The fonds reflects Agnes Honoria Wrong's career as a columnist and mainly consists of scrapbooks containing food columns published in different Canadian newspapers chiefly under the pen name Janet March. Janet March's real name was Agnes Honoria Armstrong Wrong, and she wrote under many pen names. The earliest columns (1931-1933) are signed "Suzette" and were published in the Saturday Night Magazine (Toronto) Some other food-related columns published in the Junior League Magazine (1933-1935) are signed "Epicure". Later columns in the Saturday Night Magazine (1939-1946) are ordered more or less by year in specific scrapbooks. Articles about history of food, as well as recipe columns, were published monthly in the Globe & Mail (1956-1962), some of them under her real name. Part of the material is loose in envelopes or within already filled scrapbooks, including pre-publication typed articles. Also are included a few letters addressed to the creator (reader's mail).

The project files which occupy most of the archives of J.T. Donald and Co. fall into two series: ordinary business and special assignments. Both series contain the firms report's, and correspondence. Special assignments were largely connected with wartime armaments production. A few files concern work for the Imperial Munitions Board in World War I, but most consist of reports for the Chemical and Explosives Branch of the Department of Munitions and Supply, 1939-1948. Ordinary projects involve consultation for food, pulp and paper, petroleum, and chemical manufacturies, as well as for some government departments, 1888-1940. Outgoing correspondence from 1881 to 1909 is contained in letterbooks. A file of legal documents, 1924-1946, refer to claims against the company, agreements, and partnerships. Also included are an undated notebook on chemical analysis, and scrapbooks and files of newsclippings of professional interest (e.g. reports of explosions caused by oil and gas) covering the period 1916-1958. There are also reports on mining and energy sources prepared by Donald alone and also in partnership with J.H. Ross for various private and government bodies.

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

Fonds consists primarily of Meek’s manuscripts of his keyboard and church music compositions, from approximately 1930-1975. Also included are programmes for his organ recitals, 1928, 1933, 1953-1957, 1960-1968, a scrapbook of clippings concerning his performance of the complete organ works of J.S. Bach, 1949-1950, and lecture notes and examinations for his McGill course in analysis, 1969-1973.

The series consists of records pertaining to Duncan’s published works and art work. The series contains four scrapbooks of clippings related to each of her published books: “You Can Live in An Apartment” (1939), “Here’s to Canada!” (1941), “Bluenose: A Portrait of Nova Scotia” (1942), and “Partner in Three Worlds” (1944). Duncan’s work as a writer is also represented by publishing contracts from houses in New York and London (1940-1946), a series of photographs and captions that were used in “Here’s to Canada,” and files of newspaper and magazine clippings of articles written by and about Duncan, including a feature that she wrote about Gabrielle Roy. Duncan’s work as an artist is documented by files of clippings and contracts with art galleries. There is also a list of Duncan’s paintings included in one of the notebooks in Series 5 Notebooks and Diaries (1931-1957).

The Lyman-Scrimger Family Fonds consists of the papers of the Lyman, Scrimger and Johnston Families. Reverend John Scrimger's daughter married Walter Ernest Lyman and their daughter, Elizabeth, in turn married Wyatt Galt Johnston. Elizabeth's sister is Mary Minta Turnor.

The Lyman-Scrimger papers largely consist of approximately 42 cm of photographs. Two albums contain family portraits, while two others assembled by Albert Clarence Lyman (B.A., 1878) and Walter E. Lyman (B.A., 1881) also include pictures of McGill classmates. The large collection of unbound photographs contain a number of views of Western Canada taken ca. 1900, Montreal scenes, and travel snapshots taken in Europe (ca. 1905-1910). Two scrapbooks compiled by the Reverend John Scrimger contain newsclippings, poems, cards, letters, photographs, and memorabilia of a family or sentimental nature. The reminder of the papers consists of newsclippings, programmes and so forth related to members of the family as well as a few scattered items of correspondence, probably collected by Mrs. Walter Lyman.

The Johnston Family papers comprise Wyatt Galt Johnston’s laundry lists and grocery accounts, ca. 1899; a letter to Elizabeth Johnston from her mother in Lennoxville, 1906; H. Wyatt Johnston’s school reports, 1907-1911; and letters of sympathy and memorial cards sent to H. Wyatt Johnston on the death of his mother Elizabeth Johnston, 1943 and his aunt Mary Tunor, 1945.

Mary Minta Turnor’s papers consists of correspondence, largely with members of her family in the Eastern Townships on domestic news. A few photographs of houses and pets, as well as some recipes, are also included.

Fonds documents the Mallochs' activities related to their medical and literary work. The fonds contains notes, correpondence, commonplace books, account books, material related to publications, family memorabilia, scrapbooks, photographs, telegrams, postcards and certificates.

Collection includes a scrapbook created by Maude Lilian Bremner during her time in South Africa as a teacher to Boer children in refugee camps, as well as other related loose clippings and ephemera. The scrapbook contains newspaper clippings, postcards, and other ephemera tipped in. Many of the clippings are articles reprinting letters written home by Bremner and other volunteer teachers in her contingent. Collection also includes a published Memorandum respecting the engagement of teachers for the refugee camps in South Africa.

Most of this archive documents the High School for Girls. The administrative records comprise prospecti for both High Schools, registers of attendance, 1875-1896, examinations, 1855-1858, 1884-1888, fees, 1863-1869, and corporal punishment, 1892-1896, 1949-1960, and memoranda from the Rector applying to either the boys' division or to both High Schools, 1897-1904. There are also working notes for teachers, 1902-1903, 1921-1931, and scrapbooks of programmes, clippings and notes concerning activities in both schools, covering the years 1913 to 1960. Examination papers, 1872-1882, a guest book, 1919-1943, an annotated address book of High School for Girls staff prepared by Principal L.M. Hendrie, 1911-1945, and photographic portraits of the Principals of the High School for Girls round out this series. Student activities are reflected not only in the official scrapbooks, but also in minute books, photograph albums and scrapbooks of the High School for Girls' Athletic Association, 1912-1913, Literary and Debating Society, 1906-1908, and English Club, 1935-1940. There are a large number of photographs of girls' sports teams, 1915-1941, as well as a scrapbook of clippings on the activity of High School for Girls Alumnae, 1953-1956.

The series consists of documents related to Dorothy Duncan’s personal life, including a copy of Dorothy Duncan’s birth certificate, clippings of obituaries from Duncan’s death, and two personal photo albums (1930-1940). The photo albums are a mix of family photos, personal travel photos, and commercial postcards and photos documenting Canada, the United States of America, and various European countries.