The fonds documents William B. Howell's poetry. The fonds contains a bound typescript of poems with two drawings by W.W. Francis.

The fonds consists primarily of Logan's scientific work. A small percentage relates to the affairs of his family and to memorials to Logan after his death. The great majority of the papers consists of scientific correspondence from about 1820 to 1874, but mostly for the years following his appointment to the Survey in 1842. The letters deal with the collection, exchange and description of geological specimens, expeditions under the aegis of the survey, problems of research and scientific interpretation, scientific meetings, and visits by scientists. The number of correspondents, both individuals and learned societies, is very large, but the most substantial bodies of letters are from J.W. Dawson, geologist and Principal of McGill University, James Hall, paleontologist of the New York Geological Survey, Alexander Murray, Logan's chief assistant, and James Lowe of Grenville, Québec, who supplied Logan with specimens and appears to have been casually employed by him on surveying jobs and field trips. Other correspondents include Sanford Fleming, E.D. Ashe of the Québec Observatory, Thomas Sterry Hunt, and R.I. Murchison of the Geographical Society of Great Britain. Some letters pertain to political or social affairs, but usually in close connection with the scientific work of Logan or the Survey. These files contain copies of some of Logan's outgoing letters, as well as some letters addressed to other individuals, generally his assistants. Other scientific papers consist of field trip records (a journal kept during an expedition in 1845, a weather table kept on Lake Superior in the winter of 1846-1847, work records and astronomical readings for surveying projects, notes on mineral deposits, and lists of specimens), manuscripts of three scientific papers, as well as "Observations on the proposed Geological Survey", and manuscript and printed maps and geological schemata, including some by Logan of the Bay of Fundy, Labrador, and Hamilton, Ontario regions. Manuscript catalogues of specimens were prepared by Logan for the Paris Exhibitions of 1855 and 1867. Official reports include Logan's annual reports for 1842-1844, an overview of the work of the Geological Survey, 1866, two reports by Logan on prospects for mining on the north shore of Lake Superior, 1846, 1847, and one on mineral deposits around Rivière-du-Loup, 1853, as well as Logan's copy of his proposed Geological Survey Bill, 1844, and some copies of reports on mining and cartography prepared by others. Logan's financial records include expense accounts for Geological Survey expeditions, as well as other professional expenditures, such as books. His private and family life is reflected by a very brief diary of an Atlantic crossing in 1856, letters to and from his brothers James and Henry, his father, his uncle Hart Logan, and Hart Logan's partner John Fleming, covering the years 1772-1856. There are also baptismal and burial certificates, and legal documents, particularly bills of sale pertaining to James Logan's farm. Memorials to Logan after his death include J.W. Dawson's correspondence concerning the Logan Memorial Fund and Collection, 1881, and a manuscript biography by Alexander Murray. There is a chronological and author/recipient index to these papers.

Additional materials received from McGill Library's Rare Books and Special Collections consist of correspondence, 1837-1871; notices of admission to scientific and historical societies, 1842-1867; a history of the geological survey 1850; a report on mining locations addressed to B. Papineau, 1847; and correspondence with Robert Bell, 1861-1874.

Fonds contains the manuscript of Dr. William Rees on the treatment of malaria, a lecture given before the Natural History Society of Montreal in the 1860s

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Fonds contains William Wood Squire's manuscript of his thesis "Pathology and Treatment of some forms of Partial Paralysis" which won a prize as best thesis in medicine at McGill in 1864. The fonds includes a bound notebook and one loose illustration.