This file contains a photo of Harry Crane Perrin, Director of the McGill Conservatorium and Dean of the Faculty of Music 1908-1929.

This file contains a photo of the McGill Faculty of Arts class of 1902, including including Carrie Derick (MA) and Stephen Leacock (BA)

Bovey's papers document his involvement with a number of organizations, his political, literary, and military careers, and his travels. His files as president of the Canadian Handicrafts Guild, 1930-1936, include reports, correspondence and speeches, while those connected with the Canadian Legion Educational Services also include photographs and printed material, 1939-1946. The C.B.C. series comprises programmes, draft speeches and letters, 1936-1944. His political correspondents include St. Laurent and MacKenzie King, 1940-1944. Speeches made by Bovey before the Legislative Council, business and other groups discuss a wide range of political, social and educational issues are supplemented by clipping files on Québec politics. Bovey's literary ventures generated correspondence and book reviews, as well as manuscript poems, 1939-1941, n.d., while his World War I military service is the subject of a small file of correspondence, 1915-1953. Finally, Bovey assembled scrapbooks of photographs and souvenirs of his voyages between 1930 and 1939. For Bovey's files as director of Extra-Mural Relations and Extension at McGill, see McGill Administrative Records, Record Group 44.

The fonds consists of diaries, private ledger and cash book, architectural drawings, news clippings, correspondence, one seal, one measuring tape, and photographs relating to J.S. Costigan and family.

Tobin's papers consist of a scrapbook and photo album containing programmes, menus and newspaper clippings concerning the "King Cook" celebrations, 1911-1927, newspaper obituaries and photographs of Medical Faculty professors, programmes for social events of the Medical Society, Pharmaceutical Society and the McGill Employees Association (of which Tobin was secretary) and letters of recommendation from the Medical Students Society, 1921-1931.

This subseries consists of many of Wood's major publications in various iterations such as manuscripts, typescripts, page proofs, and galley proofs. Additionally, this subseries contains other manuscripts, research notes, photographs, prints or illustrations, correspondence, book reviews, and other materials relating directly to Wood's research projects and publications. The material is dated from 1904-1942 but focuses predominantly from 1913- 1934. Much of the subseries is composed of bound volumes, some of which contain multiple record types, either bound or mounted within the volumes.
The research and writing projects focus on the following topics and geographic regions: ornithology, Fundus Oculi (1911-1934), Wood’s family history (1920-1940), South America (1920-1921), Fiji and Fiji Islands (1920-1931), fossil eggs (1923-1925), flowers and meadows in Switzerland (1924-1934), “An Introduction to the Literature of Vertebrate Zoology,” aviculture (1925-1928), New Zealand, medieval Persian manuscripts (1927-1934), Benevenutus Grassus’ de Oculis (1930), John III, Kashmir and North India (1921-1934), Ceylon (1925, 1928, 1934), "the Art of Falconry" (1938?-1942), and Ali ibn Isa (1935-1936).
Other contributors to some publications and manuscripts include Marjorie Fyfe, Alexander Wetmore, Wladimir Ivanow, Arthur William Head, Dr. Andreas Nell, W. J. Belcher, William C. Morgan, and Marion C. Tallmon.
This subseries also contains 145 incoming and outgoing pieces of correspondence including letters and notes. Some individuals addressed include Arthur William Head, Christopher Leggo, Lillian Bates, Elizabeth E. Abbott, Cora Raymond, Dr. Richmond, W. J. Belcher, C. S. Walis, Theodore Hamblin Ltd., James R. Slonaker, and R. R. Donnelley and Sons Co.. This subseries also includes photographs of Wood’s family, professional colleagues and friends, and research and publications.

Description forthcoming.
Please contact McGill University Archives for further information: 514-398-4711 or refdesk.archives@mcgill.ca

The series consists of documents related to Dorothy Duncan’s personal life, including a copy of Dorothy Duncan’s birth certificate, clippings of obituaries from Duncan’s death, and two personal photo albums (1930-1940). The photo albums are a mix of family photos, personal travel photos, and commercial postcards and photos documenting Canada, the United States of America, and various European countries.

Subfonds includes designs for domestic architecture in Montreal (133 architectural drawings, 1907-1910), including alterations to existing structures, comprise the bulk of Hyde's architectural projects documented in the archive. Also included is a proposal for the Mission Church in Montreal, an addition to the Presbyterian church in Valleyfield, PQ and a design for an apartment building in Montreal. The subfonds also contains photographs of the finished exteriors of two designs for domestic architecture (1909).

L'essentiel des projets architecturaux de Hyde représentés dans le sous-fonds se rapporte à de l'architecture domestique à Montréal et notamment à des modifications apportées à des structures existantes (1907-1910, 133 dessins). Il y a également une proposition pour la Mission Church de Montréal, une annexe à l'église presbytérienne de Valleyfield (Québec) et le plan d'un immeuble à appartements de Montréal. Le sous-fonds contient 2 photos de la finition extérieure de deux projets d'architecture domestique (1909).

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.