The fonds reflects the artistic and teaching activities of John A. Schweitzer and includes professional archives as gallerist, curator, critic and collector; teaching records and related course materials; research pertaining to series of art works; the archives of various artists, such as the Hugo McPherson papers, Lise Gervais' materials and Embassy Row residence of Peter Dickinson and his materials; "Outsider" art and research collections; materials related to research and work on human sexuality; and materials pertaining to Canada, Quebec, Montreal and Expo 67 and Montreal Olympics.

The fonds consists of multiple functions that demonstrate the University Club of Montreal’s administrative responsibilities, association with different clubs, operation of various committees, and activities from 1906 to 2013.

The series are comprised of 1) Administration; and 2) Committees. The subseries within Administration are comprised of A) Communications; B) Events; and C) Reciprocal Clubs. The subseries within Committees are comprised of A) Admission; B) Council, and Annual and Special General Meetings; C) Library and Art Committee; D) Financial Committee; E) Future Development Committee; F) House Committee; G) Intermediate Members Committee; H) Membership Committee; I) Programme Committee; J) Property Committee; and K) Wine and Food Committee.

The fonds consists of documents relating to Macdonald’s publications and professional activities outside the classroom both prior to and during his tenure at McGill and for various professional associations. The scope covers the period of 1976 to 2012 and includes: articles, essays, and speeches (both draft, final and off-print) and their assorted documentation (travel itinerary, correspondence, conference notes, and research).

The fonds is divided into four series which were imposed by the archivist. The first is Publications which relates to any of Macdonald’s published material. The second is Professional Activities which is composed mainly of speeches and conference notes and materials. The third is Publications and Professional Activities which encompasses any professional activity which was subsequently published or vice versa. The last is Course Materials.

The Harold Spence-Sales fonds at McGill’s Canadian Architecture Collection primarily contains project records related to Harold Spence-Sales' career as an architect and urban planner. The bulk of the records pertain to projects that Harold Spence-Sales worked on as well as corresponding financial, administrative and office records.

The fond heavily documents projects that Harold Spence-Sales worked on during the 1970s-1980s in British Columbia and in Quebec during the 1940s-1960s. Other projects that Harold Spence-Sales worked on across Canada and internationally appear intermittently throughout the fonds. The Oromocto community planning project that Harold Spence-Sales worked on from 1955-1958 in New Brunswick is particularly well documented. Harold Spence-Sales designed Oromocto to be a military town. Before He transformed Oromocto into a military town it was a defunct 19th century shipbuilding town. The Oromocto project is considered one of Harold Spence-Sales most important urban-town planning projects.

Apart from administrative, office and project records, the fonds also contains records that relate to Harold Spence-Sales professional activities outside of his work as an architect and urban planner. For example, awards and honors that he received and records related to his involvement in architectural and urban planning associations. Additional professional activities include: his involvement in creating exhibitions, curating architectural-themed magazines and periodicals as well as copies of publications that he worked on solo and in collaboration with John Bland.

The fonds also contains fourteen boxes of Harold Spence-Sales personal records. The personal records primarily cover Harold Spence-Sales interest in art, creative pursuits, family activities, family genealogy, personal finances, last will and testaments as well as his decline in health and his death. Within the fourteen boxes that have been cataloged as personal records, there are also materials related to Harold Spence-Sales professional activities. For example, awards that Harold Spence-Sales received and records related to exhibitions and artistic projects that he worked on.

The fonds consists of documents, ephemera, memorabilia, photographs, cassette tapes, video reels, and electronic media relevant to the personal and professional history of Timothy Porteous. The scope predominately covers the period from 1957 to 1987, and includes the speeches that he wrote for Prime Minister Trudeau, diaries and ephemera from his travels (both personal and professional), campaign memorabilia, personal diaries and scrapbooks, letters, photographs, My Fur Lady ephemera (including first drafts and other versions), and his work with the CC, CCA, and OCA.

This fonds is divided into four series. The first series contains his personal papers, the second materials related to his career, the third contains materials created when he was a student, and the fourth contains anything related to My Fur Lady.

The fonds consist of a variety of textual materials created by Andrew Pyper such as published and unpublished materials, early creative writing works, story-outlines, drafts, agendas and diaries. The fonds also contains personal correspondence between Pyper and his publishers, editors, friends and fans. The collection includes working scripts for television and film adaptations of his novels. The photographic material mainly consist of Pyper’s early childhood in Stratford, time at McGill University, travels to the Yukon and Brazil, and living in Toronto.

The Post-Graduate Students' Soceity of McGill University (PGSS) fonds consists of the corporate records, including correspondence, meeting minutes, reports, pamphlets, and other administrative records from 1960-2011.

This fonds reflects the activist activities of QPIRG McGill, chiefly on the McGill campus and the Montreal area, through Board of Directors minutes, as well as pamphlets, publications such as a student activist manual and audio visual materials, relating to working groups, projects and workshops concerned with issues such as the environment and empowerment. Minutes of the Interim Joint Board of PIRG-Quebec and records of joint retreat training activities reflect the interaction of QPIRG McGill with university PIRGS in the Montreal area.

Finding Aid update needed

The fonds consists essentially of textual records (with some photographs scattered throughout). The documents were created and brought together by Professor Crépeau in the course of his work as a lawyer, as well as in his activities as a professor and researcher at the Faculté de droit at the Université de Montréal and the Faculty of Law at McGill University. Certain documents were also accumulated during the course of his studies.

The documents provide a comprehensive view of Paul-André Crépeau's contribution to the advancement of law and legal knowledge. The fonds is particularly rich in terms of the evolution of Professor Crépeau's thinking and work in the writing of his various publications. It also documents Crépeau’s role in the reform of the Civil Code of Quebec. More broadly, the fonds documents the history of law in Quebec and Canada and highlights its civil law traditions in the two official languages of the country.

In selecting the documents, emphasis was placed on those highlighting the evolution and course of Professor Crépeau's career. The fonds consists of 8 series: 1. Teaching activities; 2. Research activities; 3. Associations, professional orders and external organizations; 4. Research activities; 5. Publications; 6. Work office; 7. Studies; 8. Documentation; 9. Honours; 10. Research; and 11. Work diaries and business cards.

The date range of the documents covers the entire career of Professor Crépeau, from the beginning of his studies to the end of his studies in the late 1940s to the end of his career in 2011. It is important to note that the correspondence is divided among the different series. Client files from his law practice have been removed.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.