Consists of an English translation of a letter to the Marquis de la Jonquière written by Antoine-Louis Rouillé, comte de Jouy, secretary of state for the French Navy, at Versailles, dated 28 February 1750. The letter discusses an immediate release of prisoners of war taken during conflicts between the French and British colonies. It also includes a mention of Indigenous allies of England and France, and Indigenous people captured during the conflicts: "the Indian Prisoners among the two Nations be likewise released, but after all the French and English Prisoners are released" The letter also includes the name of examiner Josiah Willard, secretary of the province of Massachusetts-Bay.

Fonds documents Grant Woolmer's career as an antiquarian book dealer. The records include:

• Card File. 1954 – 1998, 628.5 cm of 3" x 5" (7.5 cm x 12.5 cm) index cards describing every book owned and sold by Grant Woolmer giving description and price. Over 30,000 cards.

• Catalogues. 1954 – 1998, 180 cm. Complete run of catalogues of Antique Book Shop, later Grant Woolmer Books. Over 400 different catalogues.

• Financial Records. 1954 – 1998, 250 cm. 6 ledgers giving daily income and disbursements; invoices, etc.

• Mailing list, undated, 5 cm. Some 200 names of institutions, dealers and private collectors mimeographed on 7 sheets.

• Newspaper clippings and ephemera. 1980 –1998, 5 cm. File consisting of clippings and articles relating to the antiquarian book trade, as well obituaries of antiquarian book dealers and collectors. About 200 items.

• Bates List Finder. 1980s – 1990s, 3 cm. Alphabetical telephone directory and addresses for frequently called numbers.

Fonds documents Michel Brisebois's work as a rare books curator and librarian, and antiquarian bookseller. The records include extensive correspondence from approximately 1966 to 1994 (textual and on diskette), as well as evaluations of libraries and archives including the Archives nationales du Québec, the McCord Musum, the McGill University Libraries, the Université de Montréal, Université du Québec à Montréal, and others. The fonds also contains Brisebois's agenda books, catalogues, and financial records, as well as documents relating to the Antiquarian Booksellers Association of Canada.

The Tundra Books fonds contains a collection of archival records documenting Tundra's publishing history. It includes correspondence with Tundra authors and artists, most notably with William Kurelek. Parts of the archival material document the development and production of each title and May Cutler's dealings with government and funding agencies. The archival materials document a significant chapter in Canadian post-war publishing history.

The fonds consists of Ann Diamond's manuscripts and literary archives.

The fonds documents Dorothy Duncan’s personal and professional activities as an American-born Canadian writer and painter, primarily between 1930 and her death in 1957. Duncan’s career as a writer is represented by scrapbooks, clippings, and photographs related to her published works, two unpublished manuscripts, and contracts and correspondence with publishers and her literary agent in New York. Her activities as a painter are documented in clippings, lists of paintings, and contracts with art galleries. The fonds also contains personal correspondence, including letters from friends, family, fans, and a significant number of letters from her husband, Hugh MacLennan. Duncan’s notebooks and diaries also attest to her personal and professional activities. They document her early adulthood in Illinois and her later life in Montreal, and include notes, agendas, and a ledger. The fonds also contains two albums of personal photographs.

Bellair's personal papers comprise scrapbooks, 1898-1939; biographical, parliamentary and miscellaneous notes, 1879-1945; and correspondence, 1889-1951. His professional life is reflected in files on naval affairs, 1894-1937, and in an extensive series of political papers including general correspondence and subject files, 1905-1946; material relating to committees, 1904-1930; and political 'forecasts', 1900-1945. Literary interests are revealed by notes on Sir John Fisher, 1915, and H.G. Wells, 1932-1934. Some books from Bellairs' library, with his annotations, are included in his papers.

The fonds documents Canadian poet and novelist Steven Heighton’s literary career through correspondence with writers and editors as well as material documenting his writing activities. The records contain his literary and professional correspondence between 1994-1995 and 2001-2010, including extensive correspndence with correspondents such as Al Purdy, John Metcalfe, David Helwig, Michael Redhill, George Elliott Clarke, and Judith Cowan . There are also notes, manuscripts, research materials, drafts, and reviews for the following works: The address book (2004), “The stages of J. Gordon Whitehead” (short story, 2002), Afterlands (2005), Patient frame (2010), Every lost country (2010), as well as chapbooks, letterpress books, and essays. There are also reviews for other literary works as well as documents relating to Heighton's writer-in-resident positions.

The fonds documents Judith Fitzgerald’s personal and professional activities as a journalist, poet, and country music enthusiast, put together by Fitzgerald herself, documenting her work from the years 1965 to 1995. The majority of the records consists of research about individuals and musical acts, as well as other work-related projects that Fitzgerald was involved in. These include notes, drafts, and published work written by Fitzgerald, as well as various publications that she collected about the subjects and projects she worked on. The fonds also notably includes Fitzgerald’s creative work, including notes, drafts, manuscripts, and copies of her published books of poetry. Other materials include correspondence between Fitzgerald and friends, publishers, and individuals and institutions that she covered in her research. In addition, the fonds includes some financial records and personal records relating to Fitzgerald’s day-to-day activities and significant events in her life. These records include her marriage certificate, scrapbooks containing collected publications on herself, and notes on her autobiography.

The fonds consists of literary works composed by Farkas, including scripts, manuscripts, poems, and plays. The records reflect Farkas’ involvement within the arts community, as well as many works relating to Canadian culture, specifically in Quebec. Farkas’ records span from 1952 until 2016. Locations that are reflected in Farkas’ works are Canada and Hungary.

No discernable order has been detected except for boxes 7 and 8 where poems are sorted alphabetically. The records have been filed into series which are detailed below. There are photographs, personal correspondence, translations of other poems and audiovisual materials (cassettes, CDs and DVDs). There are large amounts of correspondence with other artists and performers in both Canada and Europe, another reflection of his involvement within the community. The series listing is as follows: 1) Correspondence, 2) Manuscripts, 3) Poems & Poetry, 4) Reviews, 5) Scripts & Performance Pieces, 6) Translations, 7) Vehicule, 8) Works by other authors, 9) Mixed media, 10) An Evening in the Muses’ Company and 11) Photographs and visual materials.