Collection contains primarily of 9 photograph albums containing 457 silver print photographs, and 4 printed items. It also includes records relating to Canadian railways and an export catalogue from the Canadian Car and Foundry Company.

Three scrapbooks document Birks' involvement with McGill, particularly with the Theological Colleges and the Faculty of Divinity. One contains newspaper clippings and correspondence (1912-1913) concerning the United College of Theology. The second scrapbook contains newspaper clippings and correspondence (1912-1948) on the establishment of the Faculty of Divinity at McGill. The third contains telegrams concerning the appointment of Sir Auckland Geddes as Principal in 1919, as well as newspaper clippings regarding the McGill Fund Campaign (1911) and the Patriotic Fund, (1914-1917). There is also correspondence about church matters and the Joint Theological Colleges and brief accounts of the establishment of the latter, correspondence, minutes, reports, reminiscences and notes document the establishment of the Faculty of Divinity in 1948. There is also a builder's contract and accounts for the Birks building on University Street and a draft fragment of a historical story or novel set in the 14th century about a Richard Birks.

Collection consists of three albums containing photographs taken at Grenfell Mission and one framed photograph. Albums feature many photographs of St. Anthony and the region, its inhabitants, the medical staff at the Grenfell Mission, and activities such as dogsledding.

The fonds contains 1 memory book compiled by Doris Campbell in 1921. The memory book includes news clippings, photographs, cards, and written memories of life at RVC in the early 1920s.

Fonds consists primarily of Meek’s manuscripts of his keyboard and church music compositions, from approximately 1930-1975. Also included are programmes for his organ recitals, 1928, 1933, 1953-1957, 1960-1968, a scrapbook of clippings concerning his performance of the complete organ works of J.S. Bach, 1949-1950, and lecture notes and examinations for his McGill course in analysis, 1969-1973.

Fonds consists chiefly of a scrapbook created by Eleanor Wallis, née Eleanor Fisher, while a nurse at the Grenfell Mission in St. Anthony, Newfoundland, as well as diplomas and certificates for her and her husband, the physician Allan D. Wallis, and reprints of medical articles by Allan D. Wallis. The Grenfell album consists of photographs taken by Eleanor from 1933-1934 and printed items such as postcards, calendar pictures, and reproductions of photos made for sale by the Grenfell Mission. Photographs have handwritten captions with some personal annotations. One of the postcards shows a young nurse walking along a stretch of road leading to the village of St. Anthony's: this is Eleanor Fisher. Some later photocopies have been taped or laid in. Thirteen certificates and diplomas attest to Eleanor Fisher's training as a nurse (1929) and Allan D. Wallis's training as a physician (1925-1959), including Eleanor's Registered Nurse certificate, diploma from the Training School of Nurses of the Pennsylvania Hospital, and pediatrics nursing course certificate, and certificates attesting to Allan's residency training at the Pennsylvania Hospital, medical licence and diplomas, board certification in pathology, and a presidential certificate of appointment as an examining physician for the Pennsylvania Selective Service (this last is accompanied by a letter from the Governor of Pennsylvania). Two folders contain reprints of articles by Allan. D Wallis dating between 1941 and 1954. There are also 9 prints of photographs from the scrapbook, with captions on verso, accompanied by negatives. Lastly, there is one copy of a poem entitled "The Nurse" on oversized paper, the College of American Pathologists Code of Ethics, and one large group portrait photograph of hospital staff.

The fonds reflects Agnes Honoria Wrong's career as a columnist and mainly consists of scrapbooks containing food columns published in different Canadian newspapers chiefly under the pen name Janet March. Janet March's real name was Agnes Honoria Armstrong Wrong, and she wrote under many pen names. The earliest columns (1931-1933) are signed "Suzette" and were published in the Saturday Night Magazine (Toronto) Some other food-related columns published in the Junior League Magazine (1933-1935) are signed "Epicure". Later columns in the Saturday Night Magazine (1939-1946) are ordered more or less by year in specific scrapbooks. Articles about history of food, as well as recipe columns, were published monthly in the Globe & Mail (1956-1962), some of them under her real name. Part of the material is loose in envelopes or within already filled scrapbooks, including pre-publication typed articles. Also are included a few letters addressed to the creator (reader's mail).

The fonds consists of a scrapbook containing photos, ephemera, and clippings related to the McGill graduates athletic club, Winter Carnival, and copies of the McGill News, approximately 1947. In addition, there is a photograph of Convocation (May 22, 1946), a cardigan sweater and a MOC patch.

Collection consists of an album of travel photographs (chiefly black and white, with some colour). Captions date the photographs to between 1946-1956 and then to between 1989-1994. The captions also include information about the photographs themselves. The first portion of the album contains photographs taken in Niagara Falls, Manitoulin Island, northern Ontario, Bermuda, the Maritime provinces, and the United States, including Howe Caverns, Fort Williams, New York, Yellowstone National Park, Plymouth Rock, Washington, New Orleans, and Mackinac Island, dated between 1946 and 1956. The second portion contains photographs dated from 1898-1994 and documents travel to Israel, Albania, the former Yugoslavia, Russia, Estonia, England, Greece, Costa Rica, Laos, Vietnam, Cambodia, and Ukraine. The album is cloth bound in blue with the title "Snaps" in black with painted tulips.

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.