a mock-up of Richard C. McGregor and Elizabeth J. Marshall’s “Philippine birds for boys and girls;” and a binder of ornithological notes recorded by G.G. Ommanney and others in the Whitlock Bird Sanctuary and surrounding district near Hudson, Quebec.

Many of the manuscripts in the collection were published by the Philippine Journal of Science; also included is correspondence related to publication in the journal, especially related to editing and corrections.

The collection contains private records and papers relating to the medical and teaching career of Maude Abbott. It consists in large part of correspondence, 1894-1920, including family correspondence with, among others, her sister Alice Abbott, 1904-1919, and her brother Rev. Harry M. Babin, 1916-1920. Also included are manuscripts and drafts of articles and addresses; case reports; post-mortem records; glass slides and drawings; exhibit panels largely pertaining to her research on congenital heart disease; programmes of medical meetings, 1902-1937; reprints and papers relating to the history of medicine in Montreal and Quebec, as well as to the history of McGill, 1829-1936. In addition, there are photographs, some poems, an autobiographical sketch and a printed copy of her Classified and Annotated Bibliography of Sir William Osler's Publications, 1939, with corrections and annotations by W. W. Francis. Fonds also includes a draft of Abbott's letter to the Dean of Faculty of Medicine, McGill University, regarding admission (1889).

Collection consists of three albums containing photographs taken at Grenfell Mission and one framed photograph. Albums feature many photographs of St. Anthony and the region, its inhabitants, the medical staff at the Grenfell Mission, and activities such as dogsledding.

The Taylor White Collection is comprised of 938 watercolour paintings of mammals, birds, fish, and reptiles. White, a British jurist, commissioned various artists of the day (including Charles Collins, Peter Paillou, Jacob Van Huysum, George Edwards, and Eleazar Albin) to paint these animal portraits from live and dead specimens brought back to England from around the world. Many of the paintings are accompanied by loose-leaf manuscript notes, written mainly by White in Latin, providing further information about the animal; transcriptions and English translations of these notes have been provided within the record for each painting.

The collection contains 164 botanical and zoological paintings created chiefly by Elizabeth Gwillim as well as possibly by her sister Mary Symonds while living in Chennai, India (then Madras). The collection includes 121 watercolours of birds with inscriptions, 31 watercolours of fish, and twelve of flowers, drawn from life rather than specimens. The paintings reflect the sisters' time in Madras during which, as artists and letter writers, they created a substantial visual record of the landscape and inhabitants of Madras and environs. The paintings also reflect Gwillim's scientific pursuits, including her study of botany.

Collection consists of 57 illustrations of birds, eggs, snakes, and plants by James Forbes chiefly to illustrate his work "Oriental Memoirs," published in four volumes between 1813 and 1815. The majority of the illustrations are either engraved or hand-drawn and then coloured, and have been cut out and mounted on paper. In many cases, a background has been drawn in and coloured or partially coloured. Approximately thirty of the images depict tropical birds, many from the Indian subcontinent, as well as some from Brazil and Australia. A number of these drawings also feature insects, particularly butterflies, and trees and flowers. Fifteen drawings depict bird eggs, including many of forest birds. The images generally contain captions by Forbes or a contemporary, identifying the subject of the drawing. Some birds are unidentified. Numerous drawings also contain species identifications or annotations in pencil by Henry Mousely, librarian of the Blacker Wood Library at McGill University during the 1920s and 1930s. These drawings are tentatively dated to approximately 1811. A note on one drawing indicates that it was originally based on drawings created during Forbes's voyages during the 1780s, then recopied in 1811. Items 44 through 57 depict snakes and reptiles and are tentatively dated to between approximately 1811 and 1818, based on a small number of drawings which are signed and dated. Many of these drawings of snakes and reptiles feature as plates in Patrick Russell's "A Continuation of an Account of Indian Serpents: Containing Descriptions and Figures, from Specimens and Drawings" (1801).