The fonds consists of documents relating to Macdonald’s publications and professional activities outside the classroom both prior to and during his tenure at McGill and for various professional associations. The scope covers the period of 1976 to 2012 and includes: articles, essays, and speeches (both draft, final and off-print) and their assorted documentation (travel itinerary, correspondence, conference notes, and research).

The fonds is divided into four series which were imposed by the archivist. The first is Publications which relates to any of Macdonald’s published material. The second is Professional Activities which is composed mainly of speeches and conference notes and materials. The third is Publications and Professional Activities which encompasses any professional activity which was subsequently published or vice versa. The last is Course Materials.

The fonds consists of documents, ephemera, memorabilia, photographs, cassette tapes, video reels, and electronic media relevant to the personal and professional history of Timothy Porteous. The scope predominately covers the period from 1957 to 1987, and includes the speeches that he wrote for Prime Minister Trudeau, diaries and ephemera from his travels (both personal and professional), campaign memorabilia, personal diaries and scrapbooks, letters, photographs, My Fur Lady ephemera (including first drafts and other versions), and his work with the CC, CCA, and OCA.

This fonds is divided into four series. The first series contains his personal papers, the second materials related to his career, the third contains materials created when he was a student, and the fourth contains anything related to My Fur Lady.

The fonds consist of a variety of textual materials created by Andrew Pyper such as published and unpublished materials, early creative writing works, story-outlines, drafts, agendas and diaries. The fonds also contains personal correspondence between Pyper and his publishers, editors, friends and fans. The collection includes working scripts for television and film adaptations of his novels. The photographic material mainly consist of Pyper’s early childhood in Stratford, time at McGill University, travels to the Yukon and Brazil, and living in Toronto.

The Post-Graduate Students' Soceity of McGill University (PGSS) fonds consists of the corporate records, including correspondence, meeting minutes, reports, pamphlets, and other administrative records from 1960-2011.

This fonds reflects the activist activities of QPIRG McGill, chiefly on the McGill campus and the Montreal area, through Board of Directors minutes, as well as pamphlets, publications such as a student activist manual and audio visual materials, relating to working groups, projects and workshops concerned with issues such as the environment and empowerment. Minutes of the Interim Joint Board of PIRG-Quebec and records of joint retreat training activities reflect the interaction of QPIRG McGill with university PIRGS in the Montreal area.

Finding Aid update needed

The fonds consists essentially of textual records (with some photographs scattered throughout). The documents were created and brought together by Professor Crépeau in the course of his work as a lawyer, as well as in his activities as a professor and researcher at the Faculté de droit at the Université de Montréal and the Faculty of Law at McGill University. Certain documents were also accumulated during the course of his studies.

The documents provide a comprehensive view of Paul-André Crépeau's contribution to the advancement of law and legal knowledge. The fonds is particularly rich in terms of the evolution of Professor Crépeau's thinking and work in the writing of his various publications. It also documents Crépeau’s role in the reform of the Civil Code of Quebec. More broadly, the fonds documents the history of law in Quebec and Canada and highlights its civil law traditions in the two official languages of the country.

In selecting the documents, emphasis was placed on those highlighting the evolution and course of Professor Crépeau's career. The fonds consists of 8 series: 1. Teaching activities; 2. Research activities; 3. Associations, professional orders and external organizations; 4. Research activities; 5. Publications; 6. Work office; 7. Studies; 8. Documentation; 9. Honours; 10. Research; and 11. Work diaries and business cards.

The date range of the documents covers the entire career of Professor Crépeau, from the beginning of his studies to the end of his studies in the late 1940s to the end of his career in 2011. It is important to note that the correspondence is divided among the different series. Client files from his law practice have been removed.

The fonds chiefly consists of materials that Madeleine Parent gathered or created as a labour organizer and activist. The United Textile Workers of America series (B) and the Canadian independent unions series (C) make up the bulk of the fonds. Series B and C relate to Parent’s activities as Secretary-Treasurer of the Canadian District of the United Textile Workers of America (UTWA) and the Canadian Textile Council (CTC), later the Canadian Textile and Chemical Union (CTCU). Parent’s union activities closely connect with Robert Kent Rowley, with whom she co-founded the CTC. Series C also documents Parent’s work for the Confederation of Canadian Unions (CCU), including files on member unions. Documentation includes meeting minutes, collective agreements, financial documents, correspondence, labour publications, and photographs. Series B and C also detail strikes in Quebec and Ontario organized by the UTWA Canadian District, CTC, and CTCU. Some of the strikes include the Dominion Textile Company Limited strikes in 1946 and 1952, Harding Carpets Limited in 1956, Artistic Woodwork Company Limited in 1973, and the Puretex Knitting Company Limited strike in 1978.

The smallest of the series, D and E, document the legal proceedings for the 1947 charge laid against Parent for seditious conspiracy and Parent’s campaign for Montreal City Council in 1954. Series F and H document Parent’s women’s and social justice activism, predominantly from the 1970s until the early 2000s. Among the records are files regarding her work with the National Action Committee on the Status of Women (NAC) and her advocacy for immigrants’ rights and indigenous rights, such as her support for Mary Pitawanakwat, an Ojibway woman unjustly dismissed from the federal civil service. Social justice files relate to various topics, including nuclear phaseout, workplace health and safety, peace activism, and human rights violations.

Personal papers, found in series A, include family documents and photographs, personal correspondence, and Parent’s agendas, research notes, and writings, as well as documentation related to interviews. Much of this material relates to labour and social justice activism and her activities as a labour organizer. The final series, H, consists of Rowley’s personal papers compiled by Parent. Included are files of correspondence, writings, and notebooks, as well as materials created about Rowley posthumously regarding his biography and tributes to him after his death.

The fonds also documents Madeleine Parent’s social and political activism, especially in the years following her retirement from the union in 1983, through correspondence, speeches and lectures, newspaper clippings, minutes, agenda books, 1948-2009, telephone journals, 1990-2005, photographs, as well as audiotapes of interviews and speeches. There are records concerning her involvement in public campaigns concerning such issues as free trade, 1987, de-indexing of family allowances, 1985-1986, freedom of choice/abortion rights, 1986-1987, Charlottetown Accord, 1992 and the human rights case of Mary Pitawanakwat, 1994-1995. Some of these campaigns reflect her involvement in the National Action Committee on the Status of Women.

Also included are documents pertaining to her personal life including family documents, correspondence, biographical information, photographs, and diplomas.

This fonds also contains personal and labour-related writings, including articles, letters to the editor, book reviews, reports on union activities, notes on Canadian history, and correspondence of Kent Rowley, 1942-1975.

The fonds is composed of correspondence; course material; drafts of articles, books and other works; financial and judicial records, such as benefits statements or contracts; material written for public addresses, such as speeches or notes; photographs of Mr Watson; and a short section focusing its attention on the various appointments he had. This fonds is particularly interesting for the shear amount of course material that one can find here. Indeed, it composes a good third of the entire volume of this fonds and spans 20 courses over 40 years of teaching.

While attempting to give a complete look at William Watson’s life, the fonds is distributed into the following 5 series:
A. Biographical records
B. Professional records
C. Distinctions
D. Correspondence
E. Graphical material

The fonds consists of records created and accumulated in the course of film and television production activities. It provides an integrated and holistic view of executive, creative and operational areas at Muse and its affiliates. The material is particularly strong in documents relating to the legal, financing, and management aspects of the industry, revealing the behind the-scenes requirements for sustainable and commercially-successful production. This depth of administrative records provides a significant complement to the creative materials generally found in archival film holdings. The materials serve to illustrate the economic impact of cultural industries on communities, including business, labour, and suppliers, as well as talent. They also document the various government incentive programs from the perspective of theproducer.

While the focus in making the archival selection has been on executive and production records, the fonds also contains a broad sampling of technical, craft and creative activities. It includes examples of script development, casting, locations, wardrobe, continuity, shooting and production logistics, promotion, and distribution. Scripts for all Muse productions are included. From the perspective of content development, Muse productions have included numerous productions based or derived from real life stories, including Roch Thériault, Nancy Eaton, Jane Doe, Jerri Nielsen, Rudy Guiliani, and Victor Davis. There are also examples of productions related to musical performers the Monkees, and Ricky Nelson.

The fonds documents the work of numerous Canadian directors, including Anne Wheeler, Jerry Ciccoritti, Bruce McDonald, Gary Yates, Holly Dale, Christian Duguay, Roger Spottiswoode, Gary Burns, Sturla Gunnarsson, John L’Ecuyer, as well as international directors such as Darren Aronofsky.

The audio-visual materials cover completed, as-released and as-broadcast productions in professional formats (usually masters on Digital Beta) for domestic and international versions. Selected production materials have also been retained, particularly with a view to providing examples of production processes and creative decisions.

The audio-visual programs provide a strong archival record of successful prime-time television content produced by a Canadian company, and viewed both domestically and internationally.

The date range covers the establishment of Muse in 1998, including some legacy productions from Pebblehut, through to 2007.

The fonds consists of documents, VHS, DVDs, and audio recordings relevant to the professional history of Dr. Douglas John Hall. The scope covers the period from 1949 to 2008, and includes Dr. Hall’s unpublished notes and manuscripts of his lectures, sermons, and seminars, published articles, published and unpublished book manuscripts, as well as recordings of lectures and talks. His lecture and sermon manuscripts cover the period from his undergraduate degree in 1949 to 2008, and published journal articles from 1969 to 2008.