Consists of 2 architectural drawings on paper of Canada Cement Company Building, 606 Cathcart Street, Montreal, Quebec, 1921 (1955 copies). Includes front elevation, details of cols. pilons etc., 2nd and 3rd floors).

The collections including here were orginally donated to the Phonothèque québécoise by Michel Décarie, Maryvonne Kendergian (Kendergi), Réal La Rochelle, Robert Daudelin, Raymond Gervais, Nicole Guilleret and Philippe Trolliet.

A history of the collections and information about the donors can be viewed here: https://web.archive.org/web/20191203205045/http://www.phonotheque.org/Inventaires/CollectionsPhono-Inv.html

The fonds consists of the records of the Zoological Society of Montreal for the entirety of its existence, from 1964-2016. These records were generated in the pursuit of the Zoological Society’s goal to enhance public awareness of wildlife conservation issues through speakers, film screenings, field trips, special events, and large projects. The records also reflect the Society's charity to zoological, ecological and conservation causes. The administration of the Society, its interactions with its members, and its projects and events are documented through minutes, correspondence, communications, published articles, financial documents, reports, and proposals. The Society’s interests and activities are also reflected through books, objects from their offices, audio and video materials, and 5243 photographs, most of which are stored in photo albums. The fonds also contains the records of the Zoological Society of Canada, which were created to administer the Canadian Society similarly to the Montreal Society, with the goal of expanding the organization’s reach nationally.

The fonds is comprised of the following series: 1) Activities (1965-2013); 2) Administration (1964-2016); 3) Artifacts (1980-2004); 4) Books (1967-1991); and 5) Newsletters (1967-2016).

Collection consists of photograph albums and publications from Jean Drapeau's library related to significant events that occurred during his mandates as mayor of Montreal (1954 to 1957 and 1960 to 1986). Photograph albums, brochures, and publications represent Expo 67 and its reiteration, Man and his World (Terre des Hommes), which ran from 1968 to 1986. The 1976 Montreal Olympic Games are documented in programmes and photograph albums. The collection also includes records of Drapeau's political life, including transcripts of his speeches from 1955-1957, photograph albums related to his municipal political party, the Civic Party of Montreal (Parti civique de Montréal), and presentation copies of books.

Fonds contains mainly J.E. Buchanan's correspondence, notably his correspondence with Phyllis Buchanan prior to their marriage, newspaper clippings, agendas and administrative paperwork concerning Phyllis Buchanan and her family, with material related for the First World War and children education in the first half of the 20th century.

Collection consists of 38 letters written primarily by John Wood Senior to family members in England. Many of these were written to a sister or sister-in-law and a few are addressed to his brother, Will Wood, a watchmaker and jeweller in London, including two in which Wood includes a list of trade supplies to order. Four letters are from John Wood's son, Peter Wentworth Wood. One letter is by John's wife, Anna. Contents include topics such as the country's economy, Canadian-British politics, the Woods' watchmaking and jewellery business, crops, slavery, and the American Civil War, as well as local Montreal news on subjects such as fires, the Victoria Bridge, a cholera outbreak, the 1856 Railroad Celebration, and a visit by the Prince of Wales. Letters also include family news, particularly of John Wood's children Peter, John, and Charles, seafaring disasters, gold mines, improvements in shipping in the St. Lawrence seaway and the Atlantic Ocean, the expansion of railroads, and the Atlantic Telegraph. Letters date between 25 November 1839 and 13 December 1867. One is a crossed letter.

Fonds consists of a one document, a manuscript of reminiscences of Charles James, born in Montreal in 1835. The document is internally dated in April 1915. James describes his childhood as the son of a carriage and sleigh builder born in England who conducted much business for the British military stationed in Montreal. The family resided on Craig Street. Reminiscences include descriptions of Montreal, the building of the locks on the Lachine canal, a trip up the Ottawa River to Bytown (Ottawa) and then to Kingston, where the family resided for a time. James joined his father in the trade of carriage trimming as a young man before becoming a Baptist minister in Stratford, Canada, and later Wellesley.

Fonds consists of six autograph signed letters written at Montreal by Ann Adams, dated between 24 March 1834 to 26 December 1937, to her son Edward H. in Providence, Rhode Island, and Philadelphia. Letters contain local news (churches and organs built, the railroad to St. Johns, fires, printing and publishing, cholera, etc.), observations on the worsening tensions between Papineau and the "Canadiens" and the "Loyalists," and accounts of preaching by an Indigenous convert to Christianity.

The Montreal Mendelssohn Choir Collection comprises several volumes of sheet music from the Choir’s library. The choral folios were compiled and bound into eight volumes at the time of their donation to McGill University in 1895. The estate of D. Torrance Fraser, a former Choir member, donated another four volumes of choral music in 1926 and 1927. Three volumes contain second copies of the pieces from the Choir’s library donated thirty years prior; the fourth volume donated in 1927 contains a number of pieces performed by the Choir but not found in the seven extant volumes from the Choir’s library.

The fonds documents John Mappin’s occupation as an independent antiquarian book seller, his personal interest in the history of print and Canadian politics, and his personal achievements as an author. The wide variety of subject files found in this collection are almost entirely North American based and span from 1733-2004. These records reflect Mappin’s particular focus on Canadian authors and Canadiana in general.