Traquair's papers largely concern his work as a lecturer. School of Architecture lectures in architectural history cover the classical, mediaeval and modern periods (ca 1935-1936), while those on architectural ornament are largely devoted to lettering. Miscellaneous lectures, about 30 in number, were delivered between about 1924 and 1937 to various audiences, such as school children, extension students and members of art and architectural associations. They deal with architectural history, architectural principles both aesthetic and social, and other art forms (painting, carpets, heraldry etc.)

Material relating to Traquair's publications includes drafts of about 15 articles on many of the same topics as the lectures described above, and stemming from the same period. A special series of notes and manuscripts, together with some correspondence, illustrates Traquair's research on Québec arts.

The fonds documents mainly Babkin's professional interests in physiology, especially glandular secretions and the nervous system. The fonds contains correspondence; lecture notes; citations; research notes and papers, including manuscripts sent to him by his colleagues; reprints of scientific articles mainly in Russian; and material used in the preparation of the biography of Ivan Pavlov. The latter contains correspondence with Ivan Petrovich Pavlov and members of his family, 1923-1948; photographs and portraits; and an unabridged typescript copy of Parts 1-3 of Pavlov: a Biography, with manuscript corrections, 1943-1946.

Apart from student laboratory notes in physics, 1919, Shaw's papers consist of printed and mimeographed reports on a miscellaneous group of chemical topics, but with a significant percentage on ethylene, propylene, acetylene and ethers, together with some of Shaw's manuscript notes and charts. Also included is his report to Canadian Electro Products on acetaldol formation.

This series consists of 23 volumes and 6 files focusing on travel, research, and expedition activities conducted during Casey Wood's ornithological research trips from 1920-1937, including periodical and newspaper publications written by Wood during this time. This series consists of manuscripts and articles relating to letters to friends and family providing accounts of his travels, clippings, photographs, printed ephemera, photostats, artwork, and feathers from John III. Some of the volumes contain manuscripts, notes, and/or photostats, while others are scrapbooks containing multiple record types seemingly curated, arranged and mounted by Wood or as directed by him.
Within this series are 209 incoming and outgoing correspondence including letters, notes and cards. Individuals in correspondence with Wood include Cora Raymond, G. R. Lomer, E. V. Sanderson, Sir George Perley, Sir Charles Major, H. Kirke Swann, Edith Hayes, Emma Shearer Wood, W. E. Wait, Sun Engraving Co., Taylor and Francis, Bitty and Seaborne Ltd., Stuart Baker, G. M. Henry, and Allan Brooks. Other individuals present in this series include Mabel Satterlee, L. F. Struthers, W. J. Belcher, J. Sutton, G. M. Henry, F. Marjorie Fyfe, J. C. Harrison, Alexander Wetmore, and Dr. Andreas Nell.
Places referenced within this series' files include South America (1920), British Guiana (1922), Fiji (1923), Oceania, New Zealand, Australia (1923-1924), England and Scotland, Ceylon (1925-1934), Colombo, Kandy, and Italy (1934-1936). Some topics and research areas of note include ornithology, zoology, bird protection, travelling, nightingales (1920-1934), John III (1924, 1937), “Coloured Plates of the Birds of Ceylon” (1925-1927), Emma Shearer Wood and Blacker Library collections, Sinhalese weights, Wood’s heath, Ali ibn Isa, and political printed material on Italy during the late 1930s.
There are also a number of photostats of publications or manuscripts copied approximately in 1937 related to Emperor Frederick II’s “de Arte Venandi cum Avibus.” These photostats were used for reference during these research trips for Casey A. Wood and F. Marjorie Fyfe’s published translation “The Art of Falconry.”

This subseries consists of 11 volumes, correspondence files, and a box of notecards dated from 1921-1956 relating to Wood's publication “An Introduction to the Literature of Vertebrate Zoology” published in 1931 and collection development within the Emma Shearer Wood and Blacker Libraries at McGill University. The volumes and files contain correspondence, handwritten and typed annotated manuscripts, proof sheets, the publication, notecards listing recipients of the publication, prints, printed ephemera, clippings, financial and administrative records, book reviews, and McGill Library catalogue listings related to the works within “An Introduction to the Literature of Vertebrate Zoology.” Additional professional projects are also represented in the subseries including “Coloured Plates of the Birds of Ceylon,” the Passing of John III, and Wood’s translation of Benevenutus Grassus’ de Oculis.
There are 1313 incoming and outgoing correspondence letters, telegrams, and cards; the largest volume in the collection. The correspondents are located internationally and include public, academic, government, and army libraries; museums, clubs and societies, literary journals, publishers, etc.. Some individuals and companies addressed include Lillian Bates, William Henry Mousley, Gerhard R. Lomer, W. W. Francis, Robert de Resillac Roese, S. R. Burrell, Robert Blacker, Miss Hanington, Elizabeth E. Abbott, John and Edward Bumpus Ltd., Oxford University Press, Sun Engraving Co., Parker & Sons Ltd., Herbert Putnam, George Iles, Colonel F. H. Garrison, Dr. Melville Black, W. J. Belcher, Smithsonian Institute, Dr. Maude Abbott, Dr. A. D. Blackader, R. R. James, Pierpont Morgan Library, Humphrey Milford, Basil H. Soulsby, William F. Petersen, University of Illinois College of Medicine, Natural History Museum, Dr. Robert A. Millikan, Douglas H. Campbell, A. J. Swann, Sir Arthur W. Currie, Alexander Wetmore, E. Cowles Andrus, and John Johnson.

This fonds comprises of the research work of C.A. Brodie-Brockwell. It consists of unpublished manuscripts and notes on early Mediterranean cultures and civilisation, pre-Christian Hebrew, Semitic and Arabian culture, as well as investigations into early calendars and methods of counting (boxes 1- 6, and box 7, files 1-8, 10). Other files include: hand-drawn maps of peoples of Europe in different times (box 7, file 9); lecture named “A New Interpretation of the Parable of the So-Called Unjust Steward” (box 7, file 11); correspondence (box7, file 12); dictionary notebook (box 7, File 13).

The binders with manuscripts are arranged by subjects, discerned from their titles and content.

The collection consists of correspondence, research files, manuscripts, journals, and ephemera created and accumulated by writer and scholar Leon Edel, who was notably the editor and biographer of Henry James as well as Edmund Wilson.

Fonds shows Thomas Gibson's interest in history of medicine. It contains papers on John Palmer Litchfield and on the General Council of Medical Education and Registration of Upper Canada. Dr. Gibson's notes on the translation of Theodore Turquet de Mayerne of the Opera Medica of Joseph Brown, ed. 1700. Correspondence.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

This series consists of unpublished literary works, including typescripts for two unpublished novels written by Duncan: “Beyond & Back” (c.1933) and “Innocent Lambs” (c.1935), which was dedicated to Hugh MacLennan. Both novels were written before her marriage to MacLennan. “Beyond & Back” was written under the pen name “Judith Crimm.”