Fonds consists of architectural drawings, photographs, and papers relating to projects designed by Francis Robert Findlay (1888-1977), independent of his partnership with his father Robert Findlay (1859-1951). Eight projects are documented by 119 architectural drawings (1934-1964), among them designs for buildings for the Old Brewery Mission's summer camp at Lake Chapleau, PQ, alterations to St. Andrew's United Church in Westmount and alterations to Bethel United Church in Grand'Mère, QC. Eight photographs (1945-1964) show additions and alterations to the summer house of C. V. Howard at Lake Anne, QC, and alterations to the Bethel United Church. The fonds also contains professional papers dating between 1941 and 1964, including correspondence, clippings, pamphlets, receipts and invoices relating to seven projects are found in the archive. The projects include the design of buildings for the Old Brewery Mission's summer camp and alterations to Bethel United Church.

Le fonds contient 119 dessins architecturaux, des photographies et des documents ayant trait aux projets dessinés par Francis Robert Findlay (1888-1977), indépendamment de son association avec son père Robert Findlay (1859-1951). Huit projets sont documentés par 119 dessins architecturaux (1934-1964), notamment les bâtiments de la colonie de vacances de la Mission Old Brewery, au lac Chapleau (Québec), des modifications à la St. Andrew's United Church à Westmount et des modifications à la Bethel United Church de Grand'Mère (Québec). Huit photographies (1945-1964) témoignent des annexes et modifications à la résidence d'été de C.V. Howard au lac Anne (Québec) et des modifications apportées au Bethel United Church. Le fonds contient aussi de la correspondance, coupures, dépliants, reçus et factures (1941-1964) ayant trait à sept projets, notamment les bâtiments de la colonie de vacances de la Mission Old Brewery et les modifications apportées au Bethel United Church.

"Architectural Drawing, 1937, 1 drawing." There is a drawing of a detail for a house for B. Kinsey in Hampstead, PQ.
"Professional Papers, 1937, 2cm." The project for the house for B. Kinsey includes specifications and a contract.

"Dessins architecturaux, 1937, 1 dessin." Dessin d'un détail d'une maison construite B. Kinsey à Hampstead (Québec).
"Documents professionnels, 1937, 2 cm." Le projet de résidence pour B. Kinsey comprend un cahier des charges et un contrat.

"Architectural Drawings, 1920-30, 4 drawings." The archive contains student drawings by Chambers, primarily of Italian architecture, as well as a design for a small museum submitted by Chambers in 1925 for the Tite Prize of the Royal Institute of British Architects.
"Photographs, n.d., ca. 70 photographs." Sculptures created by Chambers while he was was student at the Royal Academy and his submission for the The Prize are recorded on photographs.
"Personal Papers, n.d., 45 cm." Papers from Chambers' student years include notebooks on various subjects including German grammar, lectures on architectural aesthetics and a typescript of a murder mystery set in an artists' colony. The information about the photographs and the papers was taken from the McGill Universtity Archives guide, Vol. 2, page 15. The accession does not mention these items, nor does the file in the small collections drawer.

"Dessins architecturaux, 1920-1930, 4 dessins." Le fonds contient des dessins d'étudiant réalisés par Chambers, surtout d'architecture italienne, de même que le plan d'un petit musée proposé par Chambers en 1925 pour le Prix Tite du Royal Institute of British Architects.
"Photographies, s.d., environ 70 photos." Les photos rendent compte de sculptures réalisées par Chambers à l'époque où il était étudiant à la Royal Academy et du projet qu'il a soumis au Prix Tite.
"Documents personnels, s. d., 45 cm." Au nombre des documents qui datent des années d'études de Chambers, signalons des cahiers de notes sur divers sujets dont la grammaire allemande, des cours sur l'esthétique architecturale et le tapuscrit d'un roman policier dont l'action se situe dans une colonie artistique.

Fonds contains 198 drawings (1938-1940) documenting the early development of the Mont Tremblant ski area for Mr. Joseph Ryan in the Laurentian Mountains of Quebec. A wide variety of buildings including the lodge, a church, staff house as well as a series of cabins, cottages and out buildings are documented through watercolour and original tracings which are standard sets of plans, sections, elevations and details. There are also various site development drawings showing the topography as well as the layout of buildings, the water, sewers, and electrical systems. Blueprints by G. Lorne Wiggs represent the electrical, plumbing and mechanical layouts for many of the buildings within the development. The fonds also contains other material related to Mont Tremblant including, specifications for the General Contract of a Development for Joseph B. Ryan, Esq. at Mont Tremblant, Quebec 1939, a record of drawings and distribution of prints, and one printed volume (John and Frankie O'Rear, "The Mont Tremblant Story Including Skiing the Mont Tremblant Way", A.S. Barnes and Company: New York, 1954).

The Harold Spence-Sales fonds at McGill’s Canadian Architecture Collection primarily contains project records related to Harold Spence-Sales' career as an architect and urban planner. The bulk of the records pertain to projects that Harold Spence-Sales worked on as well as corresponding financial, administrative and office records.

The fond heavily documents projects that Harold Spence-Sales worked on during the 1970s-1980s in British Columbia and in Quebec during the 1940s-1960s. Other projects that Harold Spence-Sales worked on across Canada and internationally appear intermittently throughout the fonds. The Oromocto community planning project that Harold Spence-Sales worked on from 1955-1958 in New Brunswick is particularly well documented. Harold Spence-Sales designed Oromocto to be a military town. Before He transformed Oromocto into a military town it was a defunct 19th century shipbuilding town. The Oromocto project is considered one of Harold Spence-Sales most important urban-town planning projects.

Apart from administrative, office and project records, the fonds also contains records that relate to Harold Spence-Sales professional activities outside of his work as an architect and urban planner. For example, awards and honors that he received and records related to his involvement in architectural and urban planning associations. Additional professional activities include: his involvement in creating exhibitions, curating architectural-themed magazines and periodicals as well as copies of publications that he worked on solo and in collaboration with John Bland.

The fonds also contains fourteen boxes of Harold Spence-Sales personal records. The personal records primarily cover Harold Spence-Sales interest in art, creative pursuits, family activities, family genealogy, personal finances, last will and testaments as well as his decline in health and his death. Within the fourteen boxes that have been cataloged as personal records, there are also materials related to Harold Spence-Sales professional activities. For example, awards that Harold Spence-Sales received and records related to exhibitions and artistic projects that he worked on.

The fonds contains the majority of the drawings and papers of Montreal architect and landscape architect John Schreiber, who was a professor in the School of Architecture at McGill from 1953 to 1987. These documents constitute a rich treasure of original design work, expressed in draughtsmanship of great virtuosity. John Schreiber’s work is an example of the contribution to Canadian architecture and landscape architecture of a generation of Europeans who, leaving that war-shattered continent in the late forties and fifties, found an appreciative and fertile ground for their talents and ambitions in Canada. The two hundred and thirty four projects represented in the Schreiber fonds span half a century of work and are documented in more than four thousand plans and drawings, hundreds of photographs and close to six linear metres of textual files.

Fonds consists of the personal and professional papers of Louis and Irene Kon including extensive correspondence between the Kon family. Included are materials relating to the founding of the Norman Bethune Foundation and Bethune memorials; the making of Ted Allan's movie, "Making of a Hero", including the conflict with Syd Gordon regarding creative differences; a manuscript draft and notes on Larry Stephenson's manuscript 'Two Petrals.'

Fonds contains Dr. M.H.F. Friedman's personal papers and files relating to Dr. Boris P. Babkin and also correspondence with the editor of Babkin's biography of I.P. Pavlov.

"Architectural Drawings, 1928-9, 15 drawings." Alterations to a house on Mountain Street in Montreal, and the design of a house on Piquet Road in Montreal are documented in drawings.
"Professional Papers, 1928-9, 10 cm." Specifications, notes and correspondence relating to alterations to a house on Mountain Street and to the design of a house on Piquet Road are found in the archive.

"Dessins architecturaux, 1928-1929, 15 dessins." Des modifications apportées à une maison rue de la Montagne à Montréal et le plan d'une maison sur le chemin Piquet à Montréal.
"Documents professionnels, 1928-1929, 10 cm." Des cahiers des charges, des notes et de la correspondance se rapportent à un projet de modifications apportées à une maison rue de la Montagne ainsi qu'au plan d'une maison, chemin Piquet.

The archives contains at this time an estimated 20 000 plans and drawings, 600 presentation boards, 500 loose sketches, 60 sketchbooks, 600 boxes of projects and office files, 80 models, 200 computer diskettes, and a representative collection of slides, photographic prints, audio-visual material, as well as a bibliographic file of primary and secondary literature. Materials are in the process of being accessioned and described.

Le fonds contient présentement environ 20 000 plans et dessins, 600 panneaux de présentation, 500 croquis, 60 carnets de croquis, 600 boîtes de dossiers de projets et de bureau, 80 maquettes, 200 disquettes d'ordinateur, une collection de diapositives représentative de son oeuvre, des photographies, du matériel audio-visuel et des dossiers bibliographiques de sources primaires et secondaires. Le matériel est en train d'être dépouillé mais n'a pas encore été décrit.