The fonds consists of the personal papers of Aimé Sydney Bruneau, including personal family and WWI correspondence, diaries, minutes, manuscripts, and Shakespeare manuscripts.

"Architectural Drawings, 1963-8, 237 drawings." Measured drawings of historic architecture by students of Anderson are found in the archive. Also included are drawings of windmill machinery. The drawings have been accessioned but they have not been described.
"Photographs, 1964-7, 46 photographs." Included are photographs of windmills and miscellaneous negatives of measured drawings of historic architecture by Laval students. (see Anderson & Students 42.01) The photographs have been accessioned but they have not been described.

"Dessins architecturaux, 1963-1968, 237 dessins." Relevés d'architecture historique réalisés par les étudiants d'Anderson. Le fonds comprend également des dessins de machinerie de moulin à vent. Les dessins ont été dépouillés mais n'ont pas encore été décrits.
"Photographies, 1964-1967, 46 photos." Notamment des photos de moulins à vent et des négatifs divers de relevés d'architecture historique faits par des étudiants de l'Université Laval. Les photos ont été dépouillées mais n'ont pas encore été décrites.

The fonds contains drawings of two unidentified houses and 50 photographs documenting Wright's designs of houses as well as Wright's correspondence.

The Nobbs fonds consists of the work of Percy Erskine Nobbs, George Taylor Hyde, Nobbs and Hyde, Nobbs and Valentine, and Nobbs and Nobbs. 526 projects are documented in the Percy Erskine Nobbs Fonds. Architectural drawings form the core of the fonds, providing a comprehensive listing of the drawings by Percy Nobbs and his associates. Arranged chronologically, the inventory reflects respectively the development of the partnerships Nobbs and Hyde (1910-1944), Nobbs and Valentine (1945-1950), and Nobbs and Nobbs (1950-1960). Hugh A. I. Valentine worked only briefly with Nobbs, spending the bulk of his career with the Bell Telephone Company of Canada. His commissioned drawings and student notebooks cannot be directly related to his work with Nobbs, but are nonetheless described in subfonds 8. Subfonds 6 and 7 describe Percy Nobbs's personal papers and three-dimensional objects designed by him which are in the Canadian Architecture Collection.

Collection consists of photograph albums and publications from Jean Drapeau's library related to significant events that occurred during his mandates as mayor of Montreal (1954 to 1957 and 1960 to 1986). Photograph albums, brochures, and publications represent Expo 67 and its reiteration, Man and his World (Terre des Hommes), which ran from 1968 to 1986. The 1976 Montreal Olympic Games are documented in programmes and photograph albums. The collection also includes records of Drapeau's political life, including transcripts of his speeches from 1955-1957, photograph albums related to his municipal political party, the Civic Party of Montreal (Parti civique de Montréal), and presentation copies of books.

The fonds consists of textual records related to the operations and administration of the Percé Handicrafts Guild, the Black Whale Shop, as well other community initiatives sponsored by Percé Handicrafts Guild such as the the Black Whale Dental Clinic, and photographs of the shop and its volunteers. Operational and administrative files are intermingled with a range of informal correspondence, in particular many letters between Ethel Renouf and Phyllis Birks, and files of anecdotal notes and clips related to the Black Whale shop as well as to the history, flora, and geology of the Gaspé region.

Formal administrative records consist of letters patent for the Percé Handicrafts Guild, full minutes for 1939, and brief annual summaries of activities from 1933 to 1975. Legal documents comprise licence and registration papers, together with pertinent correspondence, 1938-1953, and a correspondence file relating to rental of the shop building. The financial side is illustrated by a cash book, 1934, and files of miscellaneous receipts, inventories, balance sheets and bookkeeping instructions, 1935-1971. Almost half the records of the Black Whale are informal in nature, for example, letters from Ethel Renouf to Phyllis Birks mixing personal news with accounts of shop operations and craft production, 1934-1937. Files of anecdotal notes and clippings relate the shop and to the history of the Gaspé, as well as on the flora and geology of the region. The fonds includes a copy of The Black Whale cookbook and some related records.. Some correspondence, budget notes and flyers pertain to the work of the Dental Clinic, 1939-1940. Sixty photographs featuring different views of the Black Whale handicrafts shop in Percé, Quebec, are also included. A number of photographs are individual and group portraits of the volunteers who created and ran the shop, including Ethel Renouf. A few photographs document a Black Whale Shop stand at the University of Montreal.

The fonds consists of Ethel M. Doull's three Normal School certificates; the First Book of Reading Lessons Part I and Part II; tickets of admission to the library, museum and gym; grades for Normal School courses; letters of reference; pamphlets for school children to celebrate Empire Day; and 4 photographs, depicting Doull and the Normal School classes.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

The Joseph Aspler fonds contains photographs, slides and negatives of productions of McGill Savoy Society, Red and White Revue and players' theatre.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca