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Archival description
Only top-level descriptions Marvin Duchow Music Library
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Schulich School of Music Performance Archive

  • CA MDML 030
  • Collection
  • 2008-2024

The collection consists of programs and recordings of ensemble performances (including opera) by students, faculty members, and guest artists associated with the Schulich School of Music at McGill University and performed at one of the School's halls (Pollack Hall, Redpath Hall, Tanna Schulich Hall, and Clara Lichtenstein Hall), as well as some performances at venues outside McGill.

McGill University. Schulich School of Music

Bernard Gagnon Fonds

  • CA MDML 027
  • Fonds
  • 1975-2013

The Bernard Gagnon Fonds consists of audio recordings, including interviews, manuscripts, correspondence, and event documentation of Bernard Gagnon, a Montreal-based electroacoustic composer who recorded his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) in the 1980s. The Bernard Gagnon Fonds contains the work of Bernard Gagnon a Montreal-based electoacoustic composer and performer who was active in the avant garde scene in the city during the 1970s and 1980s. He composed his first electroacoustic pieces at McGill’s Schulich School of Music’s Electronic Music Studio (EMS) and the collection includes a 2012 Tenzier recording of these works. The Bernard Gagnon Fonds is divided into 5 series and contains approximately 100 items. The majority of the collection consists of audio recordings, including interviews, manuscripts, correspondence, concert posters and programs.

Gagnon, Bernard

Sonde Collection

  • CA MDML 021
  • Collection
  • 1975-2013

The Sonde Collection provides a thirty-five year span of documentation for a Montreal-based Canadian experimental musical group who were very active electroacoustic composers and performers in the 70s and 80s. Sonde (formerly named MUD, Musical Design), created and played sound sources in Quebec, Canada and Europe. Sonde’s compositions were generally conceived for live performance on original sound sculptures. Using meditative improvisation, the group produced new music with sounds created by electroacoustic amplification and transformation.
The Sonde Collection is divided into 26 series and contains approximately 1,900 items. The majority of the collection consists of correspondence, concert posters and programs, and audio and video recordings. Activities of the Sonde group are described together as Sonde Papers and the activities of Charles de Mestral, a founding member of the group as Charles de Mestral Papers.
In the Sonde Papers, whenever it has been possible to do so, each item is referenced to the events listing, a numbered, chronological listing of events created by the group, entitled: ACTIVITES DU GROUPE SONDE (1975-2010) / Sonde Activities (1975-2010). The Sonde Papers include posters, programmes, scores, photographs, audio and video recordings.
The Charles de Mestral Papers are the personal items of Charles de Mestral, a member of the Sonde group from its inception. Whenever it has been possible to do so, each item is referenced to the events listing entitled: RÉALISATIONS DANS LE DOMAINE DE L’INSTALLATION SONORE (1985-2013, Charles de Mestral) / Sound Installations (1985-2013, Charles de Mestral) a numbered, chronological list of activities of Charles de Mestral. The Charles de Mestral Papers include scores, correspondence, installation plans, clippings, audio recordings and publications.

de Mestral, Charles

Paul Helmer's "Growing with Canada" Collection

  • CA MDML 020
  • Collection
  • 1917-2011

Paul Helmer’s "Growing with Canada" Collection constitutes an important resource for research in Canadian music and culture of the twentieth century. Canadian music and culture of the twentieth century. The Collection has been divided into seven series and contains approximately 1 140 items. Of particular interest are the edited interview transcripts (S.1 and S.7, available in print and .pdf, respectively), which Dr. Helmer had intended Paul Helmer Finding Aid Page 3 of 18 17 July 2014 as the second volume of his project. The Collection also contains the raw material for these edited transcripts: namely, the unedited transcripts and audio recordings themselves, as well as biographical information for each “émigré” musician discussed (with correspondence, copies of source material and photographs), copies of primary and secondary sources on immigration and internment, and miscellaneous items, including correspondence, unused research materials and notes relating to the book launch for "Growing with Canada".

Helmer, Paul

Hellmuth Wolff Organ Collection

  • CA MDML 022
  • Collection
  • 1969-2009

The Hellmuth Wolff Organ Collection consists primarily of organ plans, pamphlets, photographs, books and periodicals, and personal correspondence. The majority of these documents are associated with or represent one of the fifty organs in Wolff’s opus. In addition to depicting Wolff’s instruments, the collection of organ plans also includes Wolff’s drawings for proposed but not-constructed organs, plans by other organ builders, and plans drawn by Wolff that are based on historical models and treatises by writers such as Dom Bédos. Of the photographs, most are associated with specific Wolff organ projects and represent a span date of the late 1960s to the early 2000s. Also in the photograph collection are images of historical organs in Europe, which Wolff presumably used in modelling and designing several of his instruments, as well as images associated with other organ projects by builders such as Casavant Frères, Karl Wilhelm, and Rieger, all of whom Wolff worked with before establishing his own workshop in Laval. The collection of pamphlets includes programs, program notes, and concert series information for several of the Recitals and concerts performed on Wolff’s instruments. Of the periodicals and books, titles include The American Organist, Choir & Organ, and Orgelforum. Also in the collection are several three-dimensional models, or maquettes, of Wolff organs.

Wolff & Associés Ltée

Charles Reiner Collection

  • CA MDML 001
  • Collection
  • 1924?-2006, predominant 1950-1989

The Charles Reiner Collection consists of correspondence, newspaper reviews and clippings, performance programmes, personal documents including legal material, photographs, writings, published and unpublished music by Reiner and other composers, audio and visual recordings of Reiner and other performers, books, and awards. Of particular interest is correspondence from Rudolf Serkin, Alfred Cortot, and Kurt Waldheim; legal documents from both before and after Reiner’s immigration to Canada; and the extensive collection of programmes and newspaper clippings that document Reiner’s extensive performance career.

Reiner, Charles

Paul Pedersen Collection

  • CA MDML 014
  • Collection
  • 1955-2005

The Paul Pedersen Collection consists of Paul Pedersen’s complete portfolio of published and unpublished compositions, sketches, lecture notes and writings. In addition, it contains documentary artifacts including correspondence, teaching and course materials, concert programmes and posters, project reports, etc, that chronicle his early education and life in Alberta and Toronto, through his professorship and deanship at McGill University and finally his appointment of Dean and professor of Music at the University of Toronto.

Pedersen, Paul

Donald Mackey Collection

  • CA MDML 004
  • Collection
  • 1935-2004

The Donald Mackey Collection consists of the Donald Mackey and Renaissance Singers of Montreal complete portfolio of CBC broadcast programmes and scripts. In addition, the fond contains documentary artifacts including correspondence, concert programmes, photographs, audio recordings and special projects that chronicle Mackey’s career as conductor of the Renaissance Singers of Montreal and his life in Montreal. This includes information about his professorship at the faculty of music of McGill University, his active involvement in Montreal’s vibrant church music scene as organist and conductor, his appointment as University Organist Emeritus, etc.

Mackey, Donald

Phonothèque québécoise Collection

  • Collection
  • 1994 - 2004

The collections including here were orginally donated to the Phonothèque québécoise by Michel Décarie, Maryvonne Kendergian (Kendergi), Réal La Rochelle, Robert Daudelin, Raymond Gervais, Nicole Guilleret and Philippe Trolliet.

A history of the collections and information about the donors can be viewed here: https://web.archive.org/web/20191203205045/http://www.phonotheque.org/Inventaires/CollectionsPhono-Inv.html

Richard Coulter Collection

  • CA MDML 019
  • Collection
  • 1953-1994

The Richard Coulter Collection provides extensive documentation for a period of approximately thirty years in the history of the Canadian Broadcasting Corporation (CBC). It constitutes an invaluable resource for research in Canadian music culture, and the CBC in particular and prominent Canadian composers and performers. The Richard Coulter Collection consists of the radio scripts, production information and publicity connected with programs and program series commissioned, developed and broadcast on CBC Radio in Canada in the 60s, 70s and 80s. The collection also contains audio recordings of a portion of the programs produced. The collection features such prominent North Americans such as Glenn Gould and John Cage. It is divided into ten series and contains approximately 17,000 items. The majority of the collection consists of documents and correspondence from Richard Coulter’s CBC office files relating to the CBC radio programs, special events and talent festivals that he produced. These include radio and television scripts, correspondence, administrative files, project reports, concert programs, publicity, promotional information, press clippings, payment information, contracts, production and technical information, scores, and audio tapes.

Coulter, Richard

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