Fonds consists of six autograph signed letters written at Montreal by Ann Adams, dated between 24 March 1834 to 26 December 1937, to her son Edward H. in Providence, Rhode Island, and Philadelphia. Letters contain local news (churches and organs built, the railroad to St. Johns, fires, printing and publishing, cholera, etc.), observations on the worsening tensions between Papineau and the "Canadiens" and the "Loyalists," and accounts of preaching by an Indigenous convert to Christianity.

Collection consists of 38 letters written primarily by John Wood Senior to family members in England. Many of these were written to a sister or sister-in-law and a few are addressed to his brother, Will Wood, a watchmaker and jeweller in London, including two in which Wood includes a list of trade supplies to order. Four letters are from John Wood's son, Peter Wentworth Wood. One letter is by John's wife, Anna. Contents include topics such as the country's economy, Canadian-British politics, the Woods' watchmaking and jewellery business, crops, slavery, and the American Civil War, as well as local Montreal news on subjects such as fires, the Victoria Bridge, a cholera outbreak, the 1856 Railroad Celebration, and a visit by the Prince of Wales. Letters also include family news, particularly of John Wood's children Peter, John, and Charles, seafaring disasters, gold mines, improvements in shipping in the St. Lawrence seaway and the Atlantic Ocean, the expansion of railroads, and the Atlantic Telegraph. Letters date between 25 November 1839 and 13 December 1867. One is a crossed letter.

The fonds contains professional and private correspondence from Emma Albani, the first Canadian-born singer of international fame, to Parisian publisher Henri Heugel.

The fonds documents Sharon Thesen’s personal and professional life as a poet, editor, and professor from 1961 to 1989. All records in the fonds were collected by Thesen herself, and are primarily composed of correspondence, journals, and creative work. Most of the creative work is composed of drafts and edited versions of Thesen’s own poetry, essays, and articles, but also includes work sent to her for review. While most of the records are textual, there are a small number of pictures and postcards that were sent to and taken by Thesen, and are mostly of a personal nature. Notably, a large section of the fonds is made up of letters that include correspondence between other published and acclaimed authors such as Michael Ondaatje, Christopher Dewdney, Lola Lemire Tostevin, Ken Norris, Judith Fitzgerald, Phyllis Webb, Gerald Burns, and others. Lastly, the fonds also includes Thesen’s journals from the mid-60s to the mid-80s which contain her daily activities, her personal thoughts, as well as some of her creative work.
The fonds is arranged into three different series, Chronological Files, Journals, and Personal & Professional Records, as per the internal organization of the records. The main forms of these records are textual records, but also include graphic/photographic materials and mixed media. The records are arranged chronologically and intellectually within the series.

The Nobbs fonds consists of the work of Percy Erskine Nobbs, George Taylor Hyde, Nobbs and Hyde, Nobbs and Valentine, and Nobbs and Nobbs. 526 projects are documented in the Percy Erskine Nobbs Fonds. Architectural drawings form the core of the fonds, providing a comprehensive listing of the drawings by Percy Nobbs and his associates. Arranged chronologically, the inventory reflects respectively the development of the partnerships Nobbs and Hyde (1910-1944), Nobbs and Valentine (1945-1950), and Nobbs and Nobbs (1950-1960). Hugh A. I. Valentine worked only briefly with Nobbs, spending the bulk of his career with the Bell Telephone Company of Canada. His commissioned drawings and student notebooks cannot be directly related to his work with Nobbs, but are nonetheless described in subfonds 8. Subfonds 6 and 7 describe Percy Nobbs's personal papers and three-dimensional objects designed by him which are in the Canadian Architecture Collection.

"Architectural Drawings, 1910-45, 9835 drawings." The wide variety of projects designed or altered by Nobbs and Hyde include urban and rural domestic architecture, school architecture, ecclesiastical architecture, the University Club in Montreal, the Arts Building of the University of Alberta and numerous buildings for the Henry Birks and Sons company. Their extensive work for McGill University includes designs for the McCord Museum, an extension to the Redpath Library, the Pathology Building, proposals for gymnasiums and residences, the Pulp and Paper Research Institute and the Field House, Percival Molson Stadium.
"Other Drawings, 1912-51, 425 drawings." Included are designs for war memorial tablets and windows, furniture, gravestones and fittings. A large group of drawings contains designs for commemorative blocks for the Canadian Battlefields Memorials Commission. Also noteworthy are the designs for decorations executed for McGill University for the royal visits of 1939 and 1951.
"Photographs, 1910-40, 660 photographs." Photographs documenting various stages of projects include domestic, school and ecclesiastical architecture, the Arts Buildings of the University of Alberta, a Birks store in Saskatoon, and Montreal projects such as the Redpath Library extension, the Drummond Medical Building, the Royal Victoria College extension and alterations to the Erskine and American United Church.
"Specifications, 1918-38, 22 cm." The archive contains specifications for eleven projects including additions and alterations to a school in Trois Rivières, alterations to St. George's Church in Lennoxville, alterations to the Pulp and Paper Research Institute and alterations to the Birks store in Montreal.
"Correspondence, 1912-55, 50 cm." Twenty-one projects have correspondence. They include the University Club, a proposed War Memorial Museum in Regina, the Pulp and Paper Research Institute, the Royal Victoria College extension and the McGill decorations for the royal visits of 1939 and 1951.
"Clippings, 1915-28, 12 cm." Included are clippings for a proposal of a general scheme of future development for McGill University in 1920-3, an imperial war graves plot and domestic architecture projects.
"Notes, 1929-34, 9 cm." Three projects contain notes: the Henry Birks and Sons store in Calgary, alterations to the Château Richer Church, PQ and the Motor Building in Montreal.
"Trade Catalogues, 1922, 1 item." The 1922 alteration to the Pathology Building at McGill University includes a trade catalogue.
"Article, 1919, 1 item." A proposal for the development of Evangeline Park, Grand Pré, NS includes an article.

"Dessins architecturaux, 1910-1945, 9 835 dessins." La très grande variété de projets dessinés ou modifiés par Nobbs et Hyde comprend des projets d'architecture résidentielle urbaine et rurale, des écoles, des immeubles à vocation religieuse, le University Club de Montréal, le pavillon des arts de l'Université de l'Alberta et plusieurs immeubles réalisés pour le compte de la société Henry Birks and Sons. Leurs nombreux travaux pour le compte de l'Université McGill comprennent notamment les plans du musée MeCord, une annexe à la bibliothèque Redpath, le pavillon de l'Institut de pathologie, une proposition de gymnases et de résidences d'étudiants, l'Institut de recherche sur les pâtes et papiers ainsi que Field House, au stade Molson.
"Autres dessins, 1912-1951, 425 dessins." La collection comprend des dessins de tablettes et de vitraux destinés à des monuments aux morts, des dessins de meubles, de pierres tombales et d'accessoires divers. Bon nombre de dessins sont des blocs commémoratifs réalisés pour la Commission canadienne des monuments aux morts. Signalons en outre des esquisses de décorations exécutées pour l'Université McGill à l'occasion des visites royales de 1939 et 1951.
"Photographies, 1910-1940, 660 photos." Ces photos, qui illustrent des projets à divers stades d'exécution, se rapportent à des constructions à vocation résidentielle, scolaire ou religieuse, le pavillon des Arts de l'Université de l'Alberta, un magasin Birks à Saskatoon et divers projets montréalais dont l'annexe à la bibliothèque Redpath, le centre médical Drummond, l'annexe au collège Royal Victoria et la réfection de l'église Erskine and American United.
"Cahiers des charges, 1918-1938, 22 cm." Le fonds réunit les cahiers des charges de 11 projets, notamment d'une annexe et de rénovations apportées à une école de Trois-Rivières, de rénovations apportées à l'église St-Georges de Lennoxville, de rénovations apportées à l'Institut de recherche sur les pâtes et papiers et au magasin Birks de Montréal.
"Correspondance, 1912-1955, 50 cm." Vingt et un projets ont donné lieu à de la correspondance, notamment le University Club, une proposition de musée de la guerre à Régina, l'Institut de recherche sur les pâtes et papiers, l'annexe au collège Royal Victoria et les décorations réalisées pour le compte de McGill à l'occasion des visites royales de 1939 et 1951.
"Coupures de presse, 1915-1928, 12 cm." Notamment des coupures de presse traitant d'un éventuel projet d'aménagement pour l'Université McGill en 1920-1923, un cimetière de guerre et divers projets d'architecture résidentielle.
"Notes, 1929-1934, 9 cm." Trois projets sont annotés: le magasin Henry Birks and Sons de Calgary, les rénovations apportée à l'église Château Richer (Québec) et le Motor Building de Montréal.
"Catalogues, 1922, 1 article." Les rénovations apportées au pavillon de l'Institut de pathologie de l'Université McGill en 1922 s'assortissent d'un catalogue commercial
"Article, 1919, 1 article." Une proposition d'aménagement du parc Évangéline, à Grand Pré (Nouvelle-Écosse), est accompagnée d'un article.

Subfonds contains twelve projects documented by 213 architectural drawings (1943-1950) including: additions and alterations to the McGill University Pathology Building, a Henry Birks and Sons store in Victoria, BC, a War Memorial Monument in Westmount, alterations to Christ Church Cathedral in Montreal and alterations to the Royal Montreal Curling Club. Non-architectural projects documented in drawings include the Carlisle Memorial Sedilia, a processional cross and war names inscription panels for Christ Church Cathedral (1946-1948).
"Photographs, 1947, 2 photographs." The Birks store in Victoria is documented by photographs of the finished exterior and interior (1947).. Three projects include correspondence files: War Memorial Monument in Westmount, alterations to St. George's Church in Drummondville, PQ and decorations for the University Club in Montreal (1947-1951).

Dessins architecturaux, 1943-1950, 213 dessins: Les douze projets illustrés par des dessins architecturaux comprennent, notamment : des annexes et rénovations apportées au pavillon de l'Institut de pathologie de l'Université McGill, un magasin de la compagnie Henry Birks and Sons à Victoria (Colombie-Britannique), un monument aux morts à Westmount, des réfections apportées à la cathédrale Christ Church de Montréal et au Royal Montreal Curling Club.
Autres dessins, 1946-1948, 12 dessins: Au nombre des projets non architecturaux illustrés par des dessins, signalons la Sedilia Carlisle Memorial, un crucifix de procession, et les panneaux d'inscription du nom des soldats morts au champ d'honneur réalisés pour la cathédrale Christ Church.
Photographies, 1947, 2 photographies: Le magasin Birks de Victoria est représenté par deux photographies qui en montrent la finition extérieure et intérieure.
Correspondance, 1947-1951, 12 cm: Trois projets sont assortis d'une correspondance.: le monument aux morts de Westmount, les rénovations apportées à l'église St. Georges de Drummondville (Québec) et des ornements pour le University Club de Montréal.

Consists primarily of architectural drawings (1951-1954, 33 drawings) as well as records related to architectural operations, correspondence, and other papers. Included are drawings of alterations to Christ Church Cathedral in Montreal and proposals for naval memorials in Halifax at Point Pleasant and Citadel Hill Park. Also contains 1 photograph, 1951, of Christ Church Cathedral. Two projects have accompanying correspondence: alterations to Christ Church Cathedral and the Point Pleasant Naval Memorial (1951-1954).

"Dessins architecturaux, 1951-1954, 33 dessins." Notamment les plans des rénovations apportées à la cathédrale Christ Church de Montréal et des propositions de monuments navals pour Point Pleasant et Citadel Hill Park (Halifax).
"Photographies, 1951, 1 photo." Une photo de la cathédrale Christ Church.
"Correspondance, 1951-1954, 9 cm." Deux projets s'assortiment d'une correspondance : les rénovations apportées à la cathédrale Christ Church et le monument naval de Point Pleasant.

The fonds contains drawings of two unidentified houses and 50 photographs documenting Wright's designs of houses as well as Wright's correspondence.

The fonds consists of the personal papers of Aimé Sydney Bruneau, including personal family and WWI correspondence, diaries, minutes, manuscripts, and Shakespeare manuscripts.