The fonds consists of literary works composed by Farkas, including scripts, manuscripts, poems, and plays. The records reflect Farkas’ involvement within the arts community, as well as many works relating to Canadian culture, specifically in Quebec. Farkas’ records span from 1952 until 2016. Locations that are reflected in Farkas’ works are Canada and Hungary.

No discernable order has been detected except for boxes 7 and 8 where poems are sorted alphabetically. The records have been filed into series which are detailed below. There are photographs, personal correspondence, translations of other poems and audiovisual materials (cassettes, CDs and DVDs). There are large amounts of correspondence with other artists and performers in both Canada and Europe, another reflection of his involvement within the community. The series listing is as follows: 1) Correspondence, 2) Manuscripts, 3) Poems & Poetry, 4) Reviews, 5) Scripts & Performance Pieces, 6) Translations, 7) Vehicule, 8) Works by other authors, 9) Mixed media, 10) An Evening in the Muses’ Company and 11) Photographs and visual materials.

Fonds consists of correspondence, exhibition and performance files, film and video files, lectures and writings, teaching files, drawings, designs, posters, ephemera and clippings, primarily from the 1950s to the 1980s.

This fonds contains material related to the writing career, environmental activism, and personal life of Mona Elaine Adilman. The documents cover a period between approximately 1935 and 1991. Much of the material relates to Adilman's poetry, fiction, and essay writing. In addition to manuscripts of poetry, books, and essays, there are research materials, promotional materials, grant materials, and correspondence related to writing and publishing. There are also materials related to her music writing.

The fonds contains the professional papers of Canadian-American architect Witold Rybczynski. They comprise textual records including book manuscripts and proofs, research materials, reviews, correspondence, and teaching material, as well as slides and digital files representing his career as an author and educator.

Fonds consists of working files, office files, galley proofs, and other materials related to the operations of the Porcupine's Quill Press.

The fonds consists of Scobie’s personal records relating to his career as a prominent author, poet and critic in Canada between 1966 and 1989. The bulk of the records consists of his written materials; manuscripts and drafts of published and unpublished poetry, novels, short stories, critical writings, including annotated drafts of his books on bpNichol and Leonard Cohen, as well as various notes, both typed and handwritten, unproduced film scripts and a libretto. The files also include some peripheral and administrative documents relating to his publications, such as book sales receipts, royalty agreements, and reviews, as well as promotional materials relating to lectures, poetry readings and other events. Other materials include correspondence between Scobie and friends, publishers, and other organizations and individuals, as well as selected editions of White Pelican, a literary journal that Scobie edited, from 1971-1973.

The fonds consists of manuscripts and drafts of literary compositions and other working documents, as well as professional and personal correspondence.

"Architectural drawings", 56 projects are represented in this archive including:
1947 - MCGILL UNIVERSITY LIBRARY (Thesis design)
1948 - STUDIEN BLATT (student work)
1950 - ERE, Mr. L. / Residence, St. Lambert
1950 - DUNBAR, Mr. G. / Residence, Chateauguay Heights, QC
1953-59 PHILLIPS HOUSE / Renovation 1953, 54, 55, 58, 59
1953-59 CENTRAL HOUSING & MORTAGE 1953, 54, 56, 58, 59
1954 - BRETT, Mr. & Mrs. John / Proposed house, Hudson, QC
1955 - SPIRODEX HOUSE / Proposed
1955 - HAND, E. / House, Baie d’Urfe, QC
1955 - PARISH OF STE. ANNE, Baie d’Urfe, QC
1956-71 ST. GEORGE (High) School, Montreal 1956, 57, 69, 71
1957 - INTER-CITY TRANSPORT / Warehouse
1962 - LAKEHOUSE UNITARIAN CHURCH (Playhouse for Nursery School)
1962-81- AFFLECH HOUSE, Libbytown additions 1962, 63, 78, 80, 81
1963 - MONTREAL CONCERT HALL (and others)
1967 - EXPOSITION UNIVERSAL CANADIENNE
1967 - FISCH, Mr. G. G. / Residence, Ste. Agathe, QC
1973-74 HARRISON, Mr. G. / House, Mont Tremblant, QC
1974 - THE BONDMANS BARN
1974 - INSTITUTE OF PSYCHOSYNTHESIS
1976 - BLAKE, Mr. & Mrs. Ken / House
1977 - HARVEY/ Residence
1977 - TILDEN / Residence Greenhouse
1977 - PORCH ENCLOSURE, 20 Anworth
1977 - HEATH, Mr. P. / House, Stanstead, QC
1974-77- ARCOP ASSOCIATION / Office renovation, 1440 Ste. Catherine O.
1977- RESIDENCE, corner Mount Pleasant & Montrose avenues. Proposed Kitchen Layout 77
1978 - THEATRE, St.Denis, Montreal, QC
1978 - COHEN, Diane / House alterations, Hatley, QC
1978-80 MARITIME MUSEUM, Halifax, NS
n.d.- AFFLECK HOUSE / 16 George’s St., Westmount, QC
1980-83- BIRD, Mr. & Mrs. F. / Kitchen
1986 - Happy recovery Wishes from all Macdonald dwellers
1983-84- HODGSON HOUSE & KENT HOUSE, Hatley (Massawhippi)
1984 - UNIDENTIFIED SKETCHES (4)
1984 - STUDIES FOR OFFICE building, etc. , Sherbrooke, Mansfield, Metcalfe
1984-86 MCGILL UNIVERSITY / Project
1985 - ALDO HOUSE, Lake Champlain, NY
1985 - ROYAL BANK / Proposed extension, Saskatoon, SK
1985-86 SHEARD HOUSE (Preliminaries)
1986 - ALCAN BERKELEY CONTROL GATE
1986 - RENOVATION to 26 Apple-Hill, Baie d’Urfe, QC
1986 - NO 1 WOOD AVENUE CONDOMINIUM, Westmount, QC
1964 1985 - PLACE BONAVENTURE (General, South & West Plaza)
1987 - PLACE BONAVENTURE / Renovation
n.d.- BANKERS HALL
n.d. - BEDROOKE, E.P. / House, Beaurepaire, QC
n.d.- DEVONSHIRE SCHOOL
n.d.- HIGH MEADOWS FARM, Georgeville, QC
n.d.- ITC PALA CENTER, Calcutta
n.d.- MONTREAL SYMPHONY ORCHESTTRA, McGill College, Montreal, QC
n.d.- PHILLIPS, Mr. & Mrs. / House
n.d.- PLACE VILLE MARIE, Montréal, QC
n.d.- TEXACO GAS STATION, Dorval, QC
n.d.- TITLE BLOCK M (Opti négatives), Master les Cours Montréal

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Fonds consists of personal and professional papers of Canadian poet and novelist Penn Kemp. It contains personal and biographical files, including CVs and miscellaneous photos and drawings, as well as some family records. Within the professional materials are documentation of activities related to Kemp's career, such as grant materials, school press kits, workshop materials, professional correspondence, and records related to tours, as well as a comprehensive file of Kemp's creative output.