The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

Traquair's papers largely concern his work as a lecturer. School of Architecture lectures in architectural history cover the classical, mediaeval and modern periods (ca 1935-1936), while those on architectural ornament are largely devoted to lettering. Miscellaneous lectures, about 30 in number, were delivered between about 1924 and 1937 to various audiences, such as school children, extension students and members of art and architectural associations. They deal with architectural history, architectural principles both aesthetic and social, and other art forms (painting, carpets, heraldry etc.)

Material relating to Traquair's publications includes drafts of about 15 articles on many of the same topics as the lectures described above, and stemming from the same period. A special series of notes and manuscripts, together with some correspondence, illustrates Traquair's research on Québec arts.

Fonds consists of manuscripts and typescripts of articles and lectures on literary topics. A few items reflect Walter’s interest in drama and his private life.

The literary addresses and articles fall into three subject-areas: German, French, and Indian. A series of lectures to the Montréal Goethe Society (1932, 1933, 1935, 1936) discusses Goethe's biography, his attitudes to music, and his dramatic works. Goethe is also the subject of a McGill lecture (1906) and an article for the University of Toronto Quarterly. In other lecture series, Walter treated Ibsen and the 20th century German novel (1936); as well, shorter studies of Adolf Schafheitlin, Superman in German literature, German bibliography, and an address to Shaar Hashamayim regarding the political conditions in Germany in 1933 can be found here. Addresses delivered to the McGill Cercle Français and to the University of Toronto discuss French phonetics, neologisms, symbolist literature, German universities, and Paul Lemaître. Walter's interest in Oriental civilization is reflected in a series of four lectures on Indian philosophy, religion and literature (1949) and an address on Yogis. His work as a book reviewer and drama critic is revealed by a file of clippings and typescripts.

Walter's 1936 production at McGill of von Kotzebue's “Die deutschen Kleinstadten” is documented by his annotated copy of the script and a scene design. This and other dramatic productions are the subject of photographs and newsclippings in a biographical scrapbook. The scrapbook also contains testimonials to Walter and clippings of articles by and about his literary activities, and about a case of alleged attempted poisoning at which he was the plaintiff.

The fonds consists of a bound manuscript "Athletics at McGill" by R. Tait McKenzie

Fonds consists of a manuscript of Mémoires de mathématique et de physique contenant un traité des épicycloïdes (published in Paris in 1674) and illustrated with mathematical diagrams.

Fonds contains the author's original manuscript of Augustus, begun in 1934 and finished in 1937.

The collection consists of correspondence, research files, manuscripts, journals, and ephemera created and accumulated by writer and scholar Leon Edel, who was notably the editor and biographer of Henry James as well as Edmund Wilson.

The William Weintraub fonds documents Weintraub's career in documentary film and literature covering the period between approximately 1950 to 2000. The fonds falls into four series: (1) literary correspondence, (2) literary activities, (3) documentary filmmaking, and (4) biographical materials, personal correspondence, and career ephemera, documenting Weintraub's early life as well as theatre programs, pamphlets, and other collected material. Weintraub's career as a documentary film maker both as a freelance and with the NFB (1965-1986) with some 150 films to his credit is well documented including his work in Africa. The material includes scripts, research notes and correspondence. In some cases copies of the films are included. Material related to the NFB also includes newsletters, office files, and correspondence. The material documenting Weintraub's literary career includes drafts, proofs, correspondence and reviews for his two novels Why Rock the Boat? (1961) and The Underdogs (1979). In addition, the former was made into a film and extensive files relate to this. The latter novel was adapted for the stage and drafts, publicity and material relating to the controversy it aroused are included. Weintraub's book on Montreal in 1940s and 1950s City Unique (1996) is documented with extensive research files, drafts, reviews and correspondence. The literary correspondence with Mavis Gallant (127 letters), Brian Moore (603 letters) and Mordecai Richler (210 letters) constitutes a major source for the study of three prominent Canadian writers in the last half of the twentieth century. In addition, there are copies of 280 letters from Weintraub to Moore and 123 copies of letters from Weintraub to Richler. While the Gallant correspondence dates primarily from the 1980s with only 8 letters from 1950-1951, the Moore and Richler correspondence is continuous from the 1950s. This latter correspondence reveals the close involvement of Weintraub in the development of the work of both Moore and Richler.

Collection consists of one bound manuscript notebook softbound in a piece of brown leather. The notebook dates chiefly from 1841 and was produced in St. Armand by Philip Luke. The notebook contains a title page that has been lettered, illustrated, and coloured by hand: A Latin Translation / by Philip Luke. St. Armand. 1841. Commenced April 4th. The text within this first portion of the notebook is Aesop's Fables in English and Latin on facing pages. The first part of the manuscript ends with "13. Horse and Ass" (Latin is incomplete) and "32. Widow and Servants" (Latin text missing). The following leaf contains two medical recipes: "A cure for a felon or whitlow," refering to an abscess or infection of the fingertip and consisting of a paste made from egg yolk, honey, turpentine spirits, camphor, and flour, and "A reciet for the inflammatory rheumatism," involving a wine-based tonic containing three types of bark, horseradish, brandy, and tar water. Following another blank leaf, a partial letter is found dated 1839. Philip Luke's text begins again in the latter part of the manuscript with a second coloured title page: "Dialogues and Declamations." There is also one loose note laid in dated 1809, a receipt for 100$.

Fonds contains the manuscript of Dr. William Rees on the treatment of malaria, a lecture given before the Natural History Society of Montreal in the 1860s