The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The collection documents the life of Katsuji Nakashima since his arrival in Canada in 1909. The material consists of a personal handwritten journal written on rice paper in ancient Japanese; a Dominion of Canada certificate of Naturalization issued in 1919; a passport issued by the Imperial Japanese Government (1921); invitations, bills and other ephemeral items (ca. 1910-1945); military photographs; an Internment Camp Ration Book; and other personal documents reflecting the civilian and military activities of Katsuji Nakashima. The collection also contains personal belongings such as Buddhist prayer items.

The fonds consists of general correspondence, approximately 1944-1995, and personal, historical, McGill, & M.N.A., approximately 1952-1996.

The fonds consists of McGill Normal School diplomas, 1882; examinations, 1882-1883; prospectus, 1885-1886, 1889-1891; certificates, 1881-1882; student notebooks, 1882; a textbook list, 1882; and a proposed course of study, approximately 1895.

The fonds consist of draft reports and texts of speeches given by Vincent de Pasciuto-Ponte as well as bound reports and promotional material related to projects that Ponte was involved in through his work with architect I.M. Pei including McGill College Avenue and Place Ville Marie in Montreal, Quebec. In addition, the fonds contains published materials such as periodicals related to art and architecture, maps, travel literature and guidebooks (mostly relating to travel to Rome, Italy). Six black and white photographs of Ponte are included.

The fonds consists of correspondence regarding John Peters Humphrey and the Humphrey memorial stamp (1995-2004), Tamar Oppenheimer's Columbia M.A. thesis entitled, International Conventions on the Political Rights of Women, 1920-1948, correspondence pertaining to Air and Space Law (1999), as well as correspondence and pamphlets relating to the Third United Nations Conference on the Exploration and Peaceful Uses of Outer Space (1999), between 1993 and 2004.

The fonds consists of multiple functions that demonstrate the University Club of Montreal’s administrative responsibilities, association with different clubs, operation of various committees, and activities from 1906 to 2013.

The series are comprised of 1) Administration; and 2) Committees. The subseries within Administration are comprised of A) Communications; B) Events; and C) Reciprocal Clubs. The subseries within Committees are comprised of A) Admission; B) Council, and Annual and Special General Meetings; C) Library and Art Committee; D) Financial Committee; E) Future Development Committee; F) House Committee; G) Intermediate Members Committee; H) Membership Committee; I) Programme Committee; J) Property Committee; and K) Wine and Food Committee.

The fonds consists of Redbird ski songs from the 1930s and clothing owned by William Maxwell Tait, including an original Redbird Parka (approximately 1930), original Redbird sweater (approximately 1930), Scarlet Key Society sweater (approximately 1930) and a reversible Redbird Parka, thought to have been purchased around 1960.

The fonds consists of records created by the Council of Palliative Care and includes workshop materials; minutes and agendas; materials from David Bourke; special events and promotional paraphernalia; Sandra Goldberg lectures; newsletters; financial materials; and task force materials for Balfour Mount, Montreal General Hospital and Jewish General Hospital.

The fonds consist of correspondence documenting the legal career of John Cobb Cooper with international air and space regulatory bodies, 1934-1964.