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The collection consists of programs and recordings of ensemble performances (including opera) by students, faculty members, and guest artists associated with the Schulich School of Music at McGill University and performed at one of the School's halls (Pollack Hall, Redpath Hall, Tanna Schulich Hall, and Clara Lichtenstein Hall), as well as some performances at venues outside McGill.

The collection consists of of AIDS activism materials, with an emphasis on its manifestation in Canada's visual art world, through the collections of John A. Schweitzer and others. Several of the documents have been signed by either John A. Schweitzer or Robert Mapplethorpe. The materials in the collection include posters, press releases, conference programs, exhibition catalogues, exhibition invitations, exhibition ephemera, programs, brochures, tear-sheets, auction catalogues, and reviews. It also contains a second accrual of ephemeral materials collected by John Schweizer on human sexuality and AIDS activism, including many clippings.

Collection consists of materials collected and accumulated during the Covid-19 pandemic in Montreal, Quebec, primarily in 2019-2020. Materials include newspapers and periodicals, ephemera related to vaccination, containment measures, masking, etc., test kits, and masks.

Collection consists of menus acquired individually by the library. Menus date back to 1877, but most of the menus are twentieth century. The bulk of menus are from Montreal-area restaurants and hotels, representing French, Quebecois, and other styles of cuisine such as Indian. Some menus are from specific dinners given at hotels, special events, or in honour of dignitaries, such as a dinner for Edward, Prince of Wales, 1919. A subset of menus relate specifically to travel and include train dining car menus and steamship menus.

This collection is an artificial collection containing archival material related to McGill University. The material in this collection was created over time by McGill administration, staff, faculty, and students, between roughly 1800 and 2019. The subject of the material varies, but the collection generally documents the activities of the university and its staff, and the experiences of McGill students, both during their studies and after graduation.

The collection is arranged by form/genre into 7 series: 01 Documents, 02 Ephemera, 03 Scrapbooks and notebooks, 04 Graphic materials, 05 Audiovisual materials, 06 Textiles, 07 Artifacts. This arrangement was chosen because of the collection’s size, and because it was artificially created by the University’s archives by combining many smaller collections and fonds.

Information about the university bodies, student groups, or people represented in the collection is found in the statement of responsibility and scope and content fields at the file or item level.

The Sonde Collection provides a thirty-five year span of documentation for a Montreal-based Canadian experimental musical group who were very active electroacoustic composers and performers in the 70s and 80s. Sonde (formerly named MUD, Musical Design), created and played sound sources in Quebec, Canada and Europe. Sonde’s compositions were generally conceived for live performance on original sound sculptures. Using meditative improvisation, the group produced new music with sounds created by electroacoustic amplification and transformation.
The Sonde Collection is divided into 26 series and contains approximately 1,900 items. The majority of the collection consists of correspondence, concert posters and programs, and audio and video recordings. Activities of the Sonde group are described together as Sonde Papers and the activities of Charles de Mestral, a founding member of the group as Charles de Mestral Papers.
In the Sonde Papers, whenever it has been possible to do so, each item is referenced to the events listing, a numbered, chronological listing of events created by the group, entitled: ACTIVITES DU GROUPE SONDE (1975-2010) / Sonde Activities (1975-2010). The Sonde Papers include posters, programmes, scores, photographs, audio and video recordings.
The Charles de Mestral Papers are the personal items of Charles de Mestral, a member of the Sonde group from its inception. Whenever it has been possible to do so, each item is referenced to the events listing entitled: RÉALISATIONS DANS LE DOMAINE DE L’INSTALLATION SONORE (1985-2013, Charles de Mestral) / Sound Installations (1985-2013, Charles de Mestral) a numbered, chronological list of activities of Charles de Mestral. The Charles de Mestral Papers include scores, correspondence, installation plans, clippings, audio recordings and publications.

The collection consists of reports, correspondence, borrowing agreements, and issues of the McGill University Medical Library News from December 1979 to December 1994. It also includes library guides; documents concerning off-site storage at the Currie Gym (1999, 2002, 2013); records of library opening hours from 1980 to 2000; and letters, emails, and a 13-page petition addressing low temperatures in the Health Sciences Library (1989–1991). Additional materials include reports and articles on air quality concerns in the Strathcona Anatomy and Dentistry Building following lawsuits filed by Dr. Mishkin and Dr. Aaron after their leukemia diagnoses (2002), as well as the Life Sciences Library Concept Brief (2008).

The collection further holds pamphlets such as Walking Tour of McGill University (1990) and Continuity & Change: 175 Years of the McGill University Health Sciences Library (1999); reprints of historical articles on the medical library McGill University, The Medical Library (C.F. Wylde, 1927), History of the Medical Library, McGill University (M. Bickley, 1954), The McGill Medical Librarians, 1829-1929, (M. Benjamin, 1962), The Osler Library of the History of Medicine (Dr. Bates, 1967); a June 26, 2013 issue of The Montreal Gazette featuring the article McGill’s Medical Library is Closing, Staff Say; and a copy of C. Lyons’s Consultations regarding the Future of the Life Sciences Library: Possible Effects on the Osler Library (May 10, 2013).

Paul Helmer’s "Growing with Canada" Collection constitutes an important resource for research in Canadian music and culture of the twentieth century. Canadian music and culture of the twentieth century. The Collection has been divided into seven series and contains approximately 1 140 items. Of particular interest are the edited interview transcripts (S.1 and S.7, available in print and .pdf, respectively), which Dr. Helmer had intended Paul Helmer Finding Aid Page 3 of 18 17 July 2014 as the second volume of his project. The Collection also contains the raw material for these edited transcripts: namely, the unedited transcripts and audio recordings themselves, as well as biographical information for each “émigré” musician discussed (with correspondence, copies of source material and photographs), copies of primary and secondary sources on immigration and internment, and miscellaneous items, including correspondence, unused research materials and notes relating to the book launch for "Growing with Canada".

The collection consists of research materials accumulated by members of the Burney Centre between approximately the years 1960 and 2010. The research materials are chiefly photocopies of letters from Burney family members the originals of which are held in European and other North American libraries. There are also three boxes of microfilm of letters, newspapers, and other documents associated with the Burney family. The materials total thousands of photocopies and hundreds of microfilm reels which have brought together ten thousand letters scattered over numerous major collections (including the Berg Collection at the New York Public Library, the Beinecke Library at Yale University, the British Library, the Morgan Library, the Houghton Library at Harvard, and the Huntington Library).